File:Watercolour of New Plymouth, by John Gully c.1850s (17415766111).jpg
Original file (5,835 × 3,665 pixels, file size: 2.66 MB, MIME type: image/jpeg)
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Summary
editDescriptionWatercolour of New Plymouth, by John Gully c.1850s (17415766111).jpg |
This watercolour by the popular artist John Gully shows the settlement of New Plymouth, including forts, harbour and countryside. A print of this work was created and sent to the British Government by Governor Gore Browne on 13 March 1860, a week before full-scale war erupted in the area. It was filed as ‘Papers relating to the recent disturbance in New Zealand’. One cause of the conflict was Gore Browne’s acceptance of an offer to buy contested Waitara land that contributed to the Taranaki and New Zealand Land Wars of the 1860s: www.nzhistory.net.nz/war/taranaki-wars This image was published in the United Kingdom, becoming the only New Zealand view to appear in a British Parliamentary paper in the period up to 1875. As Anthony Ellis notes, the description of New Plymouth which accompanies the view was not complimentary about the settlement: "The town consists of a struggling village on a skirt of flat land, which is enclosed and commanded by a higher table land encircling the town in the form of a crescent. One end of this crescent is Marsland Hill, on which the barrack stands, and on the other extreme we are about to erect a stockade. The intervening space between the barrack and this block-house is about three quarters of a mile, but the ground is broken by ravines and swamps and covered with fern, so that what is delineated in the New Zealand Company's plan as squares and streets is in reality wild land, much tormented, and well adapted to cover and conceal the approach of an enemy. Isolated cottages dotted about at intervals, the town being confined to little more than a single street on the shore. The inland country generally is covered with high fern and dense forest, some of which is almost impenetrable to Europeans, and is everywhere broken by ravines and streams which are thrown off Mount Egmont [Taranaki]. There is a native pah in New Plymouth . . . and there are numerous pahs in every direction… The proposed blockhouses, which look so imposing in the sketch, may be described as wooden guard-houses, large enough to contain twenty men each. They are not yet constructed." The large redoubt in the centre is Marsland Hill Barracks, which was constructed in March 1856 on top of Pukaka Pā. By the start of the Taranaki Wars, Marsland Hill was the heart of a trench system that encircled the centre of the town and a naval camp commanding the surfboat landing place at Puke Ariki. Archives Reference: ADCZ W146 Box 5/ 1 [SEP No.1] archway.archives.govt.nz/ViewFullItem.do?code=20388439 Material from Archives New Zealand Caption information from blog.prints.co.nz/2013/08/story-of-print-of-new-plymouth-... |
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Date |
circa 1850 date QS:P,+1850-00-00T00:00:00Z/9,P1480,Q5727902 |
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Source | Watercolour of New Plymouth, by John Gully c.1850s | |||||||||||||||||||
Author |
creator QS:P170,Q6236564 |
Licensing
editPublic domainPublic domainfalsefalse |
This New Zealand work is in the public domain in New Zealand, because its copyright has expired or it is not subject to copyright (details). According to the New Zealand Copyright Act of 1994 as elaborated on by the Standing Committee on Copyright of the Library and Information Association of New Zealand (LIANZA), as of May 2011:
1 Some government publications are not subject to copyright, including bills, acts, regulations, court judgments, royal commission and select committee reports, etc. See references [1] or [2] for the full list. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that this work might not be in the public domain in countries that do not apply the rule of the shorter term and have copyright terms longer than life of the author plus 50 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, Switzerland and the United States are 70 years, and Venezuela is 60 years. |
Public domainPublic domainfalsefalse |
This work is in the public domain in the United States because it meets three requirements:
For background information, see the explanations on Non-U.S. copyrights.
Note: This tag should not be used for sound recordings. |
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 21:06, 8 September 2016 | 5,835 × 3,665 (2.66 MB) | Vanished Account Byeznhpyxeuztibuo (talk | contribs) | Transferred from Flickr via Flickr2Commons |
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Metadata
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Camera manufacturer | Phase One |
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Camera model | IQ180 |
Exposure time | 2,366/757,121 sec (0.0031249958725224) |
F-number | f/8 |
ISO speed rating | 100 |
Date and time of data generation | 12:45, 8 May 2015 |
Lens focal length | 80 mm |
Width | 5,941 px |
Height | 4,299 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Data arrangement | chunky format |
Software used | Adobe Photoshop CC 2014 (Windows) |
File change date and time | 12:45, 8 May 2015 |
Exif version | 2.2 |
Date and time of digitizing | 12:45, 8 May 2015 |
APEX shutter speed | 8.32193 |
APEX aperture | 6 |
Light source | Daylight |
DateTimeOriginal subseconds | 00 |
DateTimeDigitized subseconds | 00 |
File source | Digital still camera |
Scene type | A directly photographed image |
White balance | Manual white balance |