The Rest on the Flight into Egypt
Passage of the stop or rest during the trip to Egypt of the Holy Family
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Deutsch: Ruhe auf der Flucht nach Ägypten
Français : Repos pendant la fuite en Égypte
English: Rest on the Flight into Egypt
Español: Descanso en la huida a Egipto
Italiano: Riposo durante la fuga in Egitto
Nederlands: Rust tijdens de vlucht naar Egypte
Português: Descanso na fuga para o Egito
Description of the subject
edit- English: The rest in the flight to Egypt is a subject in Christian art that shows Mary, Joseph and the baby Jesus in a stop during his flight to Egypt. The iconography is very varied, although the representations of the travelers in a landscape from the sixteenth century abound, as well as the episode of the date palm vareada by Joseph or an angel to feed the child and the scenes of suckling. In the New Testament, it begins to be represented frequently from the second half of the fourteenth century, perhaps associated with the aforementioned biblical passage of the "legend of the palm tree" (which in the iconographic evolution will be replaced by various trees, especially fruit trees). The painting considered older is part of the great altarpiece of 24 panels, in the Cathedral of Grabow, attributed to Master Bertram, a painter located in the Hamburg area around 1379.
- Español: El descanso en la huida a Egipto es un tema en el arte cristiano que muestra a María, José y el niño Jesús en una parada o alto durante su huida a Egipto. La iconografía es muy variada, aunque abundan las representaciones de los viajeros en un paisaje a partir del siglo xvi, así como del episodio de la recolección de frutos de la palmera por José (o un ángel), para alimentar al niño, y las escenas de amamantamiento. El motivo, apenas comentado en el Nuevo Testamento, comienza a representarse con frecuencia a partir de la segunda mitad del siglo xiv, quizá asociado al referido pasaje bíblico de la "leyenda de la palmera" (que en la evolución iconográfica será sustituida por diversos árboles, en especial los frutales). La pintura considerada más antigua forma parte del gran retablo de 24 paneles, en la catedral de Grabow, atribuido al Maestro Bertram, pintor localizado en la zona de Hamburgo hacia 1379.
Chronological general gallery
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Sienese school frescos in the Crypt of the cathedral in Siena, ~1280
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Meister Bertram von Minden, ~1379
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Martin Schongauer, ~1480
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Lucas van Leyden, (engraving) ~1506
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Fernando Llanos, ~1507
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Albrecht Altdorfer, ~1510
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Cranach School, ~1510
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Flemish tapestries in the Philadelphia Museum of Art, ~1510
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Joachim Patinir, ~1518-1520
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Andrea del Sarto, ~1525
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Giovanni Francesco Caroto, ~1520
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Pieter Bruegel the Elder, ~1563
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Michelangelo Caravaggio, ~1597
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Adam Elsheimer, ~1599
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Adam Elsheimer, ~1600
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Annibale Carracci, ~1604
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Orazio Gentileschi, ~1628
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Rembrandt van Rijn, ~1629
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Anthony van Dyck and Pauwel de Vos, ~1630-1632
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Angelo Caroselli, ~1630-1645
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Abraham Bloemaert, ~1632
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Peter Paul Rubens, ~1633 y 1635 (ink and chalk on paper)
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José de Ribera, ~1638-1652
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Rembrandt van Rijn, ~1647
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Abraham Bloemaert, ~1650
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Nicolas Poussin, ~1655-1657
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Claude Lorrain (follower), ~1680 (pen and brown ink with brown and white wash over black chalk on laid paper)
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Aert de Gelder, ~1690
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Marco Benefial, 1750
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Philipp Otto Runge, ~1805
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Adrian Ludwig Richter, ~1870
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Luc-Olivier Merson, 1880
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Hermann Prell (print), ~1889
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Hans Thoma, 1915
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Glyn Warren Philpot, 1922
The legend of the palm tree (iconographic models)
edit- English: According to Louis Réau in 'Iconographie de l'art chrétien' (Paris 1957, volume 2, pages 278-9), the scene was understood as a representation of paradise recovered.
- Español: Según Louis Réau la escena sugiere una representación del paraíso recuperado. (Iconographie de l'art chrétien; París 1957, volumen 2, páginas 278-9)
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Hans Memling, ~1475
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Gerard David, ~1510
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Fra Bartolomeo, ~1500
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Netherlandish School, ~1510-1530
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Correggio, ~1528
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Anonymous engraving of the seventeenth century
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Cavalier d'Arpino, 1597
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Gregorio de Ferrari, ~1675