File:The Derveni krater, late 4th century B.C., Pentheus dressed as an armed hunter, Archaeological Museum, Thessaloniki, Greece (7457876666).jpg
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editDescriptionThe Derveni krater, late 4th century B.C., Pentheus dressed as an armed hunter, Archaeological Museum, Thessaloniki, Greece (7457876666).jpg |
The tenth figure in the Derveni krater frieze, under the handle opposite the deer-carrying maenads, is a bearded male figure dressed and armed as a hunter. In contrast to those of the maenads, the hunter’s face is expressive. His open mouth suggests he is shouting or crying out. Source: inha.revues.org/3976 The Derveni krater is a volute krater, the most elaborate of its type, discovered in 1962 in a tomb at Derveni, not far from Thessaloniki, and displayed at the Archaeological Museum of Thessaloniki. Weighing 40 kg, it is made of an alloy of bronze and tin in skillfully chosen amounts, which endows it with a superb golden sheen without use of any gold at all. The krater was discovered buried, as a funerary urn for a Thessalian aristocrat whose name is engraved on the vase: Astiouneios, son of Anaxagoras, from Larissa. Kraters (mixing bowls) were vessels used for mixing undiluted wine with water and probably various spices as well, the drink then being ladled out to fellow banqueters at ritual or festive celebrations. When excavated, the Derveni krater contained 1968.31 g of burnt bones that belonged to a man aged 35–50 and to a younger woman. The vase is composed of two leaves of metal which were hammered then joined, although the handles and the volutes (scrolls) were cast and attached. The top part of the krater is decorated with motifs both ornamental (gadroons, palm leaves, acanthus, garlands) and figurative: the top of the neck presents a frieze of animals and most of all, four statuettes ( two maenads, Dionysus and a sleeping satyre) are casually seated on the shoulders of the vase, in a pose foreshadowing that of the Barberini Faun. On the belly, the frieze in low relief, 32.6 cm tall, is devoted to the divinities Ariadne and Dionysus, surrounded by revelling satyrs and maenads of the Bacchic thiasos, or ecstatic retinue. There is also a warrior wearing only one sandal, whose identity is disputed: Pentheus, Lycurgus of Thrace, or perhaps the "one-sandalled" Jason of Argonaut fame. The exact date and place of making are disputed. Based on the dialectal forms used in the inscription, some commentators think it was fabricated in Thessaly at the time of the revolt of the Aleuadae, around 350 BC. Others date it between 330 and 320 BC and credit it to bronzesmiths of the royal court of Philip II of Macedon. The funerary inscription on the krater reads: ΑΣΤΙΟΥΝΕΙΟΣ ΑΝΑΞΑΓΟΡΑΙΟΙ ΕΣ ΛΑΡΙΣΑΣ The inscription is in the Thessalian variant of the Aeolian dialect: Ἀστιούνειος Ἀναξαγοραίοι ἐς Λαρίσας (Astioúneios Anaxagoraīoi es Larísas), "Astiouneios, son of Anaxagoras, from Larisa.[3] If transcribed in Attic, the inscription would read: Ἀστίων Ἀναξαγόρου ἐκ Λαρίσης (Astíōn Anaxagórou ek Larísēs). |
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Author | Carole Raddato from FRANKFURT, Germany |
Camera location | 40° 38′ 22.38″ N, 22° 56′ 13.45″ E | View this and other nearby images on: OpenStreetMap | 40.639549; 22.937070 |
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This image, originally posted to Flickr, was reviewed on 14 December 2013 by the administrator or reviewer File Upload Bot (Magnus Manske), who confirmed that it was available on Flickr under the stated license on that date. |
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current | 00:49, 14 December 2013 | 2,780 × 4,020 (5.95 MB) | File Upload Bot (Magnus Manske) (talk | contribs) | Transferred from Flickr by User:Marcus Cyron |
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Image title | OLYMPUS DIGITAL CAMERA |
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Camera manufacturer | OLYMPUS IMAGING CORP. |
Camera model | SP800UZ |
Exposure time | 1/5 sec (0.2) |
F-number | f/3.9 |
ISO speed rating | 400 |
Date and time of data generation | 12:45, 1 April 2012 |
Lens focal length | 13.2 mm |
Orientation | Rotated 90° CCW |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Version 1.0 |
File change date and time | 12:45, 1 April 2012 |
Y and C positioning | Co-sited |
Exposure Program | Creative program (biased toward depth of field) |
Exif version | 2.21 |
Date and time of digitizing | 12:45, 1 April 2012 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 2.97 APEX (f/2.8) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 73 mm |
Scene capture type | Standard |
Scene control | High gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |