File:Une théorie photographique par Nadar.jpg
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“Sir, it's for the portrait of my husband who died two years ago in Buenos Aires. I wanted it painted from memory, but I was told that photography could provide a better likeness . . .”
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Français : Petit journal pour rire, numéro 20 - rédacteur en chef : Nadar 1856 - directeur : Charles Philipon
Une théorie photographique, — par Nadar. Sur la porte : Seule maison, Nadar, 113 rue St. Lazare, (Pas de Succursale), Photographie artistique. « — Monsieur, c'est pour le portrait de mon mari qui est mort il y a deux ans à Buenos-Ayres : je voulais le faire peindre de mémoire, mais on m'a dit que la photographie faisait bien plus ressemblant que la peinture... » English: Petit journal pour rire, N° 20 - chief editor : Nadar 1856 - director : Charles Philipon “Sir, it's for the portrait of my husband who died two years ago in Buenos Aires. I wanted it painted from memory, but I was told that photography could provide a better likeness . . .” |
| Date | |
| Source | Petit journal pour rire numéro 20 |
| Author | Nadar |
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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. |
| This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. | |
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