File:The Capture of Fort Louis, Martinique, 20 March 1794 RMG BHC0468.tiff

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William Anderson: The Capture of Fort Louis, Martinique, 20 March 1794  wikidata:Q50860767 reasonator:Q50860767
Artist
William Anderson  (1757–1837)  wikidata:Q8004404
 
William Anderson
Alternative names
Wiliam Anderson
Description British marine painter and drawer
Date of birth/death 1757 Edit this at Wikidata 27 May 1837 Edit this at Wikidata
Location of birth/death Scotland London
Work location
Amsterdam (1790–1800); London Edit this at Wikidata
Authority file
creator QS:P170,Q8004404
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
William Anderson
Title
The Capture of Fort Louis, Martinique, 20 March 1794 Edit this at Wikidata
title QS:P1476,en:"The Capture of Fort Louis, Martinique, 20 March 1794 Edit this at Wikidata"
label QS:Len,"The Capture of Fort Louis, Martinique, 20 March 1794 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: The Capture of Fort Louis, Martinique, 20 March 1794

On 5 February 1794, Sir John Jervis and Lieutenant General Sir Charles Grey, arrived at Martinique and by 20th March the whole island, with the exception of Fort Bourbon and Fort Royal, had submitted. Jervis ordered the 'Asia', 64 guns and the 'Zebra' sloop to storm Fort Louis, the chief defence of Fort Royal. The 'Asia' was unable to reach her position, and so Commander Faulknor of the 'Zebra' volunteered to attempt to capture it alone. He ran his sloop close under the walls notwithstanding a very heavy fire, jumped overboard and followed by his ship's company, stormed and captured the fort. Meanwhile the boats captured Fort Royal and two days later Fort Bourbon capitulated.

The painting shows the beach, with the fort beyond on the right, where a ship's barge has run ashore. Commander Faulknor is shown leading his men up the beach towards the fort, which is shrouded with gunsmoke. To the left of the fort and close under its walls is the 'Zebra' in port-bow view, engaging to port. On the left of the picture another ship's boat is making for the shore, firing a swivel-gun from her bow. Beyond her are other boats heading for the beach and in the background is the 'Asia', starboard-bow view. The Scottish born artist was heavily influenced by 17th century Dutch marine artists. He is best known for his works in this style although he also produced larger history paintings such as the above.

The Capture of Fort Louis, Martinique, 20 March 1794
Date 1795
date QS:P571,+1795-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 914 mm x 1270 mm; Frame: 1107 mm x 1470 mm x 110 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0468
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11960
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Other versions
Identifier
InfoField
Acquisition Number: 1933-56
Caird Catalogue Number (CCAT): CC V1, P39, 224
id number: BHC0468
Collection
InfoField
Oil paintings

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current09:26, 25 September 2017Thumbnail for version as of 09:26, 25 September 20177,200 × 5,104 (105.14 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1795), http://collections.rmg.co.uk/collections/objects/11960 #1360

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