File:A Frigate Coming to Anchor in the Mersey RMG BHC1153.tiff

Original file(3,784 × 2,542 pixels, file size: 27.52 MB, MIME type: image/tiff)

Captions

Captions

Add a one-line explanation of what this file represents

Summary edit

Robert Noir: A Frigate Coming to Anchor in the Mersey  wikidata:Q50899821 reasonator:Q50899821
Artist
Robert Salmon
image of artwork listed in title parameter on this page
Author
Robert Salmon  (1775–circa 1851
date QS:P,+1851–00–00T00:00:00Z/9,P1480,Q5727902
 wikidata:Q1722657
 
Robert Salmon
Alternative names
Robert Salomon; Robert W. Salmon; Salomon; R. Solomon; Salmon; Saloman
Description British-American painter
Marine painter
Date of birth/death 1775 Edit this at Wikidata circa 1851
date QS:P,+1851-00-00T00:00:00Z/9,P1480,Q5727902
Location of birth/death Whitehaven, England United Kingdom
Work location
Authority file
creator QS:P170,Q1722657
Title
A Frigate Coming to Anchor in the Mersey Edit this at Wikidata
title QS:P1476,en:"A Frigate Coming to Anchor in the Mersey Edit this at Wikidata"
label QS:Len,"A Frigate Coming to Anchor in the Mersey Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: A Frigate Coming to Anchor in the Mersey

An early work by the artist, painted when he was living and working in Liverpool. It is set in the Mersey, looking directly upstream from the river mouth. Perch Rock Fort is shown in the distance to the left of centre with the Bootle shore to the right. In the centre, in a choppy sea, a frigate is shown coming to anchor, close-hauled under shortened sail and flying the 1801-pattern blue ensign. In the distance on the left a naval squadron of the white is already at anchor. The first of these, immediately beyond the frigate's bow, flies the 1801white ensign. The artist has created a sensation of movement in the choppy water by showing spray at the frigate's bow. Figures can be seen on its pitching deck and the sense of movement is reinforced by the angle of the small craft in the right foreground, where the man on the right has his leg fully extended to brace himself.

Using a fresh approach the artist has adopted motifs from the Dutch tradition of marine painting, such as the floating spar in the foreground. Technical accuracy and careful delineation are informed by personal experience and intimate knowledge of the sea. This has led to the assumption that Salmon probably supplemented his income as an artist by working in shipping or related industry.

He was born in Whitehaven, Cumberland, where his family probably worked as mariners. He moved to London in the late 1790s and then to Liverpool in 1806. In 1828 he left England for Boston, Massachusetts, where he became a successful painter of marine views, ranging from small panels and canvases to theatrical moving panorama scenes. He returned to Europe about 1840 and died between 1848 and 1851, though where is uncertain. The painting is signed and dated 'R.S. 1802', the year that Salmon first exhibited at the Royal Academy.

A Frigate Coming to Anchor in the Mersey
Date 1802
date QS:P571,+1802-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Frame: 604 mm x 852 mm x 47 mm;Painting: 490 x 740 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC1153
Notes Signed and dated 1802. Acquisition method: vote.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/12645
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: OP1965-14
id number: BHC1153
Collection
InfoField
Oil paintings

Licensing edit

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current10:29, 21 September 2017Thumbnail for version as of 10:29, 21 September 20173,784 × 2,542 (27.52 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1802), http://collections.rmg.co.uk/collections/objects/12645 #1122

File usage on other wikis

Metadata