File:The Prince's Vision (BM 1851,0208.12).jpg

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The Prince's Vision   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist

Print made by: G E Madeley

Published by: Louis Kersten
Title
The Prince's Vision
Description
English: Images surrounding portrait of a sleeping Prince Albert, reclining to the right, full length, with eyes closed; directly above him an angel, and to the left Queen Victoria with three children; among plumes of clouds various ornately decorated cartouches with scenes representing Albert's vision and achievements around the Great Exhibition, including: military officers in conversation with other nations; huskies pulling a sled, possibly representing Russia; elephants carrying a man, possibly representing India; camels led in front of the pyramids, a naval fleet; and in the centre the crystal palace which housed the Great Exhibition. Above is Britannia in front of four other personifications of different countries.
Tinted Lithograph
Depicted people Portrait of: Albert, Prince Consort
Date circa 1851
date QS:P571,+1851-00-00T00:00:00Z/9,P1480,Q5727902
Medium paper
Dimensions
Height: 395 millimetres (border)
Width: 286 millimetres
institution QS:P195,Q6373
Current location
Prints and Drawings
Accession number
1851,0208.12
Notes

The phrase ‘Prince Albert’s vision’ soon came to refer to his ambition for an ‘culture’ centre of learning at South Kensington, encompassing a concentration of London’s learned and professional societies, in the area known as ‘Albertopolis’, a reflection of the Prince’s key role. Here it refers specifically to the Great Exhibition of 1851, the large surplus from which purchased the land on which the present concentration of museums, concert hall and art and music schools now stand. The cartouche containing a view of Paxton’s Crystal Palace is surrounded by reminders of the International character of its contents. Queen Victoria believed it to be his single greatest achievement and it is the catalogue of the Great Exhibition of the Industry of All Nations that his effigy is holding on his monument, the Albert Memorial in Kensington Gardens.

Cataloguing supported by the Pilgrim Trust
Source/Photographer https://www.britishmuseum.org/collection/object/P_1851-0208-12
Permission
(Reusing this file)
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.


This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


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Date/TimeThumbnailDimensionsUserComment
current03:02, 16 May 2020Thumbnail for version as of 03:02, 16 May 20201,941 × 2,500 (551 KB)Copyfraud (talk | contribs)British Museum public domain uploads (Copyfraud/BM) Coloured lithographs in the British Museum 1851 #8,824/21,781

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