File:THE STAGE AND ENTRANCE-PASSAGE. (1910) - illustration - page 273.png
THE_STAGE_AND_ENTRANCE-PASSAGE._(1910)_-_illustration_-_page_273.png (766 × 485 pixels, file size: 16 KB, MIME type: image/png)
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DescriptionTHE STAGE AND ENTRANCE-PASSAGE. (1910) - illustration - page 273.png |
English: Illustration from page 273 of THE STAGE AND ENTRANCE-PASSAGE..
Caption: "THE STAGE AND ENTRANCE-PASSAGE. Quote: "In front of the stage as one enters the theatre is the pit, which is partitioned into small compartments capable of holding four or five persons squatting. On either side are two stories of boxes and facing the stage across the pit is the gallery on the second or third story, which is mostly patronised by playgoers who, being unable to pay for the whole performance, come to see one or two of the best acts. From the sides of the stage two entrance-passages run through the pit towards the entrance. Actors walk under the passages to the entrance end and coming out into a box, make their appearance on the entrance-passage. These passages are very convenient as they give a larger room to the stage and impart a sense of distance when it is not expedient to crowd too suddenly on the stage. The stage is screened off from the auditorium by a drawn curtain in the larger theatres and by a drop-curtain in some of the smaller. When a popular actor is playing or some special piece is performing, curtains are presented by the patrons of the actor or the theatre; and in such a case several curtains are drawn one after another between the acts across the stage for the admiration of the audience."" |
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Date | ||||||||
Source | https://www.gutenberg.org/ebooks/65870 | |||||||
Author | Unknown authorUnknown author | |||||||
Permission (Reusing this file) |
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Other versions | Complete scan: File:Home Life in Tokyo 1910 by Jukichi Inouye.pdf |
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