File:Spiritual Conceits. - binders ticket (c109b1).jpg
Spiritual_Conceits._-_binders_ticket_(c109b1).jpg (398 × 409 pixels, file size: 24 KB, MIME type: image/jpeg)
Captions
Summary
editSpiritual Conceits. | ||||
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Artist |
Bone & Son of London |
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Author |
Rogers W. Harry |
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Title |
Spiritual Conceits. |
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Description |
Style: Publishers binding; Caption: binders ticket; Colour: Green; Edge: Gilt |
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Date | Binding: 19c | |||
Medium | Decorative Technique: Blocked in gold|Blocked in blind|Blocked in relief; Cover Material: Cloth, morocco vertical grain | |||
Accession number |
Shelfmark: c109b1 |
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Place of creation | Binding: England | |||
Object history | Text: 1862; London; Unspecified | |||
Notes |
The design is by William Harry Rogers. London: Griffith and Farran, Corner of St. Paul's Churchyard, 1862. London: Chiswick Press:- Printed by Whittingham and Wilkins, Tooks Court, Chancery Lane. 155x210x35mm. [16], 224p. On the title page verso:"The engraving by Joseph Swain". From the introduction, by Rogers, entitled: ‘To the Reader’: “ The book now offered to the public is an original illustrated companion, having only such affinity to its predecessors as must needs result from its being composed of certain emblematical devices with accompanying letter-press, the devices and the letter-press so illustrating each other as to be manifestly inseparable. In the second place, the fact that the editor and the artist are the same person is probably, a novel feature. In the third place, the emblems have been so grouped as not to prevent a melange of ideas associated by accident, but to give, as far as possible, one consecutive series of thoughts, developing Savanarola’s comprehensive sentiment, “If there be no enemy, no fight; if no fight, no victory; if no victory, no crown.” The Fathers of the Church, the noblest divines of the Middle Ages and the Old English poets, have been pressed into the service of one fixed and unassailable idea, which is clenched in the motto, “No Cross, no Crown;” and to this they have been asked to do duty in such wise as out of discordant parts to make one harmonious whole.” Bevelled boards. Gilt edges. Brown endpapers and pastedowns. Binder's ticket on lower pastedown: "/ Bound by/ Bone & Son/ 76, Fleet St. London./" [Ball no. 17C.] Green morocco vertical-grain cloth. Both covers are blocked identically in gold and in blind and in relief. On the borders there are two fillets, one blocked in gold, the next blocked in blind. Inside these, a border of repeating patterns is blocked in gold. The patterns are "three hatch leaf" and "hanging diamonds", each with four dots blocked inside in relief. There is a rectangular central panel, and, at the head and tail, rectangular gold lettering pieces are blocked. The one at the head contains the word: "/ Spiritual/", blocked in relief; the one at the tail contains the word: "/ Conceits", blocked in relief. Each lettering piece has diagonal fillets, which are blocked in vertical and horizontal hatch. The hatched fillets alternate with those which are blocked in gold, with small dots blocked in relief. Four rose flowers are blocked in gold underneath and above the two rectangular gold lettering pieces. They are surrounded by small stars, blocked in relief. The central panel is a quatrefoil, and around its perimeter fleur-de-lis are blocked in gold in a repeating pattern. At the very centre, surrounded by small stars and circles blocked in gold, an interlocking crown and a cross are blocked in gold. The decorative elements of the crown and cross are picked out in hatch and in relief. The spine decoration is all in gold and in relief. There is a fillet blocked in gold around the perimeter. The spine is divided into five panels. Numbers 1, 2 and 5 are formed by a single gold fillet. At the head, panel 1 contains a crow, surrounded by small stars and circles, all in gold. Panel 2 has the title: "/Spiritual/ Conceits/" is blocked in relief within a square gold lettering piece. Panel 3 has a descending scroll-like gold lettering-piece, with the words: "No Cross, No Crown" blocked in relief inside. In the centre of this panel the interlocking cross and crown are blocked. The monogram "WHR" is blocked in relief at the base of the scroll-shaped gold lettering-piece. In panel 4, "/ WH Rogers/" is blocked in relief inside a small gold lettering-piece. In panel 5, a cross, surrounded by small crowns and circles, is blocked in gold. See BL shelf mark 12304.e.18. "Emblems of Christian life" which has a similar design with only the title page and the title lettering on the covers being changed. Text copyright Edmund M B King and available under a CC0 license. For other Bone and Bone & Son bindings see c30h19, |
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References |
Ball, Douglas. Victorian publishers' bindings / (London : Library Association, c1985.) p.158 says that "Emblems of Christian Life" is a new edition of "Spiritual Conceits", which he had not seen. Blog http://19thcenturyartistsmonograms.blogspot.co.uk/ E M B King William Harry Rogers p.320. Blog http://19thcenturyartistsmonograms.blogspot.co.uk/ See M Packer, Bookbinders of Victorian London, London, 1991 |
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Source/Photographer |
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current | 14:43, 14 September 2015 | 398 × 409 (24 KB) | DimitraCharalampidou (talk | contribs) | GWToolset: Creating mediafile for DimitraCharalampidou. Part of the British Library's Digitised Bookbindings Collection |
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