File:Sequencer von Marcel Schmidt.jpg
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editDescriptionSequencer von Marcel Schmidt.jpg |
English: A pre-digital Sequencer constructed at the College for Music (Musikhochschule) in Cologne, Germany, by the sound engineer Marcel Schmidt in 1980. The device was used to trigger signals in a Moog modular synthesizer and an ARP 2500. Famous classical composers interested in the field of electronic music used the studio massively for their work.
Deutsch: Ein selbstgebauter Sequenzer zum Steuern analoger Synthesizer im Studio für elektronische Musik der Musikhochschule Köln. Der leitende Ingenieur des Studios, Marcel Schmidt, hat das prä-digitale Gerät 1980 fertiggestellt, um für an der Hochschule arbeitende Komponisten analoge Synthesizer der Firmen Moog und ARP automatisch zu steuern. |
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Source | Maximilian Schönherr |
Author | Maximilian Schönherr |
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current | 19:34, 11 April 2011 | ![]() | 5,048 × 2,380 (1.1 MB) | Maximilian Schönherr (talk | contribs) | {{Information |Description ={{en|1=A pre-digital Sequencer constructed at the College for Music (Musikhochschule) in Cologne, Germany, by the sound engineer Marcel Schmidt in the 1980s. The device was used to trigger signals in a Moog modular synthesiz |
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Camera manufacturer | Canon |
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Camera model | Canon EOS 5D Mark II |
Exposure time | 1/50 sec (0.02) |
F-number | f/4 |
ISO speed rating | 320 |
Date and time of data generation | 14:33, 11 April 2011 |
Lens focal length | 58 mm |
Orientation | Normal |
Horizontal resolution | 240 dpi |
Vertical resolution | 240 dpi |
Software used | Adobe Photoshop CS4 Windows |
File change date and time | 21:11, 11 April 2011 |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 14:33, 11 April 2011 |
APEX shutter speed | 5.643856 |
APEX aperture | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 4 APEX (f/4) |
Subject distance | 0.86 meters |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 68 |
DateTimeOriginal subseconds | 68 |
DateTimeDigitized subseconds | 68 |
Color space | Uncalibrated |
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Scene capture type | Standard |