File:Transfer printing on enamels, porcelain and pottery - its origin and development in the United Kingdom (1907) (14776757095).jpg

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Identifier: transferprinting00turn (find matches)
Title: Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom
Year: 1907 (1900s)
Authors: Turner, William, -1643
Subjects: Transfer-printing Pottery Enameled ware
Publisher: London : Chapman and Hall New York : Keramic Studio Pub. Co.
Contributing Library: Getty Research Institute
Digitizing Sponsor: Getty Research Institute

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an enameller, it was a most important thing toknow that a rival to his art was coming into the field.Having seen those Bow prints so beautifully anddelicately engraved and transferred, we can easilyunderstand why a man of rare ability and taste, likeWilliam Duesbury, would be dissatisfied with therougher work achieved by Richard Holdship and hisengravers. Moreover, there was also the Worcestertransfer work of Hancock which must have beenknown to Mr. Duesbury, and which was so muchsuperior, artistically, to the other mans. It appearsthat Duesbury tried to introduce bat printing at Derbyso late as the year 1789, but failed. That would beabout the time when the bat process was beginning todecline, having been ousted by the underglaze blueprint which was then becoming (or had become) verypopular. See Jewitts Ceramic Art of GreatBritain, p. 342. Richard Holdship had joined the majority inall probability by that time. His younger brother,Josiah, died at Worcester in 1784. 56 Plate No. XVII.
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Fig. B 5. JUG CREAM WARE, BLACK PRINT.Staffordshire. Fig. B 6. REVERSE OF JUG, CREAM WARE, BLACK PRINTStaffordshire. I Development in the 18th Century. Whether Holdship had a printing shop of his own,or was allocated a room by Duesbury at the NottinghamRoad Old Derby Factory, we do not know. Butthere was another factory existent then at Derby andnot far off from Duesburys. It was situated atCockpit Hill, near the Market Place. It was ownedby Heath, and others, and was sold up in 1780. Anengraver, named Thomas Radford, worked at it. Ateapot with the Hancock form of Tea Party engravedon it, is figured here at Fig. A18, bearing Radfordssign-manual. Holdship may have done transferringwork there. We do not know ; neither do we knowmuch more about this interesting old spot. As notedin another part of this volume Radford seems to haveworked at Shelton as well. He probably died inStaffordshire. His name is enrolled as engraver onthe map hst given by Chaffers for 1802. He was oneof those obscu

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Author Turner, William, -1643
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  • bookid:transferprinting00turn
  • bookyear:1907
  • bookdecade:1900
  • bookcentury:1900
  • bookauthor:Turner__William___1643
  • booksubject:Transfer_printing
  • booksubject:Pottery
  • booksubject:Enameled_ware
  • bookpublisher:London___Chapman_and_Hall_
  • bookpublisher:_New_York___Keramic_Studio_Pub__Co_
  • bookcontributor:Getty_Research_Institute
  • booksponsor:Getty_Research_Institute
  • bookleafnumber:112
  • bookcollection:getty
  • bookcollection:americana
Flickr posted date
InfoField
29 July 2014

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