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File:Pieter Lastman, Englen Rafael tager afsked med den gamle Tobit og hans søn Tobias, 1618, KMS3922, Statens Museum for Kunst.jpg

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Pieter Lastman: The Angel Raphael Takes Leave of Old Tobit and his Son Tobias  wikidata:Q20355132 reasonator:Q20355132
Artist
Pieter Lastman  (1583–1633)  wikidata:Q352864
 
Description Dutch painter and visual artist
Date of birth/death 1583 Edit this at Wikidata 4 April 1633 Edit this at Wikidata
Location of birth/death Amsterdam Amsterdam
Work location
Rome (1603–1607); Amsterdam (1607–1633) Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Englen Rafael tager afsked med den gamle Tobit og hans søn Tobias

The Angel Raphael Takes Leave of Old Tobit and his Son Tobias
title QS:P1476,da:"Englen Rafael tager afsked med den gamle Tobit og hans søn Tobias"
label QS:Lda,"Englen Rafael tager afsked med den gamle Tobit og hans søn Tobias"
Object type painting
object_type QS:P31,Q3305213
Genre religious art Edit this at Wikidata
Description
Dansk: Englen Rafael tager afsked med den gamle Tobit og hans søn Tobias
Dansk: Den gamle Tobias og hans søn knæler for englen
  • Dansk: Lågkanden set i forkortning yderst til højre på fadet forekommer i flere malerier og er udført af Adam van Vianen i 1614 til Sølvsmedelauget i Amsterdam (se komparativt materiale og litteratur).
Depicted people
Date 1618
date QS:P571,+1618-00-00T00:00:00Z/9
Medium
Dansk: Olie på træ
Dimensions height: 887 mm (34.92 in); width: 1,197 mm (47.12 in)
dimensions QS:P2048,887.0U174789
dimensions QS:P2049,1197.0U174789
institution QS:P195,Q671384
Accession number
KMS3922
Object history
  • Dansk: ( - 1656: I inventariet over Rembrandts fallitbo nævnes en "Tobias" malet af Lastman)

- 1792: Freise formoder, at billedet forekom på Jan Wubbels auktion i Amsterdam, solgt til Yver. - 1819: Hans Rudolph Saabyes Samling, solgt ved auktion i København, nr. 21, købt af Grev Moltke - 1931, 1.-2. juni: ved Moltkes Auktion (kat. 69) Købt af Ny Carlsberg Fondet for 3500kr + omkostninger

Placeringshistorie:

- 1969, 8. sept.: Sølvgade
Exhibition history
  • Ny Carlsbergfondets Jubilæumsudstilling : 1902-1952, Charlottenborg, 20 January 1952–17 February 1952
  • Christian IV og Europa : den 19. Europarådsudstilling, Sølvgade, 30 March 1988–25 September 1988
  • Holländsk guldålder, Nationalmuseum, Stockholm, 22 September 2005–8 January 2006
  • At krydse grænser - Spot på Europæisk Kunst 1300-1800, Sølvgade, 16 August 2017–25 November 2017
  • Meisterwerke des kopenhagener Statens Museum for Kunst, Kunsthistorisches Museum, 1 January 1997–31 December 1997
Inscriptions
P Lastman fecit Ao 1618 [P pg L i monogram]
Notes
  • Dansk: Værkdatering: 1618
  • Dansk: Katalognumre:
- Kat. 1946 nr. 382
References
  • Karl Madsen (1891) Hollandsk malerkunst, p. 225, 1105
  • Leo Swane (1931) Malerisamlingens Erhvervelser af ældre Kunst, p. 119 (afb.), 15627
  • J.Q. van Regteren Altena (1949) Rembrandt's way to Emmaus, p. 4, 18670
  • Leo Swane (1951) De senere års nye erhvervelser af malerkunst, p. 130, 19866
  • Akira Kofuku (2003) Rembrandt and the Rembrandt School: the Bible, mythology and ancient history, Afb. p. 36, fig. 8, 2003-476
  • Sven Bjerkhof (2005) SMK highlights: Statens Museum for Kunst, omt. og afb. p. 39, 2005-071
  • Ubekendt (1879) Katalog der Kupferstich-Sammlung Sr. Excellenz des Herrn Franz Josef Grafen von Enzenberg zum Freyen und Jöchelsthurn, k. k. Kämmerer, Geheimer Rath, Mitglied des Herrenhauses, Grundherr auf Singen und Arlen, Herr und Landmann in Tirol, Kärnten, Krain, St, 47f, 92, 94, 140f, tavle VI (afb.), 2614
  • Frederik Thaarup=thårup (1821) Kiøbenhavns Mærkværdigheder m.m. en Haandbog saavel for Stadens Indbyggere som især i Hensyn til Fremmede og Reisende: en Haandbog=håndbog saavel=såvel for Stadens Indbyggere som især i Hensyn til Fremmede og Reisende, p. 144, 2721
  • Christian Tümpel (1974) The Pre-Rembrandtists, p. 135, fig. 79, 44585
  • Werner Sumowski (date unspecfied) Zeichnungen von Lastman und aus dem Lastman-Kreis, p. 154 (i forbindelse med tigning, her tilskrevet Lastman af "Englen forlader Tobias familie" i Torino, afb. p. 153 fig. 5), 44775
  • Ubekendt (1900) Fortegnelse over den Moltkeske malerisamling af N. Høyen og Karl Madsen, nr. 31, 5582
  • Luigi Salerno (1977-1980) Pittori di paesaggio del Seicento a Roma, vol. I: p. 161 fig. 32.3, 61540
  • Joh. R. ter Molen (date unspecfied) Adam van Vianen's silverware in relation to seventeenth century dutch painting, p. 487, afb. fig. 5 (Adam van Vianens kande, erhvervet til Rijksmuseum, Amsterdam i 1976 [se evt.: "A Silver-Gilt Ewer by Adam van Vianen, which will be sold at auction by Christie, Manson and Woods Ltd. at the Singer Museum, Oude Drift t. Laren (Amsterdam) October 19. 1976"]), 63501
  • B. Haak (1984) Das Goldene Zeitalter der Holländischen Malerei, p. 80 nr. 112 (geng.), 66190
  • Steffen Heiberg (1988) Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Olaf Koester, Christian IV og billedkunstens Europa, p. 326-37, kat.nr. 1058, 88-222
  • Christian Tümpel (c1991) Het Oude Testament in de schilderkunst van de Gouden Eeuw, pp. 116 (afb. i s/h) og 119 note 86 og 87 (motiviske lån fra tryk efter Maarten van Heemskerck), 92-60
  • Karl Madsen (1911) Billeder af Rembrandt og hans Elever i den kgl. Malerisamling København, p. 8, C 1627 mb
  • Wilfred Seipel (1997) Meisterwerke des Kopenhagener Statens Museum for Kunst: im Kunsthistorischen Museum Wien, kat. 9, p. 42, afb. p. 43 (farve), C 27260
  • Christian Tico Seifert (2011) Pieter Lastman: Studien zu Leben und Werk, Omt. p. 213, ill. p. 215 fig. 234, C 48590
  • Ubekendt (date unspecfied) Ny Carlsbergfondets Jubilæumsudstilling 1902-1952, nr. 384
  • A. Welcker (date unspecfied) Pieter Lastman als teekenaar van landschap en figuur, mede naar aanleiding van eenige nog niet gepubliceerde teekeningen, p. 176 (tegning i Rembrandtshuis afb. p. 9)
  • K. D. Schepelen (1978) Engelen forlader Tobias. Omkring Rembrandts maleri fra 1637, pp. 193, 202, afb. p. 194 fig. 1
  • Th. M. Dayvere de Wit.-Klinkhamer (date unspecfied) Een vermaarde zilveren beeker, pp. 86ff, afb. (detalje) fig. 9 (kanden, som ligger på sølvfadet i forgrunden er sølvsmedenAdam van Vianens berømte lågkande i forgyldt sølv udført i 1614 til Sølvsmedelauget i Amsterdam)
  • Martina Sitt (2007) Engle som budbringere: fra stilfærdigt kropssprog til en dynamisk koncentration af følelser Pieter Lastman og Rembrandt, afb. p. 36 (detalje), p. 39, omt. p. 40-41
  • Jesper Svenningsen (2023) Samlingssteder. Udenlandsk billedkunst i danske samlermiljøer 1690-1840, Fig. 54
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