File:The Capture of Havana, 1762- The English Battery before Morro Castle RMG BHC0410.tiff

Original file(4,499 × 3,105 pixels, file size: 39.97 MB, MIME type: image/tiff)

Captions

Captions

Add a one-line explanation of what this file represents

Summary edit

Author
Francis Swaine  (1725–1782)  wikidata:Q5482536
 
Description painter
Date of birth/death 1725 Edit this at Wikidata 1782 Edit this at Wikidata
Location of birth/death Chelsea
Work location
London; Scheveningen (1760) Edit this at Wikidata
Authority file
creator QS:P170,Q5482536
Object type painting
object_type QS:P31,Q3305213
Description
English: The battle of Quiberon Bay, 20 November 1759

The Battle of Quiberon Bay, on 20 November 1759, was the most decisive naval encounter during the Seven Years War, 1756-63, a conflict involving the major European colonial powers and fought around the globe. France had been at war with Britain since 1756, her position in Canada, India and the West Indies was on the point of collapse and in Europe she faced stalemate against Prussia, which received British support. The battle resulted in the destruction of the French Brest fleet and occurred when the French broke out of the five-month English blockade of Brest. In an attempt to solve her problems the French planned to land an army of 20,000 men in Ireland. This force was assembled largely in the gulf of Morbihan in southern Brittany under the Duc d'Aiguillon, and was to be escorted by the Brest fleet under Admiral Hubert de Conflans. Admiral Sir Edward Hawke's Channel Fleet blockaded Brest to prevent the French leaving to collect the troop transports, but during a gale in the first week of November, Hawke's ships were forced to run for shelter in Torbay, giving de Conflans the chance to escape. On hearing that the French had done so Hawke went in pursuit and, on 20 November, sighted him 20 miles out to sea. De Conflans, relying on local knowledge, ordered his fleet to take refuge in Quiberon Bay, south of Morbihan, assuming Hawke would not follow, both because night was quickly coming on and when he saw the area was one of ill-charted rocks, reefs and wild seas. This was a miscalculation, for Hawke relentlessly pursued him into the bay, losing two of his own ships on the outer reefs but sinking the French 'Thesee' and 'Superbe' by a combination of gunfire and the weather, and otherwise decimating de Conflans' force in what became an action practically in the dark. The French flagship ‘Soleil Royal’ went aground in the bay, near Le Croisic, and was burnt to prevent capture the following day. Others were captured including the 'Heros', which was burnt. A few French ships escaped to Rochefort and some others managed to find refuge in the mouth of the River Vilaine, where they were trapped for months and one more lost by grounding. This action stopped any French plans to invade Britain during the Seven Years War. The famous naval song 'Hearts of Oak' was composed to commemorate the battle, which was fought so close inshore that contemporary accounts reported that ten thousand persons watched it from the coast. In this view from astern of the action, looking towards the French coast, the ship sinking in the centre is the French 'Thesee', with Augustus Keppel's 'Torbay' to the right. Between them in the distance de Conflans' 'Soleil Royal' is engaged with Hawke's 'Royal George', right, flying his blue command flag at the mainmast. Another French ship, the 'Superbe' is sinking in the left distance, largely swamped (as was the 'Thesee') by water coming through her lower gunports. [PvdM1/10]

The Battle of Quiberon Bay, 20 November 1759
Date Mid - Late 18th century
Dimensions Painting: 406 mm x 610 mm; Frame: 456 mm x 659 mm x 17 mm
institution QS:P195,Q7374509
Accession number
BHC0410
Notes Previously named and numbered for BHC0401 in error. Sotheby's artnet
Source/Photographer http://collections.rmg.co.uk/collections/objects/11893 and artUK
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Other versions
Identifier
InfoField
Acquisition Number: 1927-209
id number: BHC0401
Collection
InfoField
Oil paintings

Licensing edit

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current16:52, 25 September 2017Thumbnail for version as of 16:52, 25 September 20174,499 × 3,105 (39.97 MB) (talk | contribs)Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/11893 #1384

Metadata