File:The Entrance to M. Dubuisson's Villa at Brunoy (Camille Jean Baptiste Corot) - Nationalmuseum - 19571.tif
Original file (3,266 × 2,687 pixels, file size: 25.14 MB, MIME type: image/tiff)
Captions
The Entrance to M. Dubuisson's Villa at Brunoy | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q148475 |
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Title |
English: The Entrance to M. Dubuisson's Villa at Brunoy Svenska: Entrén till M. Dubuissons villa i Brunoy |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Corot was one of the most influential French landscape painters in the 1800s. Although based on older classical traditions, his oeuvre had a strong impact on the plein-air painting that evolved in that century. He also experimented with landscape photography, another facet of his innovative approach to the genre. Louis Dubuisson was a close friend of the artist. In this painting from 1868, Corot portrayed his friend’s home in the small town of Brunoy, near Paris. Svenska: Corot var en av de mest inflytelserika franska landskapsmålarna under 1800-talet. Samtidigt som han utgick från den äldre klassiska traditionen, kom hans konstnärskap att få stor betydelse för det friluftsmåleri som utvecklades under århundradet. Han experimenterande också med landskapsfotografi, vilket var ett annat uttryck för hans innovativa hållning till genren. Louis Dubuisson var en nära vän till konstnären. I denna målning från 1868 har Corot målat vännens bostad i den lilla staden Brunoy, nära Paris. |
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Original caption InfoField | English: Corot was one of the most influential French landscape painters in the 1800s. Although based on older classical traditions, his oeuvre had a strong impact on the plein-air painting that evolved in that century. He also experimented with landscape photography, another facet of his innovative approach to the genre. Louis Dubuisson was a close friend of the artist. In this painting from 1868, Corot portrayed his friend’s home in the small town of Brunoy, near Paris. Svenska: Corot var en av de mest inflytelserika franska landskapsmålarna under 1800-talet. Samtidigt som han utgick från den äldre klassiska traditionen, kom hans konstnärskap att få stor betydelse för det friluftsmåleri som utvecklades under århundradet. Han experimenterande också med landskapsfotografi, vilket var ett annat uttryck för hans innovativa hållning till genren. Louis Dubuisson var en nära vän till konstnären. I denna målning från 1868 har Corot målat vännens bostad i den lilla staden Brunoy, nära Paris. |
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Date |
1868 date QS:P571,+1868-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 2510 |
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Exhibition history |
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Inscriptions |
Svenska: Signerad: Corot. 1868 |
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References | |||||||||||||||||||||||||||
Source/Photographer | Hans Thorwid / Nationalmuseum | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:24, 7 October 2016 | 3,266 × 2,687 (25.14 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = |artist = {{Creator:Jean-Baptiste Camille Corot}} |title = {{en|The Entrance to M. Dubuisson's Villa at Brunoy}} {{sv|Entrén till M. Dubuissons villa i Brunoy}} |wikidata... |
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File usage on Commons
The following 5 pages use this file:
- Jean-Baptiste-Camille Corot catalogue raisonné, 1905 Robaut (paintings)
- Paintings by Jean-Baptiste-Camille Corot
- Paintings in the Nationalmuseum Stockholm
- Commons:Wikimedia Sverige/recent uploads/2016 October
- File:The Entrance to M. Dubuisson's Villa at Brunoy (Camille Jean Baptiste Corot) - Nationalmuseum - 19571.tif
File usage on other wikis
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Metadata
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Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D2X |
Author | Nationalmuseum |
Copyright holder | Foto Hans Thorwid/Nationalmuseum 2012 |
Exposure time | 1/60 sec (0.016666666666667) |
F-number | f/5 |
ISO speed rating | 100 |
Date and time of data generation | 13:56, 14 March 2012 |
Lens focal length | 60 mm |
Width | 3,266 px |
Height | 2,687 px |
Bits per component |
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Pixel composition | RGB |
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS5 Windows |
File change date and time | 15:57, 14 March 2012 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 13:56, 14 March 2012 |
APEX shutter speed | 5.906891 |
APEX aperture | 4.643856 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Subject distance | 112 meters |
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Flash | Flash did not fire |
DateTime subseconds | 08 |
DateTimeOriginal subseconds | 08 |
DateTimeDigitized subseconds | 08 |
Color space | Uncalibrated |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 90 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Soft |
Saturation | Normal |
Sharpness | Soft |
Subject distance range | Unknown |