File:Georges Seurat - L’écho (Echo), c1883-1884 - Yale University Art Gallery.tif
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Captions
Summary edit
Georges Seurat: L’écho (Echo) | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q34013 |
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Title |
L’écho (Echo) label QS:Len-gb,"L’écho (Echo)"
label QS:Len,"L’écho (Echo)"
label QS:Lde,"Echo" |
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Object type |
drawing object_type QS:P31,Q93184 |
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Description |
L’écho (Echo), study for Une baignade, Asnières (Bathers at Asnières) |
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Date |
between circa 1883 and circa 1884 date QS:P,+1883-00-00T00:00:00Z/8,P1319,+1883-00-00T00:00:00Z/9,P1326,+1884-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | Conté crayon on Michallet paper | ||||||||||||||||||||||||||
Dimensions | 31.2 × 24 cm (12 5/16 × 9 7/16 in.) | ||||||||||||||||||||||||||
Collection |
institution QS:P195,Q1568434 |
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Accession number |
1966.80.11 |
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Credit line | Bequest of Edith Malvina K. Wetmore | ||||||||||||||||||||||||||
Notes | This drawing is one of several known conté crayon studies for Georges Seurat’s large 1884 oil painting, Bathers at Asnieres (National Gallery, London). For this highly finished drawing, Seurat used his characteristic, toothy Michallet paper, which captured bits of the crayon as it worked across the paper’s surface, leaving minute areas of the sheet void of medium. The overall effect is one that beautifully simulates, in monotone, the flickering qualities of Seurat’s Pointillist canvases. There are no sharp contours in this image: forms are defined by juxtaposed areas of conté tone rather than by line. By filling the entire sheet with the figure’s head and upper torso and sharply cropping the boy’s elbow and hat, Seurat isolated the figure both physically and psychologically—an effect that he transferred to the finished canvas.[1] | ||||||||||||||||||||||||||
References | Robert L. Herbert et al., Georges Seurat: 1859–1891, exh. cat. (New York: The Metropolitan Museum of Art, 1991), 169, no. 117. - Seurat 1859–1891: Paintings and Drawings, exh. cat. (New York: Knoedler and Company, 1949), 26, no. 26. | ||||||||||||||||||||||||||
Source/Photographer | [2] | ||||||||||||||||||||||||||
Other versions |
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Licensing edit
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 12:54, 22 October 2022 | 2,321 × 3,000 (19.94 MB) | WideAngleEyes (talk | contribs) | {{Artwork |artist = {{Creator:Georges Seurat}} |title = L’écho (Echo) |description = L’écho (Echo), study for Une baignade, Asnières (Bathers at Asnières) |object type = drawing |date = circa 1883-1884 |medium = Conté crayon on Michallet paper |dimensions = 31.2 × 24 cm (12 5/16 × 9 7/16 in.) |institution = {{Institution:Yale University Art Gallery}} |department = |location = |accession... |
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Width | 2,321 px |
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Height | 3,000 px |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 128 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |