File:Templum Jani (BM 1884,0112.61).jpg
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Captions
Summary
editTemplum Jani ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: Theodoor van Thulden
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Title |
Templum Jani |
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Description |
English: Plate 30: The Temple of Janus; a two-tiered structure with dome and stage across front on which figures enact a tableau of war and peace; at centre is the representation of The Opening of the Temple Doors with subsidiary scenes depicted in the flanking porticos: in the portico at right are Tranquility, Security and Peace, who drops her cornucopia and throws her weight unsuccessfully into pushing closed the heavy door; in the doorway Furor, with bandaged eyes and brandishing a sword and torch bursts from the interior darkness; to the right are two caryatid terms of Repose and Concord; on the parapet above is an ornament with emblems of peace, including agricultural implements and produce, flowers and two turtle-doves; two female personifications of Abundance and Fertility flank the candelabrum dedicated to Felicitas Temporum above the right portico; opposite, on the lower stage at left is the Ferocity of War with a soldier pulling the hair of a woman beside the personification of Death; the personifications of Discord and Tisiphone, wrench open the temple door, overturning an urn of blood; at far left are caryatid terms of Discord and Strife; on the parapet above is the trophy of war consisting of arms and armour and two grisly heads; two female personfication of Poverty and Grief flank the candelabrum dedicated to Calamitas Publica; crowning the pediment is a double bust of the Roman god, Janus; after Peter Paul Rubens; illustration for Gaspar Gevaerts' "Pompa Introitus" (Antwerp, 1641)
Etching |
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Depicted people | Illustration to: Gaspar Gevaerts | |||||||||||||||||||||||
Date | 1635-1641 (c.) | |||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1884,0112.61 |
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Notes |
One of a series of forty-three plates illustrating Gaspar Gevaerts' "Pompa Introitus"; for further comments see 1884,0112.31. The stage of the Temple of Janus, its dome reaching to nearly 19 metres in height and 15 metres in width, was erected along the procession route in the Melkmarkt, with the Cathedral rising behind it. In the ancient temple of Janus the doors were opened when Rome was at war and closed during times of peace. Rubens, in contrast, designed the doors of the temple in the painted tableau to be appear open, probably as an allusion to the misery in the city of Antwerp resulting from war. Rubens' initial conception for the temple, as recorded in the oil sketch in Leningrad, reveals considerable changes to design occurred in the final construction etched by Van Thulden. Initially it was distinctly smaller but with the delay in the date of Ferdinand's entry Rubens was able to expand the stage, lifting the dome and extending the wings. The responsibility for painting the wooden cut-outs for the temple went to Theodoor Rombouts, who collaborated with Jacob Jordaens and Jan Cossiers, among others. Lit: John Rupert Martin, The Decorations for the Pompa Introitus Ferdinandi, Corpus Rubenianum XVI, London, 1972, pp. 162-172. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1884-0112-61 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
editThis image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 14:32, 11 May 2020 | 1,348 × 1,600 (370 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Flemish prints in the British Museum 1635 #3,375/3,454 |
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Camera manufacturer | Apple |
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Camera model | iPad Air 2 |
Exposure time | 1/33 sec (0.03030303030303) |
F-number | f/2.4 |
ISO speed rating | 80 |
Date and time of data generation | 11:04, 9 January 2019 |
Lens focal length | 3.3 mm |
Width | 2,448 px |
Height | 3,264 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 11:17, 9 January 2019 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 11:04, 9 January 2019 |
Meaning of each component |
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APEX shutter speed | 5.0589898672532 |
APEX aperture | 2.5260688116622 |
APEX brightness | 3.4956409208555 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, No flash function |
DateTimeOriginal subseconds | 786 |
DateTimeDigitized subseconds | 786 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 31 mm |
Scene capture type | Standard |
Lens used | iPad Air 2 back camera 3.3mm f/2.4 |
Date metadata was last modified | 11:17, 9 January 2019 |
Unique ID of original document | 1BBE4F6AC8C23D8981A404C8003AA0E1 |
IIM version | 20,034 |