Plate LXIV: Celtic No. 2, Interlaced styles. (1-5, 10-22, 26, 42-44. are borders of interlaced ribbon patterns, copied from Anglo-Saxon and Irish manuscripts. 6,7. Interlaced ribbon patterns, from the Golden Gospels. 8. Terminal ornament of initial letter, formed of interlaced and spiral lines, from the Gospels in the Paris Library, no. 693. 9. Interlaced ornament, from Irish manuscript at St. Gall. 23. Terminal ornament of initial letter from the Coronation Book of the Anglo-Saxon Kings. 24. Terminal ornament, with foliage and naturally drawn animals introduced, from the Golden Gospels. 27. Angulated ornament, with interlacement, from the Bible of St. Denis. 28. Pattern of angulated lines, from the Gospels of Lindisfarne. 29. Interlaced panel, from the Psalter of St. Augustine. 30. Ornament formed of four triquetrae conjoined, from the the Franco-Saxon Sacramentarium of St. Gregory. 31. Part of gigantic initial letter, from the Franco Saxon Bible of St. Denis. 32. Quatrefoil interlaced ornament, from the Rheims Sacramentarium. 33 Angularly interlaced ornament, from the Golden Gospels. 34 and 37. Interlaced ornaments, formed of red dots, from the Gospels of Lindisfarne. 35. Interlaced triquetral pattern, from the Coronation Gospels of Anglo-Saxon Kings. 36 Circular ornament of four conjoined triquetrae, from the Sacramentarium of Rheims. 38 and 40. Initial letters from the Gospels of Lindisfarne, with interlaced patterns, animals and angulated lines. 39. Terminal ornament, with dogs' heads, from the Franco-Saxon Sacramentarium of Rheims. 41 and 45. Quadrangular interlaced ornaments, from the Missal of Leofric.)
Owen Jones (British designer, 1809-1874)
1856 57 cm (page height) x 39 cm (page width)

From: Jones, Owen. The grammar of ornament ; Illustrated by examples from various styles of ornament. One hundred and twelve plates, Folio ed., London: B. Quaritch, 1910

See MCAD Library's catalog record for this book.