File:Clam-Pickers in Villerville (Wilhelm von Gegerfelt) - Nationalmuseum - 23842.tif
Original file (3,906 × 2,362 pixels, file size: 26.42 MB, MIME type: image/tiff)
Captions
Wilhelm von Gegerfelt: Clam-Pickers in Villerville | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q5754400 |
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Title |
English: Clam-Pickers in Villerville Svenska: Musselplockerskor i Villerville |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | landscape art | ||||||||||||||||||||||||||
Description |
English: Many of the Swedish artists who went to France made their way to Normandy. They were influenced by the style of painting represented by Charles-François Daubigny. The wind, the skies and the tide provided forever new painterly challenges. In their striving for realism, they sought subjects such as the dry seabed with seaweed, as though trying to distance themselves from anything that could be perceived as beauty. In their seascapes, the artists often portrayed people gathering mussels. This task was both harsh and hazardous. It was often performed by women and children. Svenska: Flera av de svenska Frankrikeresenärerna sökte sig till Normandie. Blåsten, skyarna och tidvattnet bjöd ständigt på nya måleritekniska utmaningar. I sin strävan att uppnå en realism målade man gärna torrlagda, tångskräpiga havsstränder – som för att distansera sig från det som kunde uppfattas som vackert. I kustbilderna skildrar konstnärerna utöver själva landskapet ofta arbetet med att plocka musslor. Detta var både slitsamt och riskfyllt och utfördes ofta av kvinnor och barn. |
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Original caption InfoField | English: Many of the Swedish artists who went to France made their way to Normandy. They were influenced by the style of painting represented by Charles-François Daubigny. The wind, the skies and the tide provided forever new painterly challenges. In their striving for realism, they sought subjects such as the dry seabed with seaweed, as though trying to distance themselves from anything that could be perceived as beauty. In their seascapes, the artists often portrayed people gathering mussels. This task was both harsh and hazardous. It was often performed by women and children. Svenska: Flera av de svenska Frankrikeresenärerna sökte sig till Normandie. Blåsten, skyarna och tidvattnet bjöd ständigt på nya måleritekniska utmaningar. I sin strävan att uppnå en realism målade man gärna torrlagda, tångskräpiga havsstränder – som för att distansera sig från det som kunde uppfattas som vackert. I kustbilderna skildrar konstnärerna utöver själva landskapet ofta arbetet med att plocka musslor. Detta var både slitsamt och riskfyllt och utfördes ofta av kvinnor och barn. |
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Date |
Unknown date Unknown date |
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Medium |
oil on panel medium QS:P186,Q296955;P186,Q287,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 6793 |
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Object location |
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Inscriptions |
Svenska: Signerad: W de Gegerfelt. |
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References | |||||||||||||||||||||||||||
Source/Photographer | Erik Cornelius / Nationalmuseum | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:58, 7 October 2016 | 3,906 × 2,362 (26.42 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = |artist = {{Creator:Wilhelm von Gegerfelt}} |title = {{en|Clam-Pickers in Villerville}} {{sv|Musselplockerskor i Villerville}} |wikidata = Q18601504 |object_type... |
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Image title | Wilhelm von Gegerfelt Musselplockerskor i Villerville |
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Author | Nationalmuseum / The National Museum of Fine Arts |
Copyright holder | Nationalmuseum foto: Hans Thorwid |
Width | 3,906 px |
Height | 2,362 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 28,642 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 2,362 |
Bytes per compressed strip | 27,677,916 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS4 Windows |
File change date and time | 14:05, 1 September 2010 |
Color space | Uncalibrated |