File:The 'Victory' Raking the Spanish 'Salvador del Mundo' at the Battle of Cape St Vincent, 14 February, 1797 RMG BHC0485.tiff

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Robert Cleveley: The 'Victory' Raking the Spanish 'Salvador del Mundo' at the Battle of Cape St Vincent, 14 February, 1797  wikidata:Q50900872 reasonator:Q50900872
Artist
Robert Cleveley  (1747–1809)  wikidata:Q3434814
 
Alternative names
Richard Cleveley; R. Clevely
Description British painter
Date of birth/death 25 December 1747 (in Julian calendarEdit this at Wikidata 28 September 1809 Edit this at Wikidata
Location of birth/death Deptford Dover
Authority file
creator QS:P170,Q3434814
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
The 'Victory' Raking the Spanish 'Salvador del Mundo' at the Battle of Cape St Vincent, 14 February, 1797 Edit this at Wikidata
title QS:P1476,en:"The 'Victory' Raking the Spanish 'Salvador del Mundo' at the Battle of Cape St Vincent, 14 February, 1797 Edit this at Wikidata"
label QS:Len,"The 'Victory' Raking the Spanish 'Salvador del Mundo' at the Battle of Cape St Vincent, 14 February, 1797 Edit this at Wikidata"
label QS:Lnl,"Zeeslag bij Cape St. Vincent, 14 februari 1797"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: The 'Victory' Raking the Spanish 'Salvador del Mundo' at the Battle of Cape St Vincent, 14 February, 1797

This painting is one of a pair with BHC0486, showing the Battle of St Vincent, 14 February 1797. The pair clearly relate to a pair of watercolours exhibited at the RA in 1798 and now in a private collection.

The end of the year 1796 found the British forced to abandon the Mediterranean, since Admiral Sir John Jervis's Mediterranean fleet was outnumbered in ships of the line by 38 to 13. Early in 1797, however, the French and Spanish fleets were separated without having followed up their advantage. On 1 February Admiral Don José de Cordova left Cartagena for Cadiz with 27 of the line. Jervis, whose fleet had been reduced to ten of the line determined to intercept him but before that happened he was reinforced by Rear-Admiral William Parker with five of the line. In the event, the performance of the British ships more than made up for the disparity in numbers and four of the Spaniards, including two first-rates, were taken.

The painting shows the commencement of the action, at the point when the 'Victory', 100 guns, raked the 'Salvador del Mundo', 112 guns, causing her to strike her flag. The 'Salvador del Mundo' is shown in the right foreground, in starboard-bow view, her stern swathed in the smoke of the 'Victory's' broadside, from which protrudes the port bow of that ship. In the left background a group of ships, in starboard-quarter view, bear down upon the enemy, while in the right background another group is in action.

The painting is signed and dated 1798. The artist was the son of John Clevely the Elder and the twin brother of John Clevely the Younger. Both brothers became painters having worked in Deptford Royal Dockyard. He was appointed Draughtsman to Prince William fourth Duke of Clarence (later William IV) and then became Marine Painter to George, the Prince Regent (later George IV). He specialized in battle scenes such as this and exhibited at the Royal Academy from 1780 to 1803. The Museum holds more than thirty of his drawings.

The 'Victory' Raking the Spanish 'Salvador del Mundo' at the Battle of Cape St Vincent, 14 February, 1797
Date 1798
date QS:P571,+1798-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 1067 x 1600 mm; Frame: 1307 x 1852 x 107 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0485
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11977
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1936-49
id number: BHC0485
Collection
InfoField
Oil paintings

Licensing edit

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current07:07, 25 September 2017Thumbnail for version as of 07:07, 25 September 20174,399 × 2,869 (36.11 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1798), http://collections.rmg.co.uk/collections/objects/11977 #1356

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