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File:Presumed portrait of Elisabeth Christine of Brunswick-Wolfenbüttel - Palazzo Comunale.png

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Summary edit

"ritratto di donna"
Artist
"Ambito Marchigiano"
Unidentified painter  
 
Description 18th-century portrait paintings of women, with Not identified, Unspecified, Unmentioned, Unattributed, UnknownUnknown or anonymous artist
label QS:Len,"Not identified, Unspecified, Unmentioned, Unattributed, UnknownUnknown or anonymous artist"
label QS:Lpt,"Não identificado, Não especificado, Não mencionado, Não atribuído, UnknownUnknown ou artista anonymous"
and missing location and year.
Title
"ritratto di donna"
Description
English: Portrait of a Woman
label QS:Les,"Retrato de una mujer"
label QS:Lhu,"Női portré"
label QS:Let,"Naise portree"
label QS:Lru,"Женский портрет"
label QS:Lde,"Porträt einer Frau"
label QS:Lpt,"Retrato de uma mulher"
label QS:Len-gb,"Portrait of a Woman"
label QS:Lfa,"چهرهٔ یک زن"
label QS:Lsl,"Ženski portret"
label QS:Lsv,"Porträtt av en kvinna"
label QS:Lpl,"Portret kobiety"
label QS:Lnl,"Portret van een vrouw"
label QS:Lvec,"Ritrato de na dona"
label QS:Lit,"Ritratto di donna"
label QS:Len,"Portrait of a Woman"
label QS:Leo,"Portreto de virino"
label QS:Lmk,"Портрет на жена"
label QS:Lfr,"Portrait de femme"
, presumably Elisabeth Christine of Brunswick-Wolfenbüttel (1691-1750), wife of Charles VI, Holy Roman Emperor (1685-1740)
  • Identification proposed by user Ecummenic (talk) based on the comparison with some portraits of that princess (see images below)
Italiano: "Il dipinto fa parte di una serie di ritratti di uomini e donne illustri. La serie si presenta omogenea sia nei caratteri iconografici che stilistici. Anche le cornici entro cui sono racchiusi risultano identiche. Si potrebbe ipotizzare che quando, nella seconda metà del XVIII secolo, fu edificato il nuovo palazzo comunale si pensò anche all'ornamentazione. Alla scelta di questo soggetto iconografico, di gusto ancora rinascimentale, non è estranea l'esistenza dell'opera dello storico corinaldese Vincenzo Maria Cimarelli, Istorie dello Stato di Urbino (1642), il cui terzo libro è dedicato alla storia di Corinaldo con un trattato sugli uomini illustri, che sembra aver fornito materia sia per i soggetti da rappresentare, che per le iscrizioni dipinte sotto di questi" [1]
Date dated by the instituion in circa 1750-1799, but based on the sitter's clothing and hairstyle it can be dated to between 1705-1725 and
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 89 cm (35 in); width: 71 cm (27.9 in)
dimensions QS:P2048,89U174728
dimensions QS:P2049,71U174728
Palazzo Comunale, Corinaldo, Marche
Source/Photographer https://catalogo.beniculturali.it/detail/HistoricOrArtisticProperty/1100116164
Other versions [2]

Licensing edit

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current23:41, 5 June 2021Thumbnail for version as of 23:41, 5 June 2021650 × 807 (375 KB)Ecummenic (talk | contribs){{Artwork |Author=Ambito Marchigiano{{17PortraitWomenArtistLocationYearMissing}} |Description="ritratto di donna Il dipinto fa parte di una serie di ritratti di uomini e donne illustri. La serie si presenta omogenea sia nei caratteri iconografici che stilistici. Anche le cornici entro cui sono racchiusi risultano identiche. Si potrebbe ipotizzare che quando, nella seconda metà del XVIII secolo, fu edificato il nuovo palazzo comunale si pensò anche all'ornamentazione. Alla scelta di questo so...

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