File:Reinaldo Nino et Camilche Cardenas, Au détour d’un coin de rue, Art souterrain 2014, Montréal. (13063314515).jpg
Original file (1,406 × 1,984 pixels, file size: 3.75 MB, MIME type: image/jpeg)
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Summary
editDescriptionReinaldo Nino et Camilche Cardenas, Au détour d’un coin de rue, Art souterrain 2014, Montréal. (13063314515).jpg |
Zone : 1000 de la Gauchetière Installation L’œuvre constitue une interprétation plastique des notions «nomade» et «sédentaire», des oppositions, en rapport au paysage urbain des grandes capitales latino-américaines. Elles reflètent ainsi d’autres oppositions sur le plan psychologique et sociologique de ces sociétés. Dans ce rapport entre deux contraires, l’œuvre prend forme: exploration de hauts contrastes, polarisations, contradiction. Nomade et sédentaire : la base du développement d’une grande capitale latino-américaine, le sol plastique où l’installation jette ses racines. <a href="http://www.artsouterrain.com/fr/reinaldo-nino-et-camilche-cardenas/" rel="nofollow">www.artsouterrain.com/fr/reinaldo-nino-et-camilche-cardenas/</a> |
Date | |
Source | Reinaldo Nino et Camilche Cardenas, Au détour d’un coin de rue, Art souterrain 2014, Montréal. |
Author | art_inthecity from Montréal, CA |
Camera location | 45° 29′ 54.8″ N, 73° 34′ 00.18″ W | View this and other nearby images on: OpenStreetMap | 45.498556; -73.566716 |
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Licensing
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This image was originally posted to Flickr by art_inthecity at https://flickr.com/photos/57286185@N04/13063314515 (archive). It was reviewed on 6 May 2019 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
6 May 2019
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 15:49, 6 May 2019 | 1,406 × 1,984 (3.75 MB) | Mindmatrix (talk | contribs) | Transferred from Flickr via #flickr2commons |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | SONY |
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Camera model | DSC-H55 |
Exposure time | 1/13 sec (0.076923076923077) |
F-number | f/3.5 |
ISO speed rating | 400 |
Date and time of data generation | 00:07, 1 January 2010 |
Lens focal length | 4.25 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | iPhoto 9.5.1 |
File change date and time | 00:07, 1 January 2010 |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 00:07, 1 January 2010 |
Meaning of each component |
|
Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 3.625 APEX (f/3.51) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Special instructions | K35cR75VQfGuKam3%4FIvQ |
IIM version | 2 |