Translations:Commons:Copyright rules by territory/Consolidated list Southern Europe/2/hu

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COM:Albania

Albánia

A lap összefoglalja az albán szerzői jogi szabályozásnak a Commons szempontjából releváns részét. A feltöltendő fájlnak mind Albániában, mind az Egyesült Államokban közkincsnek vagy szabad licencűnek kell lennie. Kétség esetén a területi jogszabályok az irányadók.

Jogszabályok edit

Albánia 1912-ben, az Oszmán Birodalom Balkán-háborúban elszenvedett veresége után lett független.

Albánia 1994. március 6-a óta a Berni Egyezmény, 2000. szeptember 8-a óta a Kereskedelmi Világszervezet, 2005. augusztus 6-a óta pedig a WIPO Szerzői Jogi Egyezmény tagja.[1]

A 2018-as adatok szerint az ENSZ Szellemi Jogi Világszervezete (WIPO) az albán szerzői jog tekintetében a Law No. 35/2016 of March 31, 2016, on Copyright and Related Rights törvényt tekinti irányadónak,[1] melynek szövege megtalálható a WIPO Lex adatbázisban.[2] A törvény a 2016-ban még nem közkincs státuszú alkotásokra érvényes.[35/2016 Article 7]

A Wikimédia Commonson a szerzői jogi törvények 1992-es, 2000-es és 2001-es változatai találhatóak meg.[3][4][5][6]

Időtartamok edit

A Law No. 35/2016 of March 31, 2016, on Copyright and Related Rights szerint:

  • Hacsak máshogy nincs meghatározva, az alkotások jogi védettsége a szerző halálát követő 70. évig tart.[35/2016 Article 41.1]
  • Közös munka eredményeképp született alkotások az utoljára elhunyt szerző halálától számított 70. évig jogvédettek.[35/2016 Article 41.3]
  • Több szerző közreműködésével készült írott zenemű jogi védettsége az utoljára elhunyt szerző, szövegíró vagy zeneszerző halálától számított 70. évig jogvédett, amennyiben az egyes közreműködések egyértelműen a zeneműhöz kapcsolódnak.[35/2016 Article 41.41]
  • Az audiovizuális alkotások jogvédelme a szerző halálától számított 70 évig tart.[35/2016 Article 41.5]
  • Ismeretlen vagy álnéven dolgozó szerző alkotása a nyilvánosságra kerülést követő év január 1-jétől számított 70. évig jogvédett. Ha a művet az elkészültét követő 70 éven belül nem mutatják be, jogi védettsége megszűnik.[35/2016 Article 41.6]
  • Gyűjtemények jogvédettsége a bemutatástól számított 70. évig tart. Ha az egyes szerzők azonosíthatóak, a cikkely 1 és 3 számú bekezdései lépnek életbe.[35/2016 Article 41.7] A jogi védelem az alkotó halálát, vagy az első jogszerű bemutatást követő év január 1-jétől számítandó.[35/2016 Article 41.2]

Nem jogvédett alkotások edit

A Law No. 35/2016 of March 31, 2016, on Copyright and Related Rights alapján a következő tételek nem jogvédettek: a, ötletek, gondolatok, koncepciók, felfedezések és kreatív alkotások feltalálása a bemutatástól, helyzettől és kifejezéstől függetlenül; b, felfedezések, a törvényhozás, illetve az adminisztratív és jogi testületek hivatalos szövegei és gyűjteményei, amelyeket a köz tájékoztatására használnak; c, az ország, szervezetek és hatóságok szimbólumai, például: pecsét, zászló, embléma, medál, fémjel, medál; ç, fizetési módok; d, puszta médiainformációként szolgáló hírek; dh, egyszerű adatok és tények.[35/2016 Article 12.1]

Népművészet: nem szabad edit

Lásd még: Commons:Paying public domain A népi irodalom és alkotások önmagukban nem jogvédettek, azonban előadásuk és a publikum felé való kommunikációjuk díjfizetéshez kötött, amely bevételeket a kultúra fejlesztésére kell fordítani a kapcsolódó szerzői jogi szabályok figyelembevételével.[35/2016 Article 12.2]

Licencsablonok edit

Pénz edit

  {{PD-Albania-exempt}} Albániában a fizetési módok nem jogvédettek.[35/2016 Article 12.1ç]

Panorámaszabadság edit

  Lásd:{{FoP-Albania}}

A Law No. 35/2016 of March 31, 2016, on Copyright and Related Rights szerint a nyilvános helyeken (utcákon, tereken, parkokban, pihenőhelyeken stb.) állandó jelleggel megtalálható alkotások reprodukciója a szerző és a jogtulajdonos engedélye nélkül is lehetséges (azonban háromdimenziós másolat nem készíthető). Az építészeti alkotásoknak csak a külső része dolgozható fel. Az ilyen kópiák szerzőjét és forrását a lehető legrészletesebben fel kell tüntetni.[35/2016 Article 82]

Bélyegek edit

Közkincs, használd a {{PD-Albania-exempt}} sablont.

The Albanian Government regulation on postal stamps considers stamps as means of payment (General Provisions, Article 2: "Postal stamp is used to pay for postal services .."). Means of payment are exempt from copyright, see Not protected section above.

Lásd még edit

Jegyzetek edit

  1. a b Albania Copyright and Related Rights (Neighboring Rights)[1], WIPO: World Intellectual Property Organization, 2018
  2. Law No. 35/2016 of March 31, 2016, on Copyright and Related Rights[2], Albania, 2016
  3. Law 7564 on Copyright (9 April 1992)
  4. Law 8594 amendments on Copyright (6 April 2000)
  5. 8630 on copyright (3 July 2000)
  6. 8826 on copyright (19 May 1992)
Caution: The above description may be inaccurate, incomplete and/or out of date, so must be treated with caution. Before you upload a file to Wikimedia Commons you should ensure it may be used freely. Lásd még: Commons:Jogi nyilatkozat
Text transcluded from
COM:Andorra

Andorra

A lap összefoglalja az andorrai szerzői jogi szabályozásnak a Commons szempontjából releváns részét. A feltöltendő fájlnak mind Andorrában, mind az Egyesült Államokban közkincsnek vagy szabad licencűnek kell lennie. Kétség esetén a területi jogszabályok az irányadók.

Jogszabályok edit

Andorra 1995. június 16-a ót az Egységes Szerzői Jogi Egyezmény, 2004. június 2-a óta pedig a Berni Egyezmény tagja.[1]

A 2018-as adatok szerint az ENSZ Szellemi Jogi Világszervezete (WIPO) a macedón szerzői jog tekintetében az 1999-es Law on Copyright and Neighboring Rights törvényt tekinti irányadónak,[1] melynek szövege megtalálható a WIPO Lex adatbázisban.[2]

Általános szabályok edit

Az 1999-es szerzői jogi törvény szerint:

  • Az alábbi kivételeket leszámítva a gazdasági és morális jogok a szerző halálát követő 70. évig állnak fenn.[1999 Art. 18(1)]
  • Közös munka eredményeképp létrejött alkotások esetében a szerzői jogi védelem az utoljára elhunyt szerző halálától számított 70. évig tart.[1999 Art. 18(2)]
  • Gyűjtemények esetén a védelem a nyilvánosságra kerülés vagy létrehozás után eltelt 70. évig tart; ha az egyes alkotások szerzői is ismertek, akkor az 1-es és 2-es bekezdésekben foglaltak érvényesek.[1999 Art. 18(3)]
  • Audiovizuális alkotások esetén a jogi védelem a rendező, forgatókönyvíró, szövegíró és zeneszerző halálától számított 70. évig áll fenn.[1999 Art. 18(4)]
  • Ismeretlen vagy álnéven dolgozó szerző műve esetén a védelem az első nyilvánosságra hozataltól számított 70. évig tart; ha a szerző neve ismertté válik, az 1-es és 2-es bekezdésekben foglaltak lesznek érvényben.[1999 Art. 18(5)]
  • Jogi személyek által létrehozott alkotásoknál a harmadik bekezdés mutatis mutandis joga lép életbe; ha a művet a jogi személy nevével teszik közzé, akkor az egyes és kettes bekezdésben foglaltak lesznek érvényben.[1999 Art. 18(6)]
  • A védelmi időtartamokat a kiváltó eseményt követő év január 1-jétől kell számítani.[1999 Art. 18(8)]

Nem védett művek edit

  • A védelem nem terjed ki az ötletekre, folyamatokra, rendszerekre, módokra, koncepciókra, elvekre, felfedezésekre és adatokra még akkor sem, ha azokat más alkotás részeként teszik közzé.[1999 Art. 4(1)]
  • A törvények, adminisztratív és jogi szövegek, valamint ezek fordításai nem jogvédettek.[1999 Art. 4(2)]

Panorámaszabadság edit

   Az 1999-es szerzői jogi törvény szerint az épületek, szobrok és szépművészeti alkotások jogvédettek;[1999 Art. 2] a törvény nem fogalmaz meg kivételeket.[1999 Art. 11]

Figyelem: A szerzői jogi védelem az alkotó (létrehozó vagy tervező) halálától számított 70. évig áll fenn. A hetvenedik évet követő esztendő január 1-jétől a háromdimenziós alkotások (szobrok, épületek, hidak vagy emlékművek) szabad licencű fotói feltölthetőek a Commonsra. Mivel ekkortól a művek már nem jogvédettek, így a panorámaszabadságot nem kell figyelembe venni.

Jegyzetek edit

  1. a b Andorra Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-11.
  2. Law on Copyright and Neighboring Rights. Andorra (1999). Retrieved on 2018-11-11.
Caution: The above description may be inaccurate, incomplete and/or out of date, so must be treated with caution. Before you upload a file to Wikimedia Commons you should ensure it may be used freely. Lásd még: Commons:Jogi nyilatkozat
Text transcluded from
COM:Bosnia and Herzegovina

Bosznia-Hercegovina

A lap összefoglalja a bosznia-hercegovinai szerzői jogi szabályozásnak a Commons szempontjából releváns részét. A feltöltendő fájlnak mind Bosznia-Hercegovinában, mind az Egyesült Államokban közkincsnek vagy szabad licencűnek kell lennie. Kétség esetén a területi jogszabályok az irányadók.

Háttér edit

Az első világháborút követően 1918. december 1-jével Bosznia-Hercegovina a Jugoszláv Királyság, a második világháború után pedig a Jugoszláv Szovjet Szövetségi Köztársaság része lett. Az ország Jugoszlávia felbomlása után, 1992. március 3-án vált függetlenné.

Bosznia-Hercegovina 1992. március 1. óta a Berni Egyezmény, 2009. november 25. óta pedig a WIPO Szerzői Jogi Egyezmény tagja.

[1]

Az országban a 2002-es szerzői jogi törvény elfogadása előtt az 1978-as jugoszláv szabályozás volt érvényben.[2] A 2002-es törvény retroaktív volt: „Az ezen szabályzással ütköző elemek a törvény életbe léptét követően érvényüket vesztik.”[2002 Art 140]

A 2002-es szabályozást az egységes szerzői és kapcsolódó jogok törvénye váltotta 2010-ben.A 2018-as adatok szerint az ENSZ Szellemi Jogi Világszervezete (WIPO) a bosznia-hercegovinai szerzői jog tekintetében a 2010-es Szerzői és kapcsolódó jogok törvényt tekinti irányadónak,[1] melynek szövege megtalálható a WIPO Lex adatbázisban.[3]

Általános szabályok edit

Az 1978-as jugoszláv szerzői jogi törvény szerint a jogi védelem az alkotó halála után 50 évig (fotó vagy szépművészeti alkotás esetén a publikációt követő 25 évig) áll fenn. A 2002-es törvény életbe lépése előtt egy alkotás akkor válhatott közkinccsé, ha:

  • Alkotója ismert, és 1952. január 1-je előtt hunyt el
  • Alkotója ismeretlen, és 1952. január 1-je előtt lett publikálva
  • Egy fotó vagy szépművészeti alkotás, amely 1977. január 1-je előtt lett publikálva

A 2002 Copyright Act szerint:

  • A szerzői jogi védelem az alkotó halála után 70 évig áll fenn.[2002 Art 84(1)]
  • Ha az alkotás több személy munkájának eredménye, akkor a dátum az utoljára elhunyt szerző halálától számítandó.[2002 Art 84(2)]
  • Az ismeretlen vagy álnevet használó szerző által készített művek szerzői jogi védelme a közzétételt követő 70. évig áll fenn, hacsak a szerző kiléte ez idő alatt nem vált ismertté.[2002 Art 84(3)]
  • Ha a szerző egy jogi személy, akkor a védelem a publikálást követő 70. évig áll fenn.[2002 Art 84(4)]
  • A fenti dátumok a jogvédelem lejártát kiváltó esetményt követő év január 1-jétől számítandók.[2002 Art 84(5)]

A 2010-es Law on Copyright and Related Rights kimondja, hogy:

  • A szerzői jogi védelem az alkotó halála után 70 évig érvényes, hacsak máshogy nem rendelkeznek.[2010 Article 55]
  • Ha az alkotás több szerző munkájának eredménye, akkor a dátumot az utoljára elhunyt alkotó halálától kell számítani.[2010 Article 56]
  • Ismeretlen vagy álnéven dolgozó szerzők műveinek szerzői joga a megjelenést követő 70. évben jár le, hacsak közben az alkotó nem lett ismert.[2010 Article 57]

A gyűjtemények szerzői jogi védelme a publikálást követő 70. évig áll fenn.[2010 Article 58]

  • Az ezen bekezdésben megfogalmazott időtartamok (hacsak az alkotó máshogy nem rendelkezik), a lejárathoz kapcsolódó dátumot követő év január 1-től számítandók.[2010 Article 62]

Átmeneti szabályok edit

  • Az 1945 előtt elhunyt alkotók művei mind Bosznia-Hercegovinában, mind az Egyesült Államokban közkicsnek számítanak.
  • Az 1946–1951 között elhunyt alkotók művei Bosznia-Hercegovinában közkincsnek számítanak, azonban az USA-ban jogvédettek, mivel Bosznia-Hercegovina 1996. január 1-jén írta alá az egységes szerzői jogi egyezményt.
  • Az 1952-ben vagy azután elhunyt alkotók művei mindkét országban jogvédettek.
  • Ezek alól fotografikus és hasonló művek, valamint szépművészeti alkotások esetében tehető kivétel:
    • Ezek az Egyesült Államokban az 1971. január 1-je előtti közzététel esetén szabad felhasználásúak, mivel az 1978-as jugoszláv törvény szerint a szerzői jogi védelmük 25 évig tartott.[4]
    • Ezek Bosznia-Hercegovinában az 1977. január 1-je előtti publikálás esetén közkincsnek számítanak, de az USA-ban jogvédettek, ha 1971. január 1. utániak.
  • A közzététellel kapcsolatos jog érvényes minden, 2010. augusztus 11. vagy azután publikált alkotásra akkor is, ha szerzői joga már lejárt, mivel ezek védelme a publikációt követő év január 1-jével indul.

Nem védett alkotások edit

A következő alkotások nem védettek: ötletek, koncepciók, folyamatok, metódusok, matematikai művelete, a törvényhozás hivatalos szövegei, bírói kiadványok (törvények, rendeletek, döntések, jelentések, emlékeztetők, ítéletek stb.), politikai beszédek, bíróságon tett nyilatkozatok, napi hírek, valamint puszta sajtóinformációk, népi irodalom és művészeti alkotások.[2010 Article 8]

Licencsablonok edit

  • {{PD-BH-exempt}} – a bosznia-hercegovinai törvények szerint szerzői jogi védelemre nem jogosuló alkotásokhoz (ötletek, tervek, hivatalos szövegek, szakértői jelentések… a teljes listához lásd a sablont)

Pénznemek edit

   A bosznia-hercegovinai bankjegyek és érmék csak a központi bank engedélyével másolhatóak («Official Gazette of BiH» 1/97, Chapter 5, Article 47).[5]

Panorámaszabadság edit

   A 2010-es szerzői jogi törvény csak a nyilvános helyeken látható alkotások nem kereskedelmi felhasználását engedélyezni:

  • A tereken, parkokban, utcákon vagy más, nyilvános helyeken állandó jelleggel látható alkotások szabad felhasználása engedélyezett.[2010 Article 52(1)]
  • Az első bekezdésben meghatározott alkotások nem reprodukálhatóak háromdimenziós formában, továbbá nem használhatóak fel az eredetivel megegyező vagy kereskedelmi célra.[2010 Article 52(2)]
  • Az első bekezdésben rögzített esetekben a helyszínt és az alkotót meg kell jelölni, ha ezek magán az alkotáson is fel vannak tüntetve.[2010 Article 52(3)]

A bosznia-hercegovinai szerzői jogi törvény a horvát szabályozáson alapszik, viszont ez a cikk a kereskedelmi felhasználás megtiltásában különbözik tőle.

Non-commercial license is forbidden on Wikimedia Commons as per Commons:Licensing#Forbidden licenses. See also a related discussion at Commons talk:Freedom of panorama/Archive 17#Bosnian Authorship Law and its Article 52.

Lásd még edit

Jegyzetek edit

  1. a b Bosnia and Herzegovina Copyright and Related Rights (Neighboring Rights). WIPO (2018). Retrieved on 2018-11-11.
  2. Law on Copyright and Related Rights in Bosnia and Herzegovina (2002). Retrieved on 2018-12-23.
  3. Law on Copyright and Related Rights. Bosnia and Herzegovina (2010). Retrieved on 2018-11-11.
  4. Zakon u autorskom pravu. Službeni list SFRJ XXXIV/19. Article 84. (14 April 1978). Retrieved on 2019-03-24.
  5. [Decision on the Conditions in which Banknotes and Coins can be Reproduced (in Bosnian). Official Gazette of BH, 5/10] (PDF 27 Kb). Central Bank of Bosnia and Herzegovina. Retrieved on 2019-03-24.
Cite error: <ref> tag with name "Berne155" defined in <references> is not used in prior text.
Caution: The above description may be inaccurate, incomplete and/or out of date, so must be treated with caution. Before you upload a file to Wikimedia Commons you should ensure it may be used freely. Lásd még: Commons:Jogi nyilatkozat
Text transcluded from
COM:North Macedonia

Észak-Macedónia

A lap összefoglalja az észak-macedóniai szerzői jogi szabályozásnak a Commons szempontjából releváns részét. A feltöltendő fájlnak mind Észak-Macedóniában, mind az Egyesült Államokban közkincsnek vagy szabad licencűnek kell lennie. Kétség esetén a területi jogszabályok az irányadók.

Háttér edit

A mai Észa-Macedónia az 1912–1913-as balkáni háborúig az Oszmán Birodalom fennhatósága alatt volt, később pedig a szerbek irányították. Az első világháború (1914–1918) után a terület a Jugoszláv Királyság része lett, amely 1945-ben szocialista tagköztársaságokból álló szövetségi köztársaság lett. Macedónia 1991-ben, Jugoszlávia felbomlásával nyerte el függetlenségét, mai nevét pedig 2019-ben vette fel.

Észak-Macedónia 1991. szeptember 8-a óta a Berni Egyezmény, 2003. április 4-e óta a Kereskedelmi Világszervezet, 2004. február 4. óta pedig a WIPO Szerzői Jogi Egyezmény tagja.

[1]

A 2018-as adatok szerint az ENSZ Szellemi Jogi Világszervezete (WIPO) a macedón szerzői jog tekintetében a 2010-es Szerzői és kapcsolódó jogok törvényt tekinti irányadónak,[1] melynek szövege megtalálható a WIPO Lex adatbázisban.[2]

A törvény szövegezésében 2010-ben nyelvtani változások történtek,[3] valamint 2011 és 2015-ben is módosítottak, de ezek csak a műsorszórást és a kollektív jogot érintették, az alkotások védelmét és a védelem időtartamát nem módosították.[4]

Jogvédett alkotások edit

Egy jogvédett alkotás az irodalom, tudomány vagy művészet területén létrejött, bármilyen módon kifejezett szellemi és egyedi alkotás.[2010 Art.12(1)] Ebbe többek között az írott, beszélt, zenei, színpadi, képi, audiovizuális, szépművészeti, építészeti, iparművészeti és térképeszti művek tartoznak bele.[2010 Art.12(2)]

Időtartamok edit

A 2010-es szerzői jogi törvény az alábbiakat mondja ki:

  • A gazdasági jog a szerző halála után 70 évig áll fenn, hacsak máshogy nem rendelkeztek róla.[2010 Art.55]
  • Ha az alkotást többen készítették, a szerzői jog lejártát az legutoljára elhunyt készítő halálától kell számítani.[2010 Art.56(1)]
  • Audiovizuális művek esetén az időtartam az utoljára elhunyt igazgató, forgatókönyvíró, szövegkönyvíró és zeneszerző halálától számítandó.[2010 Art.56(2)]
  • Ismeretlen és álnéven dolgozó szerzők műveinek védelme a publikálást követő hetvenedik év végéig tart, hacsak közben nem kerül nyilvánosságra az alkotó neve.[2010 Art.57]
  • Ha a védelem nem az alkotó(k) haláláig tart és a művet soha nem publikálták, a jogi védelem az alkotás elkészültét követő hetvenedik évig tart.[2010 Art.58]
  • A szerzői jogi védelem a feltételek megállapítását követően január 1-től kezdődik.[2010 Art.60]

Nem védett edit

A következő esetekben nem áll fenn a szerzői jogi védelem: 1. ötletek, teóriák, koncertek, műveleti módok vagy matematikai levezetések a megjelenítés vagy előadás módjától; 2. politikusok, törvényhozó személyek, adminisztratív és bírói testületek hivatalos kiadványai és ezek fordításai; 3. napi és egyéb, csak médiainformációkat, illetve egyéb tényeket és adatokat tartalmazó hírek; 4. egy számítógépes programmal kapcsolatos ötletek és koncepciók (ideértve a szoftver- és hardverelemek (interfészek) közötti kapcsolatot felépítő komponenseket is).[2010 Art.16]

Licencsablonok edit

a) népirodalom és népművészet
b) a szerző több, mint 70 éve elhunyt
c) ismeretlen szerzőjű és álnéven kiadott 70 évnél idősebb mű
d) 70 évnél kiadott audiovizuális alkotás vagy gyűjtemény

Pénznemek edit

   A Macedón Nemzeti Bank szabályai szerint a hivatalban lévő bankjegyek és érmék közzétételéhez a bank engedélye szükséges. A fotók publikálásának folyamatát a bank tanácsa határozza meg.[5]

Panorámaszabadság edit

  Háromdimenziós alkotásoknál {{FoP-North Macedonia}} a 2010-es szerzői jogi törvény szerint.

  • A jogvédett alkotások ellenérték és díjazás nélküli használata a következőkre vonatkozik: […] A nyilvános helyeken (utcák, terek, parkok stb.) állandó jelleggel megtalálható építészeti vagy szobrászati alkotás.[2010 Art.52.1.11]

Under the Law on Copyright and Related Rights (2010),

  • The use of a copyright work without payment of remuneration shall apply to the following cases: ... Use of architectural or sculptural works permanently located in public places (streets, squares, parks, etc.);[2010 Art.52.1.11]

Lásd még edit

Jegyzetek edit

  1. a b North Macedonia : Copyright and Related Rights (Neighboring Rights). WIPO (2018). Retrieved on 2020-03-31.
  2. Law on Copyright and Related Rights. Republic of Macedonia (2010). Retrieved on 2018-11-13.
  3. Correction of the Law on Copyright and Related Rights. Macedonia (2010). Retrieved on 2018-11-13.
  4. Law on Copyright and Related Rights. WIPO (2018). Retrieved on 2018-11-13.
  5. Banking Law. National Bank of Macedonia. (Dead link)
Cite error: <ref> tag with name "NMacBerne" defined in <references> is not used in prior text.
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Text transcluded from
COM:Gibraltar

Gibraltár

Other region, e.g. dependency, union, former country

A lap összefoglalja a gibraltári szerzői jogi szabályozásnak a Commons szempontjából releváns részét. A feltöltendő fájlnak mind Gibraltáron, mind az Egyesült Államokban közkincsnek vagy szabad licencűnek kell lennie. Kétség esetén a területi jogszabályok az irányadók.

Háttér edit

Az angol–holland csapatok 1704-ben foglalták el Gibraltárt a spanyolokól. A terület az 1713-as utrechti egyezmény keretében a britekhez került. Gibraltár ma egy brit tengerentúli terület az Ibériai-félsziget déli csúcsán.

A területen a szerzői jogot a LN. 2005/078 Copyright (Gibraltar) Order 2005 szabályozza.[1] A rendelet szerint az 1988-as brit szerzői jogi törvény bizonyos kivételekkel Gibraltárra is érvényes. A két szabályzat közti eltérések a szerzői jogot nem érintik.[1] Az 1988-as törvény naprakész szövege a legislation.gov.uk weboldalon érhető el.[2]

The government of Gibraltar's Intellectual Property (Copyright and Related Rights) Act 2005 (Act 22 of 2005), as amended up to 2020, implements the changes defined by the Copyright (Gibraltar) Order 2005.[3] This is the applicable law for works originating in Gibraltar.

Licencsablonok edit

További információ: Commons:Szerzői jogi szabályok területenként/Egyesült Királyság#TAG

Pénz edit

   section 447(1) and 448(1) of the Crimes Act (Act 23 of 2011) makes the reproduction of currency notes and protected coins (which includes Gibraltar pound coins) without the prior permission of relevant authorities an offence.

Panorámaszabadság edit

  •   for buildings, sculptures, models for buildings, and works of artistic craftsmanship, "if permanently situated in a public place or in premises open to the public."
  •    for other types of artistic works (e.g. public murals, sculptures not situated in public places, or models not meant to be permanently displayed in a public place).

Gibraltarian freedom of panorama is found at Section 77(1–3), "Representation of certain artistic works on public display."

Gibraltarian law is modelled on UK law, and in the absence of any specific case law to the contrary it is reasonable to assume that the freedom of panorama rules will be similar. See the COM:FOP United Kingdom for more details.

Bélyegek edit

További információ: Commons:Szerzői jogi szabályok területenként/Egyesült Királyság#Stamps

Lásd még edit

Jegyzetek edit

  1. a b LN. 2005/078 Copyright (Gibraltar) Order 2005. Retrieved on 2019-03-09.
  2. Copyright, Designs and Patents Act 1988 (current). legislation.gov.uk. National Archives. Retrieved on 2019-03-29.
  3. Intellectual Property (Copyright and Related Rights) Act 2005. Government of Gibraltar. Retrieved on 2021-05-19.
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Text transcluded from
COM:Greece

Görögország

This page provides an overview of copyright rules of Greece relevant to uploading works into Wikimedia Commons. Note that any work originating in Greece must be in the public domain, or available under a free license, in both Greece and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Greece, refer to the relevant laws for clarification.

Governing laws edit

Greece has been a member of the Berne Convention since 9 November 1920, the World Trade Organization since 1 January 1995 and the WIPO Copyright Treaty since 14 March 2010.[1]

As of 2018 the World Intellectual Property Organization (WIPO), an agency of the United Nations, listed Law No. 2121/1993 on Copyright, Related rights and Cultural Matters (as amended up to Law No. 4531/2018) as the main IP law enacted by the legislature of Greece.[1] WIPO holds the text of this law in their WIPO Lex database.[2]

Duration of copyright protection edit

Under Law No. 2121/1993 as amended up to Law No. 4531/2018,

  • Copyright lasts for the author’s life and for 70 years after his death, calculated from 1 January of the year after the author’s death.[2121/2018 Article 29(1)]
  • Copyright for works of joint authorship lasts for the life of the last surviving author and 70 years after his death, calculated from 1 January of the year after the death of the last surviving author.[2121/2018 Article 30(1)]
  • Copyright for musical compositions with words where the music and lyrics are created specifically for the composition is the same as for works of joint authorship.[2121/2018 Article 30(2)]
  • Copyright for anonymous and pseudonymous works lasts 70 years from 1 January of the year after the year when it was made lawfully accessible to the public, as long as the author is not identified in that period.[2121/2018 Article 31(1)]
  • The term of protection of audiovisual works expires 70 years after the death of the last survivor of the principal director, the author of the screenplay, the author of the dialogue and the composer of the music specifically created for use in the audiovisual work.[2121/2018 Article 31(3)]
  • After expiry of the period of copyright protection, the State, represented by the Minister of Culture, may exercise the rights relating to the acknowledgment of the author’s paternity and the rights relating to the protection of the integrity of the work deriving from the moral rights.[2121/2018 Article 29(2)] This clause may prevent the creation of certain types of derivative work, even after the copyright has expired, as the State has the right to prohibit any distortion, mutilation or other modification of the original work.
  • Any person who, after the expiry of copyright protection, for the first time lawfully publishes or lawfully communicates to the public a previously unpublished work, shall benefit from a protection equivalent to the economic rights of the author. The term of the protection is 25 years from the time when the work was first lawfully published or lawfully communicated to the public and is calculated from 1 January of the year after the first lawful publication or communication to the public”.[2121/2018 Article 51A]

Work for hire edit

The economic right to works created by employees (under any work relation) of the Government or a legal entity of public law in execution of their duties is transferred to the employer, unless provided otherwise by contract.[2121/2018 Article 8]

Collective work edit

The term “collective work” shall designate any work created through the independent contribution of several authors acting under the intellectual direction and coordination of one natural person. That natural person shall be the initial right holder of the economic right and the moral right in the collective work. Each author of a contribution shall be the initial right holder of the economic right and the moral right in his own contribution, provided that that contribution is capable of separate exploitation.[2121/2018 Article 7(2)]

Not protected edit

Under Law No. 2121/1993 as amended up to Law No. 4531/2018, there is no copyright protection for official texts expressive of the authority of the State, notably legislative, administrative or judicial texts, nor for expressions of folklore, news information or simple facts and data.[2121/2018 Article 2.5]

Monuments & antiquities edit

Non copyright restrictions: Producing pictures of monuments and antiquities that belong to the Greek State to be disseminated to the public for profit, including publishing on the internet for profit, requires a license from the Archaeological Receipts Fund according to July 2020 Law (4708/2020, Government Gazette issue 140/Α/21-7-2020 part B article 20). Photography of ancient monuments and antiquities that belong to the Greek State (all dating before 1453 and most dating before 1830 (Law 3028/2002, Government Gazette issue 153/Α/28-6-2002 articles 2 & 7)) is allowed to be taken for free when non-professional equipment is being used but publishing on the internet is allowed for free when no commercial or economical purpose exists or for a limit of up to 5 years under payment of a renewable fee according to the latest Ministerial Decision in force published in Government Gazette issue B-3046/2011-12-30 (chapter 1, article 5). The second Ministerial Decision in force has been issued in 2019 356481/254593/7509/2927/2019 - Government Gazette issue 2812/Β/4-7-2019.

Copyright tags edit

  • {{PD-GreekGov}} – for images which are part of official legislative, administrative or judicial documents issued by the Greek Government.

Currency edit

   According to the Greek legislation, neither the Bank of Greece not any other Greek authority is competent to provide you or any other interested party with any kind of permission to use the image of the Greek drachmae banknotes. However, without prejudice to the moral right of the designer recognized under Greek law (Law 2121/1993, as in force), there is no legal provision prohibiting the reproduction of drachmae banknotes.

Freedom of panorama edit

   {{NoFoP-Greece}}

Note: Please tag Greek no-FoP deletion requests: <noinclude>[[Category:Greek FOP cases/pending]]</noinclude>

Under Law No. 2121/1993 as amended up to Law 5043/2023:

The occasional reproduction and communication by the mass media of images of architectural works, fine art works, photographs or works of applied art, which are sited permanently in a public place, shall be permissible, without the consent of the author and without payment.

— [2121/2023 Article 26]

It remains unclear what exactly "occasional reproduction and communication by the mass media" encompasses. Even if "communication by the mass media" is seen as an extension of mere "reproduction", the interpretation of "occasional" reproduction remain to be clarified by jurisdiction or an scholarly interpretation. See talk page for a discussion.

Copyright ends 70 years after the author's death. After that, the government might claim moral rights under certain conditions.[2121/2018 Article 29(2)]

Threshold of originality edit

The term “work” is defined as including any original intellectual creation expressed in any form, including alterations of other works as well as collections of works, provided that the selection or the arrangement of such collections is original.[3]

Originality is understood by Greek jurisprudence as a notion of “statistical uniqueness”, which means that the work involves skill, labor and judgment emanating from the author and that no other person, acting under the same circumstances, could produce the exact same work.[4]

Stamps edit

Copyrighted Stamps by artists deceased more than 70 years ago (or pseudonymously designed more than 70 years ago, before 1 January 1954) are free. The copyright status of all other stamps issued before 1970 is disputed (possibly {{PD-GreekGov}} as government administrative documents). Stamps issued since 1970 follow the 70 years pma rule.

See also edit

Citations edit

  1. a b Greece Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-11.
  2. Law No. 2121/1993 on Copyright, Related rights and Cultural Matters (as amended up to Law No. 4531/2018). Greece (2018). Retrieved on 2018-11-11.
  3. Greece: Copyright Act. Retrieved on 2019-12-21.
  4. Copyright Law. Retrieved on 2019-12-21.
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Text transcluded from
COM:Croatia

Horvátország

A lap összefoglalja a horvátországi szerzői jogi szabályozásnak a Commons szempontjából releváns részét. A feltöltendő fájlnak mind Horvátországban, mind az Egyesült Államokban közkincsnek vagy szabad licencűnek kell lennie. Kétség esetén a területi jogszabályok az irányadók.

Háttér edit

Horvátország hosszú ideig az Osztrák–Magyar Monarchia része volt, majd 1918-tól a Szerb–Horvát–Szlovén Királyság (1929-től Jugoszlávia) tagja lett. Horvátország 1991. október 8-án nyerte el függetlenségét.

Horvátország 1991. október 8-a óta a Berni Egyezmény, 2000. november 30-a óta a Kereskedelmi Világszervezet, 2002. március 6-a óta pedig a WIPO Szerzői Jogi Egyezmény tagja.

[1]

A 2018-as adatok szerint az ENSZ Szellemi Jogi Világszervezete (WIPO) a horvát szerzői jog tekintetében a Copyright and Related Rights Act and Acts on Amendments to the Copyright and Related Rights Act (OG Nos. 167/2003, 79/2007, 80/2011, 141/2013 and 127/2014) törvényt tekinti irányadónak,[1] melynek szövege megtalálható a WIPO Lex adatbázisban. A szöveg nem konszolidált, azonban a 2003-as törvény és módosító rendeletei is olvashatóak benne.[2]

A 2003-as törvény az 1991-est váltotta,[3] amely korábban az 1978-as jugoszláv szabályozás helyébe lépett.[4]

Általános szabályok edit

A Copyright and Related Rights Act amended up to 127/2014 alapján:

  • A jogi védettség az alkotó halálát követő 70. évig áll fenn, függetlenül a kiadás időpontjától (kivéve, ha a törvény máshogy rendelkezik).[127/2014 Article 99]
  • Közös munka eredményeképp létrejött alkotások jogi védettsége az utoljára elhunyt szerző halálától számítandó.[127/2014 Article 100(1)]
  • A 99. cikkely szerinti audiovizuális alkotások jogvédelme a rendező, forgatókönyvíró, szövegíró vagy zeneszerző halálától számított 70. évig áll fenn.[127/2014 Article 100(2)]
  • Ismeretlen szerzőjű művek jogi védettsége az első törvényes közzétételt követő 70. évig tart; ha a szerző személyazonossága ez idő alatt ismertté válik, akkor a 99. cikkely lép életbe.[127/2014 Article 101]
  • Ismeretlen szerzők műveinek jogi védettsége az első jogszerű közzétételt követő 70. évig tart. Ha egy álnévhez tartozó alkotó közismert, akkor a törvény 99. cikkelye lép életbe.[127/2014 Article 102]
  • Ha a jogi védettség időtartama nem az alkotó halálához kötődik (és az alkotás közzé lett téve), a védettségi idő az alkotás létrehozásától számított 70 év.[127/2014 Article 104]
  • A törvény által megfogalmazott időtartamok a kiváltó eseményt követő év január 1-jétől számítandóak.[127/2014 Article 105]

Korábbi időtartamok edit

Egy horvát alkotás az 1978-as jugoszláv szabályozás és az azt váltó 1991-es horvát törvény szerint akkor közkincs, ha jogi védelme 1999. július 27-e (az új törvény hatályba lépése) előtt lejárt. Ezen szabályok szerint a jogvédelem a szerző halálától számított 50 évig, fotó vagy iparművészeti alkotás esetén pedig 25 évig tart. Az alkotásnak az alábbi feltételek egyikének meg kell felelnie:

  • Ismert szerzője 1949. január 1-je előtt elhunyt
  • Ismeretlen szerzőjű mű, amely 1949. január 1-je előtt lett először publikálva
  • 1974. január 1-je előtt közzétett fotó vagy iparművészeti alkotás (az 1970 előtt publikált alkotások az USA-ban nem közkincsek).

Nem védett művek edit

A Copyright and Related Rights Act amended up to 127/2014 alapján:

  • A jogvédelem nem terjedki az ötletekre, folyamatokra, műveletekre és matematikai elméletekre.[127/2014 Article 8(1)]
  • Az alábbiak szintén nem tartoznak a jogvédelem tárgya alá:
    • Felfedezések, törvények szövegezései, adminisztratív és bírói kiadványok (törvények, rendeletek, döntések, jelentések, emlékeztetők, állásfoglalások, ítéletek stb.) és ezek gyűjteményeire, mivel ezek a nyilvánosság tájékoztatására készülnek[127/2014 Article 8(2.1)]
    • Puszta sajtóinformációkat tartalmazó napi hírek.[127/2014 Article 8(2.2)]
  • A népművészeti alkotások nem jogvédettek, azonban a nyilvánosság felé való kommunikációjuk díjfizetéshez kötött (mivel a közzététel jogvédelem alá esik). Az innen szerzett bevételekből az ország kulturális életét kell támogatni.[127/2014 Article 8(3)]
  • Hivatalos szövegek fordításai jogvédettek, kivéve ha a nyilvánosság tájékoztatása érdekében közkinccsé nyilvánították azokat.[127/2014 Article 6(2)]

Licencsablonok edit

  • {{PD-Croatia-exempt}} – a jogvédettség hatálya alá nem tartozó művekhez
  • {{PD-Croatia}} – azon művekhez, melyek alkotója 1949 előtt elhunyt, vagy 1949 előtt let publikálva (ha szerzője ismeretlen); az 1999-es törvény bevezetése előtt közkincs.

Pénz edit

   A valuták szerzői joga a Horvát Nemzeti Bankot illeti, és a kuna bankjegyek és érmék reprodukciójához a bank engedélye szükséges. További információk: Article 24 of the Act on the Croatian National Bank, Official Gazette 75/2007

 Unsure Croatia has entered the Eurozone on 1. January 2023. Images of the national side of a Croatian euro coin may be shared under specific restrictions. Please see {{Croatian euro coin}}.

Panorámaszabadság edit

  {{FoP-Croatia}} Csak épületek külső részeinél. A Copyright and Related Rights Act amended up to 127/2014 a panorámaszabadság részeként megengedi az állandó jelleggel látható alkotások kétdimenziós reprodukcióját (panorámaszabadság):

The Copyright and Related Rights Act amended up to 111/2021 allows 2D reproductions of permanently publicly displayed works, i. e. the full Freedom of Panorama:

  • Megengedett az utcákon, tereken, parkokban és más nyilvános helyen állandó jelleggel kiállított alkotások másolása és a nyilvánosság számára történő továbbítása.[127/2014 Article 91(1)]
  • Az egyes fejezetben foglalt alkotások háromdimenziós reprodukciója tilos.[127/2014 Article 91(2)]
  • A forrás és az alkotó megjelölése kötelező (kivéve, ha nem lehetséges).[127/2014 Article 91(3)]
  • Építészeti alkotások külső részeire a 91. cikkely érvényes.[127/2014 Article 92]

Lásd még edit

Jegyzetek edit

  1. a b Croatia Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-11.
  2. Copyright and Related Rights Act and Acts on Amendments to the Copyright and Related Rights Act (OG Nos. 167/2003, 79/2007, 80/2011, 141/2013 and 127/2014). Croatia (2015). Retrieved on 2018-11-11.
  3. Croatian Copyright Act of 1991 (NN 53/91 and 58/93)
  4. Yugoslav Copyright Act of 1978 (Zakon o autorskom pravu)
Cite error: <ref> tag with name "Berne141" defined in <references> is not used in prior text.
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COM:Kosovo

Koszovó

Limited international recognition

This page provides an overview of copyright rules of Kosovo relevant to uploading works into Wikimedia Commons. Note that any work originating in Kosovo must be in the public domain, or available under a free license, in both Kosovo and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Kosovo, refer to the relevant laws for clarification.

Background edit

Kosovo was formerly the Socialist Autonomous Province of Kosovo, an autonomous province of Serbia. The Kosovo War of 1998 and 1999 resulted in the establishment of the United Nations Interim Administration Mission in Kosovo (UNMIK) on 10 June 1999 by United Nations Security Council Resolution 1244. Kosovo declared independence from Serbia on 17 February 2008.

Despite Kosovo having its own Assembly, ultimate responsibility for the administration of the territory lies with the Special Representative of the Secretary-General for Kosovo, who leads the UNMIK. The Assembly of Kosovo adopted the Law No. 2004/45 on Copyright and Related Rights on 29 June 2006, which was issued by UNMIK.[1]

General edit

According to the Law No. 2004/45 on Copyright and Related Rights,

  • Copyright shall run for the life of the author and for 70 years after his death.[2004/45 Art.62.1]
  • Copyright in anonymous and pseudonymous works shall run for 70 years after the lawful disclosure of the work.[2004/45 Art.62.2]
  • When the pseudonym leaves no doubt as to the identity of the author, or if the author discloses his identity during the period referred to in the preceding paragraph, the term of protection shall be that laid down in paragraph 1. of this Article.[2004/45 Art.62.3]
  • Copyright on a co-author's work shall last 70 years from the death of the last surviving co-author.[2004/45 Art.62.4]
  • In case of collective works, the Copyright shall run for 70 years after the lawful disclosure of the work.[2004/45 Art.62.5]
  • When the term of protection does not run from the death of the author, and the work was not lawfully disclosed, Copyright shall run for 70 years from its creation.[2004/45 Art.62.6]
  • The terms of protection above shall be calculated from 1 January of the year following the year in which the event which gives rise to them has occurred.[2004/45 Art.62.9]

Not protected edit

The following works do not have copyright protection and are thus in the public domain[2004/45 Art.12]:

  • Ideas, principles, instructions, procedures, discoveries and mathematical concepts per se.
  • Official laws, rules and other regulations.
  • Official material and publications of parliamentary, governmental and other organizations with powers of public office.
  • Official translations of regulations and other official materials, as well as international agreements and other instruments.
  • Applications and other acts in administrative and court procedures.
  • Official materials published for the information of the public.
  • Expressions of folklore.
  • News of the day and various information which have the character of usual press reports.

UNMIK documents edit

According to the United Nations "Addendum on Copyright in United Nations Publications: General Principles, Practice and Procedure", para. 2, the following UN documents are in the public domain:[2]

(a) Official Records: a series of printed publications relating to the proceedings of organs or conferences of the United Nations. They include verbatim or summary records, documents or check-lists of documents, issued in the form of annexes to those records, including periodic supplements, such as the quarterly ones of the Security Council; and reports to those organs of their subordinate or affiliated bodies, compilations of resolutions, certain reports of the Secretary-General and other selected publications, which are issued in the form of supplements;
(b) United Nations documents: written material officially issued under a United Nations document symbol, regardless of the form of production, although, in practice, the term is applied mainly to material offset from typescript and issued under a masthead. The term also applies to written material issued simultaneously or sequentially in the form of documents and publications;
(c) Public information material: publications, periodicals, brochures, pamphlets, press releases, flyers, catalogues and other materials designed primarily to inform about United Nations activities. The term does not include public information that is offered for sale, which may be subject to copyright registration.

UNMIK documents of the above nature are therefore in the public domain.

Copyright tags edit

  • {{PD-KosovoGov}} – for public domain Kosovar official works, state symbols, stamps, money etc.

Freedom of panorama edit

  , non-commercial only. {{NoFoP-Kosovo}} According to the Law No. 2004/45 on Copyright and Related Rights,

  • Works permanently placed in public streets, squares, parks or other generally accessible public places may be used freely.[2004/45 Art.54.1]
  • Works mentioned in the preceding paragraph may not be reproduced in a three-dimensional form, used for the same purpose as the original work, or used for direct or indirect economic gain.[2004/45 Art.54.2]

See also edit

Citations edit

  1. Kosovo Assembly (29 June 2006). Law No. 2004/45 on Copyright and Related Rights. United Nations Interim Administration Mission in Kosovo. Retrieved on 2019-02-01.
  2. Administrative Instruction ST/AI/189/Add.9/Rev.2 Addendum on Copyright in United Nations Publications: General Principles, Practice and Procedure. United Nations.
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Text transcluded from
COM:Malta

Málta

This page provides an overview of copyright rules of Malta that are relevant to uploading works into Wikimedia Commons. Note that any work originating in Malta must be in the public domain, or available under a free license, in both Malta and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Malta, refer to the Copyright Act for clarification

Governing laws edit

The UK Copyright Act 1911[1] applied in Malta as of 1912, introducing a general copyright term of Life + 50 years, save for posthumous works, government works and photographs, for which the copyright protection was for 25 years following creation. [1911 Art. 3] With the 1970 Copyright Act (Cap.196 of the Laws of Malta),[2] copyright protection was reduced to Life + 25 years for literary, musical and artistic works. Photographic and cinematographic works, as well as anonymous/pseudonymous works, remained protected for 25 years since publication. [1970/196 Art. 4(2)] The 2000 Copyright Act (Cap.415 of the Laws of Malta) generally raised copyright protection to Life + 70 years. [415/2000-2011 Art. 4(2)] Law 197/2004 revived copyright whose protection had expired before the coming into force of the Copyright Act, but were on the 1st May, 2004 still protected in an EEA country.[3]

The above means that:

  • photographs published between 1912 and 1948 have been protected for 50 years; they entered the public domain between 1963 and 1999;
  • photographs published between 1970 and 1973 have been protected for 25 years; they entered the public domain between 1996 and 1999;
  • photographs published between 1949 and 1969, and since 1974, fall under the scope of the 2000 Copyright act; their copyright expires 70 years after the death of their author.

Malta has been a member of the Berne Convention since 21 September 1964, the World Trade Organization since 1 January 1995 and the WIPO Copyright Treaty since 14 March 2010.[4]

As of 2018 the World Intellectual Property Organization (WIPO), an agency of the United Nations, listed the Copyright Act, 2000 (Chapter 415) as the main IP law enacted by the legislature of the Malta.[4] WIPO holds the Copyright Act 2000 as amended up to Act No. VIII of 2011 in their WIPO Lex database.[5] The act replaces the Copyright Act, Cap. 196.[415/2000-2011 Preamble] It applies to works made after the act came into force, and works made earlier whose term of protection had not yet expired. It is not retroactive, in the sense that it cannot be used against actions that were allowed by the previous act.[415/2000-2011 Art.60]

Applicability edit

The Copyright Act 2000 (Chapter 415) covers artistic works, audiovisual works, databases, literary works and musical works. Literary, musical and artistic works must be original in character and must have been reduced to material form.[415/2000-2011 Art. 3 (1-2)]

  • "Artistic works" include paintings, drawings, etchings, lithographs, woodcuts, engravings and prints; maps, plans, diagrams and three-dimensional works relative to geography, science or topography, works of sculpture; photographs not comprised in an audiovisual work; works of architecture in the form of buildings or models; and works of artistic craftsmanship, including pictorial woven tissues and articles of applied handicraft and industrial art.[415/2000-2011 Art. 2]
  • "Audiovisual work" is a work that consists of a series of related images which impart the impression of motion, with or without accompanying sounds, susceptible of being made visible and, where accompanied by sounds, susceptible of being made audible.[415/2000-2011 Art. 2]
  • "Database" means a collection of independent works, data or other materials arranged in a systematic or methodical way and individually accessible by electronic or other means.[415/2000-2011 Art. 2]
  • "Literary work" includes novels, stories and poetical works; plays, stage directions, choreographic works or entertainment in dumb show, film scenarios and broadcasting script; textbooks, treatises, histories, biographies, essays and articles; encyclopaedias and dictionaries; letters, reports and memoranda; lectures, addresses and sermons; and computer programs. It does not include any written law, law report or judicial decisions.[415/2000-2011 Art. 2]
  • "Musical work" means any musical work, irrespective of musical quality, and includes works composed for musical accompaniment.[415/2000-2011 Art. 2]

Copyright protection is given to works eligible for copyright where the author (or any of the joint authors) is a citizen, permanent resident or legal entity of Malta or of a state where copyright is protected under an international agreement to which Malta is also a party.[415/2000-2011 Art. 4(1)] As of 1997 this included most countries in the world from Angola to Zimbabwe.[6] Copyright is transmissible by assignment, operation of law or by testamentary disposition as movable property, and may be limited to certain acts, limited in time and limited in geographical area.[415/2000-2011 Art. 24(2)]

Durations edit

In this article, "50 years after [event]" means "for 50 years after the end of the year when [event] happened".

  • Literary, musical and artistic works, and databases, are protected for 70 years after the author dies.[415/2000-2011 Art. 4(2)]
  • Audiovisual works are protected for 70 years after the death of the last survivor of the principal director, the author of the screenplay, the author of the dialogue and the composer of music specifically created for use in the audiovisual work.[415/2000-2011 Art. 4(2)]
  • Anonymous or pseudonymous literary, musical or artistic works are protected for 70 years after they were made public, or after they were made if they were not made public. If the identity of the author becomes known, the work is protected for 70 years after death of the author.[415/2000-2011 Art. 4(3)]
  • A "work of joint authorship" is a work produced by the collaboration of two or more authors in which the contribution of each author is not separable from the contribution of the other author or authors.[415/2000-2011 Art. 2] Works of joint authorship are protected for 70 years after death of the last surviving author.[415/2000-2011 Art. 4(4)]
  • A collective work is a work created by two or more physical persons at the initiative and under the direction of a physical person or legal entity with the understanding that it will be disclosed by the latter person or entity.[415/2000-2011 Art. 2] Collective works are protected for 70 years after they were made public, or after they were made if they were not made public.[415/2000-2011 Art. 4(3)] If the natural persons who have created a collective work are individually identifiable, the work is protected for 70 years after their death.[415/2000-2011 Art. 4(3)]
  • A co-written musical work may be considered to be a work of joint authorship or a collective work depending on the arrangement between the authors.[7]
  • When an unpublished work whose copyright has expired is published, the work is protected for 25 years from publication.[415/2000-2011 Art. 4(6)]

Government works edit

Copyright protection extends to work which is eligible for copyright and which is made by or under the direction or control of the Government of Malta. [415/2000-2011 Art. 6(1)]

  • Databases and literary, musical or artistic works are protected for 70 years from publication.[415/2000-2011 Art. 6(2)]
  • Audiovisual works are protected for 70 years after the death of the last survivor of the principal director, the author of the screenplay, the author of the dialogue and the composer of music specifically created for use in the audiovisual work.[415/2000-2011 Art. 6(3)]
  • When an unpublished work whose copyright has expired is published, the work is protected for 25 years from publication.[415/2000-2011 Art. 6(4)]

License tags edit

Any work whose country of origin is Malta should have tags that indicate why the work is public domain or free license in Malta and the United States. These should be placed in the "Permission" parameter of the {{Information}} template (or the respective parameter of similar templates) or in the "Licensing" section.

Tags that may be used to show copyright status in Malta include:

Also provide a United States tag such as

Currency edit

   There is no copyright exception for Maltese currency or governmental work (see articles 2(1)a, 3(1)a and 6(1) of the Maltese copyright act). The Bank of Malta makes currency images available for use, but their disclaimer forbids any kind of derivative work, thus making these files impossible to host on Commons.

Freedom of panorama edit

  for buildings and sculptures. {{FoP-Malta}}

Malta's Copyright Act states that copyright "shall not include the right to authorise or prohibit (…) the inclusion in a communication to the public, the making of a graphic representation and the making of a photograph or film, of a work of architecture or sculpture or similar works made to be located permanently in public places."[415/2000-2011 Art. 9(1)(p)]

Citations edit

  1. UK Copyright Act (1911).
  2. Copyright Act (1970).
  3. https://wipolex.wipo.int/en/text/195508
  4. a b Malta : Copyright and Related Rights (Neighboring Rights). WIPO Lex (2018). Retrieved on 2018-10-27.
  5. Copyright Act. Malta (2000). Retrieved on 2018-10-26.
  6. Copyright (Extension of Application) Regulations , l997. Malta (1997). Retrieved on 2018-10-27.
  7. Public Domain Calculator : Report and Documentation. Institute for Information Law, University of Amsterdam (October 2011). Retrieved on 2018-10-27.
Caution: The above description may be inaccurate, incomplete and/or out of date, so must be treated with caution. Before you upload a file to Wikimedia Commons you should ensure it may be used freely. Lásd még: Commons:Jogi nyilatkozat
Text transcluded from
COM:Montenegro

Montenegró

This page provides an overview of copyright rules of Montenegro relevant to uploading works into Wikimedia Commons. Note that any work originating in Montenegro must be in the public domain, or available under a free license, in both Montenegro and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Montenegro, refer to the relevant laws for clarification.

Background edit

Montenegro was recognized as an independent state in 1878. It became part of Yugoslavia after World War I. After the breakup of Yugoslavia, in 1992 the republics of Serbia and Montenegro formed the Federal Republic of Yugoslavia, renamed the State Union of Serbia and Montenegro in 2003. Montenegro became independent on 3 June 2006.

Montenegro has been a member of the Berne Convention and the WIPO Copyright Treaty since 3 June 2006 and the World Trade Organization since 29 April 2012.[1]

As of 2018 the World Intellectual Property Organization (WIPO), an agency of the United Nations, listed the Law on Copyright and Related Rights (Official Gazette of Montenegro, Nos. 37/2011 and 53/2016) as the main copyright law enacted by the legislature of Montenegro.[1] WIPO holds the text of this law in their WIPO Lex database.[2]

General rules edit

The Yugoslav Copyright Act of 1978 provided for copyright term of the life of the author plus 50 years, respectively 25 years for photograph or a work of applied art. This was replaced by a new copyright act of 29 December 2004. Works that were already in the public domain before the new act came into effect met one of the following criteria:

  • A work of known authorship and the author died before 1 January 1954
  • An anonymous work and it was published before 1 January 1954
  • A photograph or a work of applied art published before 1 January 1973

Under the Law on Amendments to the Law on Copyright and Related Rights (Official Gazette of Montenegro, No. 37/2011 and 53/2016)

  • Copyright lasts for the life of the author and for 70 years after his death, unless stipulated otherwise.[53/2016 Art.62]
  • For works of co-authorship, copyright lasts for 70 years from the death of the author who died last.[53/2016 Art.63]
  • Copyright of an audiovisual work lasts for 70 years from the death of the last of the following co-authors: the principal director, screenplay writer, dialogue author and the author of music specially composed for the audiovisual work.[53/2016 Art.63]
  • Copyrights in a musical works with words, with the text and music written by different co-authors specifically for this work, lasts for 70 years from the death of the last co-author.[53/2016 Art.63]
  • Protection of copyright in anonymous or pseudonymous works lasts for 70 years from the date of publication of the work, unless the identity of the author becomes known before that period.[53/2016 Art.64]
  • Copyright in collective works lasts for 70 years from the date of publication of the work, unless the individuals who participated in the creation of the work are named in it.[53/2016 Art.65]
  • Durations are calculated from 1 January of the year immediately following the year in which the relevant event occurred.[53/2016 Art.69]

Not protected edit

Copyright protection does not cover: 1) ideas, principles and discoveries; 2) Official texts in the field of the legislation, administrative and judicial; 3) an official translation of point 2 above; 4) The term traditional culture (hereinafter referred to as works of folklore); 5) daily news or other information having the character of mere items of press information.[53/2016 Art.8]

Copyright tags edit

  • {{PD-MNEGov}} – for public domain Montenegro official works
  • {{PD-SCGGov}} – for public domain Serbian-Montenegro official works, state symbols, stamps, money etc.

Freedom of panorama edit

   Only non-commercial use is allowed. {{NoFoP-Montenegro}}

The Law on Amendments to the Law on Copyright and Related Rights (Official Gazette of Montenegro, No. 37/2011 and 53/2016) says,

  • Permission is granted without acquiring the appropriate property rights and without paying a fee, to use works that are permanently exposed in parks, streets, squares and other public places.[53/2016 Art.55(1)] The works ... may not be reproduced in a three-dimensional form, used for the same purpose as the original work, or used for direct or indirect economic advantage.[53/2016 Art.55(2)]

See also edit

Citations edit

  1. a b Montenegro Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-03.
  2. Law on Copyright and Related Rights (Official Gazette of Montenegro, Nos. 37/2011 and 53/2016). Montenegro (2018). Retrieved on 2018-11-03.
Caution: The above description may be inaccurate, incomplete and/or out of date, so must be treated with caution. Before you upload a file to Wikimedia Commons you should ensure it may be used freely. Lásd még: Commons:Jogi nyilatkozat
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COM:Italy

Olaszország

This page provides an overview of copyright rules of Italy relevant to uploading works into Wikimedia Commons. Note that any work originating in Italy must be in the public domain, or available under a free license, in both Italy and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Italy, refer to the relevant laws for clarification.

Governing laws edit

Italy has been a member of the Berne Convention since 5 December 1887, the World Trade Organization since 1 January 1995 and the WIPO Copyright Treaty since 14 March 2010.[1]

As of 2018 the World Intellectual Property Organization (WIPO), an agency of the United Nations, listed Law No. 633 of April 22, 1941, for the Protection of Copyright and Neighboring Rights (as amended up to Decree-law No. 64 of April 30, 2010) as the main copyright law enacted by the legislature of Italy.[1] WIPO holds the Italian text of this law with an auto-translate tool in their WIPO Lex database.[2] Normattiva holds the consolidated Italian text.[3]

Also relevant is the Cultural heritage and landscape law of 2004 and the Digital Administration Code of 2005.[4][5]

General rules edit

Under the Copyright Law as of 2016,

  • Economic rights in a work last for the author's life and until the end of the 70th solar year after his death.[633/1941 art. 25]
Note that before 1996/7 the duration was 50 years after the author's death,[6] with wartime extensions of six years for any work published before August 16, 1945.[7] Therefore the calculation of the duration of copyright before the URAA date must consider these protected for 56 years after the author's death, meaning that were in the public domain at the URAA date works of authors died before 1940. Artistic photographs had been protected for 50 years from creation,[6] plus the same six-year extension, so non-simple photographs created before 1940 were public domain on the URAA date.
  • For works of joint authorship where the individual contributions cannot be distinguished, and for dramatic-musical, choreographic and pantomimic works, the duration of economic rights is based on the life of the co-author who dies last.[633/1941 art. 26]
  • For collective works the duration of economic rights of each contribution is based on the life of the contributor. The duration of the economic rights of the work as a whole is 70 years from first publication.[633/1941 art. 26] With magazines, newspapers and other periodic works, duration is calculated separately for each issue.[633/1941 art. 30]
  • For anonymous or pseudonymous works, apart from those where the real author is widely known, the duration of economic rights is 70 years from date of first publication, whatever the form in which it was carried out, as long as the author does not become known in this period.[633/1941 art. 27]
  • National, provincial and municipal administrations are entitled to copyright on works created and published under their name and on their behalf and expense, as are private non-profit entities, academies and other public cultural bodies.[633/1941 art. 11] Copyright on such works expires after 20 years from first publication. Copyright on writings (communications and memories) published by academies lasts two years, after which the rights revert to the author.[633/1941 art. 29]
  • For posthumously published works, economic rights last for 70 years from the death of the author.[633/1941 art. 31] However, if the posthumous work is first published after copyright has lapsed, economic rights last for 25 years from this first publication.[633/1941 art. 85-ter]
  • Economic rights in a cinematographic work last until the end of the 70th year after the death of the last survivor of the following: the artistic director, the authors of the screenplay, including the author of the dialogue, and the author of the music specifically created to be used in the cinematographic work.[633/1941 art. 32]
  • Photographs are protected works as long as they are not simple protected photographs in accordance with the provisions of Chapter V.[633/1941 art. 2.7] The economic rights of a photographic work last until the 70 year after the death of the author.[633/1941 art. 32-bis]
  • The terms of duration of economic rights above are counted starting from 1 January of the year following the event on which the duration is based.[633/1941 art. 32-ter]

A few exceptions are:

  • "Non-creative" photographs: Italian copyright law provides for a shorter term of 20 years since creation. However, which kinds of photographs are considered "simple photographs" is rather vague; this rule is difficult to apply accurately, and hence should be used on Commons very carefully. Artistic photographs enter the public domain 70 years after the author's death. "Simple photographs" include reproductions of figurative art and still frames from movies. See {{PD-Italy}}.
  • Texts of official acts published and distributed by the Italian State or Italian public administrations: These are in the public domain, unless the copyright has been reserved explicitly[633/1941 art. 5]. See {{PD-Italy-EdictGov}}.
  • Audio recordings that were created and published in Italy at least 50 years ago, of a work which is itself in the public domain: These are in the public domain. Article 75 of Italian copyright law treats audio recordings as a special case[633/1941 art. 75]. See {{PD-Italy-audio}}.
  • Works made for the public administration or for non-profit organisations have 20 years of copyright protection before being in the public domain[633/1941 art. 29]. See {{PD-ItalyGov}}.

Government works edit

Works created by or on behalf of either the government, the former national Fascist Party, an academy, or private legal entities of a non-profit-making character of Italy, have 20 years of duration of the rights [633/1941 art. 11, 29]

Therefore, the theory that a 70-year rule applies to works of the Italian government is unproven and has been disputed. See Commons:Deletion requests/Category:PD Italy.

According to the discussion at Commons:Village pump/Copyright/Archive/2023/10#Italy FOP again and artwork copyrights supposedly held by city councils of Italy, buildings and monuments commissioned and paid for by the Italian state (including regions, cities etc.) are also official works (government works), and the copyright in these cases is held by the state or its respective subdivision. This interpretation is backed up by legal guides and verdicts by italian courts.[8]

According to article 52, paragraph 2 of the Digital Administration Code, data and documents published by Italian public administrations without any explicit license are considered "open by default" (with exception of personal data). In this case, data and documents without explicit license can be used for free, also for commercial purpose, like CC-BY license or with attribution.[9]

Copyright tags edit

  • {{PD-Italy}} – for simple (non-artistic) photographs originating in Italy for which the copyright has expired.
  • {{PD-Italy-audio}} – for audio recording both created and published in Italy at least fifty years ago, of a work which is itself in the public domain.
  • For works where the author died at least seventy years ago, {{PD-old}} applies.
  • For anonymous or pseudonymous works published at least 70 years ago, use {{Anonymous-EU}}.
  • {{PD-Italy-EdictGov}} – for most edicts of the Italian government.
  • {{PD-ItalyGov}} – for works published by the Italian administration or by Italian nonprofit organisations.
  • {{Italy-CAD-OBD}} - for works published by any Italian administration without an explicit license.

Currency edit

  Regarding former Italian currency (lire), the copyright on the artwork is most likely in the public domain. "Copyright in works created and published under the name and at the expense of the State, shall belong to them".[633/1941 art. 11] "The duration of the exploitation rights belonging to the State (…) shall be twenty years as from first publication, whatever the form in which publication was effected".[633/1941 art. 29] The last distributed lira (the 500.000 bill) was distributed in the first half of 1997, more than 20 years ago.[10]

Freedom of panorama edit

Pictures from public places don't formally enjoy any exception in Italian copyright law. Objects still under copyright only allow "quotation right" [633/1941 art. 70] and a minimal and never implemented "fair use" [633/1941 art. 70 c. 1-bis].[11] Some objects are even subject to additional non-copyright restrictions (see below).

According to the discussion at Commons:Village pump/Copyright/Archive/2023/10#Italy FOP again and artwork copyrights supposedly held by city councils of Italy, buildings and monuments commissioned and paid for by the Italian state (including regions, cities etc.) are also official works (government works), and the copyright in these cases (20 years from publication) is held by the state or its respective subdivision. This interpretation is backed up by legal guides and verdicts by italian courts.[8]

However, objects in public places can still be exempt from copyright for other reasons:

  •   for objects that are not creative or artistic enough to be copyright-protected, see Threshold of originality [42/2004 art. 11 c. 1e]. Please use {{PD-structure|ITA}} or {{TOO-Italy}} in this case.
  •   for objects where the copyright has expired, see General rules above.

Please, tag Italy no-FoP deletion requests: <noinclude>[[Category:Italian FOP cases/pending]]</noinclude>.

Note: A de facto exception for works by deceased authors was discussed extensively. It was initially recognized by the Commons community in April 2021, but abandoned again a few months later after this clarifying discussion.

Additional restrictions for cultural heritage assets edit

Images of public domain landmarks of Italy like Palermo's Teatro Massimo (whose last-surviving architect died in 1897) may be subject to restrictions on commercial use. In a particular case for this building, the courts of Florence and Palermo ruled in 2017 that a bank's use of the image of this public domain building for their advertisement infringes the rights of Teatro Massimo Foundation who exclusively owns the images of the building. (Società Italiana Brevetti S.p.A. article, IPlens article)

In addition to copyright concerns, photos of any cultural heritage asset are generally subject to preemptive authorisation, a fee and other restriction due to the cultural heritage and landscape law[12] which is a non-copyright restriction. The following are considered cultural heritage assets: state-owned things with some artistic, historic, archaeological or ethno-anthropological interest and libraries, galleries, museums and archives collections, unless explicitly removed on a case by case basis; other items declared cultural heritage by the Ministry of Cultural Heritage and Activities. The national catalogue of cultural heritage assets is not publicly accessible or does not exist yet. Any artwork or building should be assumed a cultural heritage asset if older than 50 years (or 70 years in some cases since 2017 [42/2004 art. 11 c. 1d]).

Simplifications were envisioned by law for certain kinds of reproductions [42/2004 art. 108 c. 3-bis] and collections [36/2006 art. 7] but are not fully implemented yet as of 2019.

For Wiki Loves Monuments participants, an agreement between the Ministry and Wikimedia has allowed in the past to publish certain photos of cultural heritage assets on Commons, provided that for the ministry-run monuments {{Italy-MiBAC-disclaimer}} is added to the respective file descriptions.

Stamps edit

Copyrighted Until specific information becomes available, apply the 70 years pma rule (or 70 years after issue for anonymous/pseudonymous stamps), so stamps by designers deceased more than 70 years are public domain. Where there are joint authors, such as an engraver and a designer, the copyright term starts following the death of the last survivor.

{{PD-Italy}} does not apply to Italian stamps. The law contains no exceptions to standard copyright law for stamps.

Stamps sometimes contain date and author. The Stamp Art blog, while not necessarily reliable, does list designers and some engravers of Italian stamps and Italian stamp designers, so may be worth reviewing.[13] The following list of artists whose works are in public domain because they died on or before 31 December 1950 is non-exhaustive:

Works by the following artists will remain protected until 70 years after their death:

The following artists have unknown death dates:

  • Liana Ferri (stamp designs 1934)[14]
  • Gustavo Petronio (active c1920s–1950s)[15]
  • Alberto Repettati (c.1896-1940s)
  • Dino Tofani (1895–?1930)
  • C. Vincenti (1930s)

Threshold of originality edit

Hogan Lovells states "In summary, the threshold for an industrial design product to enjoy copyright protection is still quite high and even famous industrial design products have been denied such protection by Italian Courts."[16]

Probably this applies to logos too. These files have been kept as simple logos:

But the logo of AC Parma was deleted as being a complex logo.[17] Another Parma logo has been deleted but then restored.

See also edit

Citations edit

  1. a b Italy Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-11.
  2. Law No. 633 of April 22, 1941, for the Protection of Copyright and Neighboring Rights (as amended up to Decree-law No. 64 of April 30, 2010). Italy (2010). Retrieved on 2018-11-11.
  3. Legge 22 aprile 1941, n. 633 Protezione del diritto d'autore e di altri diritti connessi al suo esercizio. (Copyright Act) (in Italian). Retrieved on 2023-11-10.
  4. Decreto Legislativo 22 gennaio 2004, n. 42: "Codice dei beni culturali e del paesaggio, ai sensi dell'articolo 10 della legge 6 luglio 2002, n. 137" (Cultural heritage and landscape law) (in Italian). Gazzetta Ufficiale n. 45 del 24 febbraio 2004 – Supplemento Ordinario n. 28 (2004). Retrieved on 2019-02-01.
  5. Codice dell’amministrazione digitale – Decreto Legislativo 7 marzo 2005, n. 82 (in Italian). Docs Italia. Retrieved on 2019-03-26.
  6. a b Law No. 633 of April 22, 1941, for the Protection of Copyright and Neighboring Rights (as amended up to Legislative Decree No. 685 of November 16, 1994) (in en). WIPO lex (november 16, 1994). Retrieved on 2019-02-04.
  7. Deputy Legislative Decree No. 440 of July 20, 1945, extending the Term of Protection for Intellectual Property Rights and Works protected under Law No. 633 of April 22, 1941 (in it). WIPO lex (July 20, 1945). Retrieved on 2022-01-09.
  8. a b See Lorenzo Passeri. Il diritto d’autore nell’attività di progettazione (in it) 24. Centro Studi Consiglio Nazionale Ingegneri., Deliberazione n. 253 del 21/06/2001 - rif. US (in it)., Consiglio di Giustizia Amministrativa per la regione Siciliana 06/03/1998 n. 131 (in it).
  9. National Guidelines of Agency for Digital Italy
  10. Seduta della Commissione V BILANCIO, TESORO E PROGRAMMAZIONE (1996-09-18). Retrieved on 9 december 2017.
  11. art. 70, c. 1-bis: "È consentita la libera pubblicazione attraverso la rete internet, a titolo gratuito, di immagini e musiche a bassa risoluzione o degradate, per uso didattico o scientifico e solo nel caso in cui tale utilizzo non sia a scopo di lucro."
  12. italiano «Il Ministero, le regioni e gli altri enti pubblici territoriali possono consentire la riproduzione nonché l'uso strumentale e precario dei beni culturali che abbiano in consegna, fatte salve le disposizioni di cui al comma 2 e quelle in materia di diritto d'autore»; § 107(1) «Nessun canone è dovuto per le riproduzioni richieste da privati per uso personale o per motivi di studio, ovvero da soggetti pubblici per finalità di valorizzazione. I richiedenti sono comunque tenuti al rimborso delle spese sostenute all'amministrazione concedente» ( § 108(3)). it:Libertà di panorama#Italia.
  13. Stamp Designers from Italy. Stamp Art. Retrieved on 2019-03-26.
  14. Liana Ferri SBLV086274: [3] [4] (book 1951)
  15. Gustavo PETRONIO. Associazione Franco Fossati. Retrieved on 2019-03-26.
  16. Hogan Lovells. Copyrights – Copyright protection – Italy. Retrieved on 2022-04-21.
  17. Logo on external site DR
Caution: The above description may be inaccurate, incomplete and/or out of date, so must be treated with caution. Before you upload a file to Wikimedia Commons you should ensure it may be used freely. Lásd még: Commons:Jogi nyilatkozat
Text transcluded from
COM:Portugal

Portugália

This page provides an overview of copyright rules of Portugal relevant to uploading works into Wikimedia Commons. Note that any work originating in Portugal must be in the public domain, or available under a free license, in both Portugal and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Portugal, refer to the relevant laws for clarification.

Governing laws edit

Portugal has been a member of the Berne Convention since 29 March 1911, the World Trade Organization since 1 January 1995 and the WIPO Copyright Treaty since 14 March 2010.[1]

As of 2018 the World Intellectual Property Organization (WIPO), an agency of the United Nations, listed the Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017) as the main IP law enacted by the legislature of Portugal.[1] WIPO holds the text of this law in their WIPO Lex database.[2]

General rules edit

Under the Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017),

  • The author's moral rights, including and in particular the right to attribution, are perpetual, even after the copyright expires.[100/2017 Art.9(3)]
  • Except where otherwise specified, copyright subsists for 70 years after the death of the author, even if the work is only disclosed or published posthumously.[100/2017 Art.31]
  • Copyright in work of joint authorship, as such, expires 70 years after the death of the author who dies last.[100/2017 Art.32(1)]
  • The rights in a collective work or work originally attributed to a legal entity expires 70 years after first publication or lawful disclosure, unless the individual(s) who created the work were identified in versions made available to the public.[100/2017 Art.32(2)]
  • Copyright attributed to individual authors of a collective work with regard to contributions that can be distinguished is 70 years after the death of the author.[100/2017 Art.32(3)]
  • The duration of protection of anonymous works is 70 years after publication or disclosure.[100/2017 Art.33(1)] If the identity of the author is revealed in this period, the term of protection 70 years after the death of the author.[100/2017 Art.33(2)]
  • Copyright in cinematographic work or other audiovisual work expires 70 years after the death of the last survivor of the director; the author of the adaptation; the author of the dialogue; the author of the musical compositions specially created for the work.[100/2017 Art.34]

See {{PD-Portugal-URAA}} for compatibility between the Uruguay Round Agreements Act and works in the public domain in Portugal.

Photographs edit

All photographs taken until 30 June 1970 are in the public domain in Portugal, as Decree Law n.° 334/97 of 27 November, which established the current 70 year protection on photographic works, as well as the 25 year protection on non-published public domain works, specifically applies retroactively only to works that were under protection in EU countries as of 1 July 1995 (§5). In the previous Law No. 114/91 as of September 3, 1991, copyright for all photographic works expired after 25 years after the work had been made. Copyright of non-published works was specifically voided 25 years after creation of the work. (§34).[3] See the related discussion for more information and sources verifying this.

In order to have copyright, photographic works are required to be published displaying a) the name of the photographer, b) in the case of photographs of works of plastic art, the name of the author of the work photographed. (§167 of the current 2017 copyright law). Failure to comply this voids the copyright of the work, unless bad faith on the reproduction can be proved.[4]

Not protected edit

Under the Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017),

  • There is no copyright protection for a) The news of the day and the reports of various events as simple information in any way disclosed; b) Applications, allegations, complaints and other texts submitted in writing or orally before public authorities or services; c) Proposed texts and speeches delivered to assemblies or other collegiate bodies, political, administrative, national, regional or local levels, or in public debates on matters of common interest; d) Political speeches.[100/2017 Art.7(1)]
  • Integral reproduction of speeches, oratory pieces and other texts referred to in sub-paragraphs c) and d) of paragraph 1 may only be made by the author or with his consent.[100/2017 Art.7(2)]
  • The use by a third party of work referred to in paragraph 1, when free, shall be limited to that required by the purpose to be achieved with its disclosure.[100/2017 Art.7(3)]

Copyright tags edit

Freedom of panorama edit

  {{FoP-Portugal}} Under the Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017),

  • It is lawful, without the author's consent, to make the following uses of a work:[100/2017 Art.75(2)] ... use of works, such as works of architecture or sculpture, made to be located permanently in public places;[100/2017 Art.75(2.q)]
  • "Use" includes taking a photograph of such a work and publishing it.[100/2017 Art.68]
  • However, in conformity with the Berne three-step test, the allowed uses must not conflict with a normal exploitation of the work, nor unreasonably prejudice the legitimate interests of the rights holder.[100/2017 Art.75(4)]
  • Also, "The free uses mentioned in the preceding article [§75] shall be accompanied by the indication, wherever possible, of the name of the author and of the editor, the title of the work and other circumstances that identify them...."[100/2017 Art.76(a)]

According to Portuguese legal scholar Teresa Nobre, "public location" includes public interiors within the context of Portuguese law.[5]

Threshold of originality edit

w:File:Juventude Socialista Portugal.png was deleted as it was considered to be above the threshold of originality.

Photographs

In Portugal photographs have been consistently specifically required to have a significant degree of creativity in order to be copyrighted. Article §164 of the current 2017 copyright law states that "the choice of a photograph's subject and the conditions of its creation must be deemed to be a personal artistic creation by the author before a photograph may qualify for protection".

Court cases
  • Landscape photograph: Ruled as without originality. In 2009 the Tribunal da Relação de Lisboa ruled as void of copyright for lack of artistic creativity a landscape photograph the author was claiming copyright on due to his choice of the setting, light and other conditions. It was considered by the court "a vulgar photograph resultant from the mere choice of an object, such as a city council building and part of a group of trees, without a minimum of creativity".[6] The subject is discussed in a 2017 article published by the Instituto Portugues de Fotografia.[7]
  • Heart reproduction commissioned to a laboratory in order to be presented in an exposition: Ruled as without originality.[6]
  • Clothing/Fashion: Ruled as without originality.[8]
  • Puppets wearing Madeira national costumes (generally tourist souvenirs) following old and common models were considered without copyright.[9]

See also edit

Citations edit

  1. a b Portugal Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-13.
  2. Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017). Portugal (2017). Retrieved on 2018-11-13.
  3. Code of Copyright and Related Rights (as amended up to Law No. 114/91 of September 3, 1991). WIPO. Retrieved on 2019-03-29.
  4. 312/10.5TBVIS.C1 Acórdão do Tribunal da Relação de Coimbra (in Portuguese) (5 October 2011). Retrieved on 2019-03-29.
  5. Nobre, Teresa (2016). Best Case Scenarios for Copyright: Freedom of Panorama in Portugal (PDF). COMMUNIA. Retrieved on June 8, 2016.
  6. a b 1848/07.0TJLSB-8 Acórdão do Tribunal da Relação de Lisboa (in Portuguese) (2009). Retrieved on 2019-03-29.
  7. “Bom registo” é um elogio a um trabalho fotográfico? (in Portuguese). Instituto Portugues de Fotografia (7 november 2017). Retrieved on 2019-03-29.
  8. 268/13.2YHLSB.L1-7 Acórdão do Tribunal da Relação de Lisboa (in Portuguese) (2017). Retrieved on 2019-03-29.
  9. 167/17.9YHLSB.L2.S2, 2020 (with photos of the puppets).
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Text transcluded from
COM:San Marino

San Marino

This page provides an overview of copyright rules of San Marino relevant to uploading works into Wikimedia Commons. Note that any work originating in San Marino must be in the public domain, or available under a free license, in both San Marino and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from San Marino, refer to the relevant laws for clarification.

Governing laws edit

San Marino has been a member of the Berne Convention and WIPO Copyright Treaty since 2 September 2020.[1]

As of 2018 the World Intellectual Property Organization (WIPO), an agency of the United Nations, listed Law No. 8 of 25 January 1991 - Protection of Copyright as the main IP law enacted by the legislature of San Marino.[2] WIPO holds the text of this law in their WIPO Lex database.[3] The law was later amended by Law No. 63 of 24 June 1997 and Law No. 43 of 22 February 2006.[2]

General rules edit

According to Law no. 8 of 25 January 1991:

  • The standard term of protection is for the author's life + 50 years.[8/1991 Art.36]
  • A joint work where individual contributions cannot be separated is protected for 50 years after the last author's death.[8/1991 Art.37]
  • If the contributions in a joint work are separable, protection for each contribution is based on the life of the author, while the work as a whole is protected for 60 years after first disclosure.[8/1991 Art.37]
  • Anonymous or pseudonymous works are protected for 60 years after first disclosure.[8/1991 Art.38]
  • Posthumous works are protected for 60 years after first disclosure as long as this occurs within 30 years of the author's death.[8/1991 Art.39]
  • For audio-visual works (films, sound), the duration is 50 years after the end of the year of first disclosure, or 50 years after the production date for undisclosed works.[8/1991 Art.40]
  • Photographs are protected for 30 years after the date of production.[8/1991 Art.84]

Disclosure is any act that brings the work to the attention of the public, including exhibition or reproduction.[8/1991 Art.44] All terms run to the end of the calendar year in which they expire.

Copyright tags edit

Freedom of panorama edit

  . There is no provision for freedom of panorama of any sort under San Marino law.[2]

Citations edit

  1. Berne Notification No. 285 Berne Convention for the Protection of Literary and Artistic Works Accession by the Republic of San Marino[5], 2 June 2020
  2. a b c San Marino Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-13.
  3. Law No. 8 of 25 January 1991 - Protection of Copyright. San Marino (1999). Retrieved on 2018-11-13.
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Text transcluded from
COM:Spain

Spanyolország

This page provides an overview of copyright rules of Spain relevant to uploading works into Wikimedia Commons. Note that any work originating in Spain must be in the public domain, or available under a free license, in both Spain and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Spain, refer to the relevant laws for clarification.

Background edit

Spain has been a member of the Berne Convention since 5 December 1887, the Universal Copyright Convention since 16 September 1955, the World Trade Organization since 1 January 1995 and the WIPO Copyright Treaty since 14 March 2010.[1]

The Royal Act 1/1996, of 12 April 1996 approved the revised text of the Intellectual Property Law, the main IP law.[1] The consolidated text incorporating revisions up to 14 April 2018 is provided on their website by the Boletin Oficial del Estado. The act repealed Law 22/1987, of November 11, on Intellectual Property and subsequent amendments.[2] The Law of 10 January 1879 on intellectual property still applies to works by authors who died before the 1987 Law took effect.[3]

General rules edit

Under the 1996 Intellectual Property Law as amended up to 14 April 2018,

  • The rights of exploitation of a work last for the life of the author and 70 years after his death or declaration of death.[1/1996-2018 Article 26]
  • The exploitation rights of anonymous or pseudonymous works last 70 years from their lawful disclosure, as long as the author does not become known during this period.[1/1996-2018 Article 27(1)]
  • The rights of exploitation of the works that have not been lawfully disclosed last 70 years from their creation, when the term of protection is not computed from the death or declaration of death of the author or authors.[1/1996-2018 Article 27(2)]
  • The exploitation rights of collaborative works, including cinematographic and audiovisual works, last for the life of the coauthors and 70 years after the death or declaration of death of the last surviving co-author.[1/1996-2018 Article 28(1)]
  • With musical compositions with lyrics, exploitation rights will last the entire life of the author of the lyrics and the author of the musical composition and 70 years from the death or declaration of death of the last survivor, provided that their contributions were created specifically for the respective musical composition with lyrics.[1/1996-2018 Article 28(1)]
  • Terms of protection established are computed from 1 January of the year following the death or declaration of death of the author or of the legal disclosure of the work, as appropriate.[1/1996-2018 Article 30]

However, works of authors who died before 7 December 1987 (or were published before that date, in case of anonymous works) are dealt with by the 1879 law, which sets a protection time of 80 years post mortem auctoris.[1879 Article 6]

Collective work edit

A collective work is a work created through the initiative and under the coordination of a natural or legal person who publishes and disseminates it under their name and is formed by combining contributions of different authors whose personal contributions are unique and autonomous creations, by which it has been created without it being possible to attribute separately to any of the authors a right over the whole of the work carried out. Unless otherwise agreed, the rights over the collective work shall correspond to the person who publishes and discloses it under his name.[1/1996-2018 Article 8]

The exploitation rights over a collective works last 70 years from the lawful disclosure of the protected work. However, if the natural persons who have created the work are identified as authors in the versions of it that are made accessible to the public, the provisions of articles 26 or 28.1, as appropriate, will be applied. These provisions are without prejudice to the rights of the identified authors whose identifiable contributions are contained in said works, to which article 26 and 28(1) apply.[1/1996-2018 Article 28(2)]

Not protected edit

Intellectual property protection does not apply to laws and regulations and their corresponding projects, resolutions and acts of jurisdictional bodies, agreements, deliberations and opinions of public bodies, as well as official translations of all the previous texts.[1/1996-2018 Article 13]

Copyright tags edit

  • {{PD-Spain-photo}} – for simple photographs taken at least 25 years ago
  • {{PD-SpanishGov}} – for some works by the Spanish government, like laws
  • {{PD-SpanishGov-money}} - for images of the former Spanish pesetas currency
  • {{PD-La Moncloa}} – for content from www.lamoncloa.gob.es which was selected or coordinated by the Secretary of State for Communications (only valid for images uploaded before 26 November 2012)
  • {{Attribution-Catalonia}} – for content from the Parliament of Catalonia (Parlament de Catalunya)
  • {{Attribution-IGN}} - for CC-BY 4.0 licensed maps or other content from Instituto Geográfico Nacional (Spain's National Geographic Institute)

Currency edit

 : Regarding former Spanish national currency, the pesetas, there is "no significant jurisprudence on the application of copyright to banknotes" per 1999 Report on the Legal Protection of Banknotes in the European Union Member States. Additionally, there is "no use of the copyright symbol: © on Spanish banknotes". The rules for reproduction of pesetas only have provisions for advertising purposes. Reproductions for teaching materials in particular do not require the authorisation of the Bank of Spain.[4]

{{PD-SpanishGov-money}} can be used to tag images of Spanish pesetas.

Spain has used the Euro since 1 January 2002. See COM:CRT/European Union:Currency for Euro banknotes and the shared side of Euro coins.

   for the national side of Euro coins.

Freedom of panorama edit

 Unsure

{{FoP-Spain}} Under the the 1996 Intellectual Property Law as amended up to 14 April 2018,

  • Works permanently located in parks or on streets, squares or other public tracks and passes may be freely reproduced, distributed and communicated by painting, drawing, photography and audiovisual processes.[1/1996-2018 Article 35(2)]

In 1998, Article 40bis was non retroactively introduced in the law, limiting this exception:

  • The above may not be so interpreted that they could be applied in a manner capable of unreasonably prejudicing the legitimate interests of the author or adversely affecting the normal exploitation of the works to which they refer.[1/1996-2018 Article 40bis]

After the introduction of Article 40bis, some Spanish courts have ruled against commercial use of some works situated in public spaces, including Monumento a Los Raqueros and Toro de Osborne. However, in both cases the work had been extracted from its surrounding panorama, and commercialized in that form.[5] In other cases, such as the verdict nº195/2014 from the Audiencia Provincial de Madrid,[6] courts have ruled that works situated in "public areas" can be subject to the exception (that is, they have ruled in favor of freedom of panorama, at least for works situated in "public areas").[7] According to further analysis, authorization from the copyright holder for commercial use of photographs and derivative and composed works of a copyrighted work, could possibly be necessary when the work is "located in a private property that is accessible to public view or that is not considered a public area".[8][9] In the case of the Toro de Osborne, the court considered that only cultural uses were allowed by Article 35.2, excluding any kind of commercial use.[10]

Toro de Osborne Case

By decision dated January 31, 2006, the Provincial Court of Seville considered that the commercial use of the figure or silhouette of the Toro de Osborne (originally conceived and designed as a trademarked logo in 1956) through items such as hats, t-shirts, keychains, stickers, postcards, ashtrays, tiles, ceramics, coasters, as well as scaled reproductions of the same, constitutes a criminal infringement of the copyright under Article 270 of the Penal Code, as it involves an "intent to obtain direct or indirect economic benefit" and is carried out "to the detriment of a third party." The Court interpreted the limitation of the panorama exception provided in Article 35(2) of the Intellectual Property Law (LPI) in accordance with the provisions of Article 40 bis of the LPI, stating that: "only the exploitation of the same with a strict or predominantly cultural dimension has been allowed, and any use of the same without its consent (from the owner) that exceeds the aforementioned purpose must be understood as unauthorized.".[9]

Raqueros Case

By decision dated April 5, 2006, the Provincial Court of Cantabria, decided that a sculptural ensemble known as the "Grupo de Raqueros", permanently installed in a public thoroughfare (Paseo Marítimo), commissioned by the Government of Cantabria or by the Santander City Council, is reproduced in an acrylic based material, intended for public sale as tourist souvenirs. According to the decision, the author keeps the exploitation rights over it, and the Provincial Court of Cantabria ordered some of the defendants to compensate the author for moral and economic damages, due to the distribution of unauthorized reproductions.[9][11]

Refer to this discussion for more information. Spanish Wikimedian MarcoAurelio provides an insight on the situation of the Spanish freedom of panorama.


Stamps edit

. Communication with Spain's Philatelic Bureau suggests no public domain. Permission to scan images of Spanish stamps requires a specific request to the Sociedad Estatal de Correos y Telégrafos.

According to Spanish copyright law, while most official works are not protected by copyright, standalone images are specifically exempted, and the author retains copyright. So it is safe to assume that Spanish stamps are copyright their designers, in which case they are protected for 70 years after the author's death, or 80 years if the author died before 1988. If the designer is unknown, the stamp falls into the public domain 70 years after it was issued, or 80 years if issued before 1987.

Threshold of originality edit

STS 4443/2004 notes that a work must have the characteristics of "uniqueness, individuality and distinguishability" to qualify for protection.[12]

STS 1644/2017 concerns architecture and states "The terms in which an architectural project is drawn up largely respond to the technical or functional requirements and compliance with urban regulations. When this is the case, the project or the architectural buildings are not protected by copyright in the part imposed by those technical, functional or normative requirements"; and more generally, "the factor of recognizability or differentiation of the work with respect to the pre-existing ones [is] essential to grant an exclusive right with moral and patrimonial aspects".[13]

See also edit

Citations edit

  1. a b Spain Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-13.
  2. Royal Act 1/1996, of April 12, concerning Intellectual Property, consolidated text to 14 April 2018 (in Spanish) (2018). Retrieved on 2018-11-14.
  3. Ley de 10 de enero de 1879, de la propiedad intelectual (in Spanish). Retrieved on 2019-03-29.
  4. Rules for reproduction. Banco de España. Retrieved on 2019-03-29.
  5. Laukamp, Luis Castellví (2010-01-01). Arquitectura de autor: un análisis de ciertos problemas suscitados en torno a la obra arquitectónica y la propiedad intelectual. Pe. i. revista de propiedad intelec. Retrieved on 2024-03-25.
  6. SAP Madrid 195-2014, 16 de Junio de 2014 (in es). vLex. Retrieved on 2024-03-25.
  7. Cabedo Serna, Llanos (2022-12-22). Difusión cultural y explotación comercial de imágenes de obras arquitectónicas y plásticas: la excepción «libertad de panorama» a examen. Journal of Cultural and Creative Industries 1–19. Retrieved on 2024-03-25.
  8. Fernando Bondía Román, Los derechos sobre las fotografías y sus limitaciones, Anuario de derecho civil, ISSN 0210-301X, Vol. 59, Nº 3, 2006, p. 1111
  9. a b c Isabel Hernando Collazos, La excepción panorama y el uso comercial de las manifestaciones secundarias de las obras de arte - aproximación desde la Ley española de Derechos de Autor, RIIPAC: Revista sobre Patrimonio Cultural, ISSN-e 2255-1565, Nº. 10, 2018, págs. 1-53
  10. M. Teresa Castiñeira Palou, «El denominado toro de Osborne. Comentario a la SAP Sevilla, Penal, Sec. 1ª, de 31.1.2006 (MP: P. Izquierdo Martín)», InDret 3.2006M.
  11. Francisco Fernández Beltrán and Glòria Pérez-Salmerón, El copyright en cuestión. Diálogos sobre propiedad intelectual, Publisher: Universidad de Deusto, Editor: José-Antonio Gómez-Hernández, Javier Torres-Ripa ISBN: 978-84-9830-301-8, 2011
  12. https://www.poderjudicial.es/search/TS/openDocument/d42c9049784c7c02/20040821 p. 4
  13. https://www.poderjudicial.es/search/TS/openDocument/a95395d6789f5037/20170509 p. 9
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Text transcluded from
COM:Serbia

Szerbia

This page provides an overview of copyright rules of Serbia relevant to uploading works into Wikimedia Commons. Note that any work originating in Serbia must be in the public domain, or available under a free license, in both Serbia and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Serbia, refer to the relevant laws for clarification.

Background edit

The present state of Serbia was formed when the much-reduced Federal Republic of Yugoslavia, renamed the State Union of Serbia and Montenegro in 2003, broke up into Serbia and Montenegro in 2006. In 2008 Kosovo declared its independence of Serbia.

Serbia has been a member of the Berne Convention since 17 June 1930 as inherited from the former Yugoslavia, to which the declaration of continuation made on 19 September 2006, and the WIPO Copyright Treaty since 13 June 2003.[1]

As of 2018 the World Intellectual Property Organization (WIPO), an agency of the United Nations, listed the Law on Copyright and Related Rights (Official Gazette Republic of Serbia No. 104/2009, 99/2011, 119/2012 and 29/2016) as the main IP law enacted by the legislature of Serbia.[1] WIPO holds the text of this law in their WIPO Lex database.[2] The government of Serbia holds Serbian and English texts of the 2009 law on their website.[3][4]

General rules edit

A work published in Serbia will be in the public domain if its copyright expired pursuant to the former Yugoslav Copyright Act of 1978 which provided for copyright term of the life of the author plus 50 years, respectively 25 years for photograph or a work of applied art. This applies to works already in the public domain on or before December 29, 2004 when a new copyright act became valid. The work must meet one of the following criteria:

  • A work of known authorship and the author died before January 1, 1954
  • An anonymous work published before January 1, 1954
  • A photograph or a work of applied art published before January 1, 1973

According to the 2009 Copyright Law of Serbia,

  • Pecuniary rights last for the life of an author and 70 years after his/her death.[104/2009 Art.102(1)]
    • Moral rights of an author last even after the expiration of his/her pecuniary rights.[104/2009 Art.102(2)]
    • If an author has created a work as an employee in the performance of his/her duties, the employer ... holds exclusive pecuniary rights on its exploitation ... for 5 years from completion of that work.[104/2009 Art.98(1)] The author then acquires the exclusive pecuniary rights.[104/2009 Art.98(3)]
    • Co-authors’ pecuniary rights expire 70 years from the death of the author that was the last to die.[104/2009 Art.103(1)]
  • Pecuniary rights for an anonymous or pseudonymous work expire 70 years from the date of its disclosure if the author's identity is not revealed during this term.[104/2009 Art.103(2)]
  • Copyright on collective works lasts for 70 years from the date of the legal publication of the work.[104/2009 Art.103(3)]
  • The term of protection of a film expires 70 years from the death of director, scriptwriter, dialogue author or the author of the music specifically composed for the film, whoever dies last.[104/2009 Art.104(2)]
  • The term of copyright protection expires 70 years from the creation of the work if the term of its protection is not calculated from the date of death of the author or co-author and if it has not been lawfully published during such period of time.[104/2009 Art.105]
  • All time periods used to determine expiration date of pecuniary rights of an author are calculated from 1 January of the year following the one in which the event relevant for the beginning of the period had occurred.[104/2009 Art.106]

Not protected edit

According to the 2009 Copyright Law of Serbia,

  • The protection of copyright shall not apply to general ideas, procedures and methods of operations or mathematical concepts as such, as well as concepts, principles and instructions included in a work of authorship.[104/2009 Art.6(1)]
  • The following shall not be deemed works of authorship: 1) Laws, decrees and other regulations; 2) Official materials of state bodies and bodies performing public functions; 3) Official translations of regulations and official materials of state bodies and bodies performing public functions; 4) Submissions and other documents presented in the administrative or court proceedings.[104/2009 Art.6(2)]

Copyright tags edit

  • {{PD-SerbiaGov}} – for public domain Serbian official works, state symbols, stamps, money etc.
  • {{PD-Serbia}} – for works whose author died before 1954 or published before 1954 if anonymous (public domain prior to introduction of the new law in 2004)
  • {{PD-SCGGov}} – for public domain Serbian-Montenegro official works, state symbols, stamps, money etc.

Freedom of panorama edit

  {{FoP-Serbia}}, if the work is displayed in an open public space. Under the 2009 copyright law,

  • Any work that is permanently displayed in a street, a square or some other open public places may be reproduced in two dimensions and its copies thus made may be put on the market, as well as communicated to the public in some other way, without the author's permission and without paying remuneration.[104/2009 Art.51]

Currency edit

  template:PD-SerbiaGov

Stamps edit

Public domain use {{PD-SerbiaGov}}.

Stamps are considered as "materials published by any other person or institution which do public function" and hence are not protected by copyright.

See also edit

Citations edit

  1. a b Serbia Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-13.
  2. Law on Copyright and Related Rights (Official Gazette Republic of Serbia No. 104/2009, 99/2011, 119/2012 and 29/2016). Serbia (2016). Retrieved on 2018-11-13.
  3. Copyright Law from 2009 (in Serbian). (Archive)
  4. Copyright Law from 2009 (in English). (Archive)
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Text transcluded from
COM:Slovenia

Szlovénia

This page provides an overview of copyright rules of Slovenia relevant to uploading works into Wikimedia Commons. Note that any work originating in Slovenia must be in the public domain, or available under a free license, in both Slovenia and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Slovenia, refer to the relevant laws for clarification.

Background edit

Slovenia was part of Austria-Hungary until October 1918, when it became part of the Kingdom of Serbs, Croats and Slovenes. This became the Kingdom of Yugoslavia in 1929, and the Republic of Yugoslavia in 1945. Slovenia became independent of Yugoslavia in June 1991.

Slovenia has been a member of the Berne Convention since 17 June 1930 as inherited from the former Yugoslavia, to which the declaration of continued application made on 12 June 1996, the World Trade Organization since 30 July 1995 and the WIPO Copyright Treaty since 6 March 2002.[1]

While part of Yugoslavia, Slovenian works were covered by the 1978 Yugoslav Copyright Act.[2] The Slovenian Intellectual Property Office holds an English-language version of the act as in force from 13 January 2007.[3] The Official Gazette holds the Slovene original of the consolidated act as of 2007.[4] This was replaced by the Copyright and Related Rights Act of March 30, 1995.[5]

As of 2018 the World Intellectual Property Organization (WIPO), an agency of the United Nations, listed Copyright and Related Rights Act (as amended up to October 22, 2016) as the main IP law enacted by the legislature of Slovenia.[1] WIPO holds the Slovenian language unofficial consolidated text No. 12 of this law in their WIPO Lex database.[5] It is the most recent version of the Copyright and Related Rights Act of March 30, 1995.[5]

Also relevant is the 2006 Protection of Documents and Archives and Archival Institutions Act.[6]

General rules edit

  • Works of authors who died more than 70 years ago (in 1953 or earlier) are public domain in Slovenia. Works of authors who died later (in 1954 or later) are copyrighted.[7]
  • An exception applies to the photographic and similarly-made works, and the works of applied art, which are considered free if published before 1 January 1970. The copyright on these works lasted for 25 years since the publication per the 1978 Yugoslav copyright act.[8][9] This also includes still images of videos if these images were published before 1970.[10]
  • The publication right applies for all works, published for the first time on 29 April 1995 or later, even if the copyright has already expired. It lasts for 25 years starting 1 January of the year following the year of the publication.[7]
  • All the durations are calculated from 1 January of the year following the year of their initial event.[12/2016 Art.673]

Under the Consolidated Copyright Act as of 2016,

  • Copyright lasts for the life of the author and 70 years after his death, unless provided otherwise.[12/2016 Art.59]
  • With a work of joint authorship, the expiration date in 70 years after the death of author who died last.[12/2016 Art.60(1)]
  • Protection of musical works with words expire 70 years after the death of the last surviving author of music or author of the text, regardless of whether they are designated as co-authors.[12/2016 Art.60(2)]
  • Copyright in anonymous and pseudonymous works runs for 70 years after the lawful disclosure of the work.[12/2016 Art.61(1)] If the pseudonym leaves no doubt about who is the author, or the author reveals his identity during the 70 year period, protection is for the author's life plus 70 years.[12/2016 Art.61(2)]
  • Copyright in collective works runs for 70 years after the lawful disclosure of the work.[12/2016 Art.62] Inclusion of an individual work in a collective work does not affect the rights of the individual authors to their works.[12/2016 Art.8]
  • When the duration does not run from the death of the author or authors and the work was not lawfully disclosed within 70 years from its creation, the copyright ends with expiration of this term.[12/2016 Art.63]

Copyright in the United States:

  • The URAA date of 1 January 1996 applies. This means that works that were not in the public domain in Slovenia on 1 January 1996 are still copyrighted in the United States and thus not free for the purposes and scope of Commons.
  • An exception has been adopted for files uploaded before 1 March 2012, which may be hosted on Commons and tagged with {{Not-PD-US-URAA}}.

Related rights duration edit

  • The related rights start run from the day of the event:
  • in the case of performances, for 50 years after the performance or in the case of its lawful disclosure, 50 years after its first publication;
  • the performers' rights have expired for performances from before 29 April 1990;
  • in the case of sound recordings, for 50 years after the day of the production of the recording or in the case of its lawful disclosure, 50 years after its first publication;
  • the sound recording producers' rights have expired for recordings from before 1 January 1975;
  • in the case of unpublished free works, for 25 years after the day of the lawful publication (the publication right);
  • this applies only for works, published for the first time on 29 April 1995 or later.[7]
  • in the case of critical or scientific publications of free works, for 30 years after the day of the first lawful publication;
  • in the case of continued works, the term is separately calculated for each of the composing parts;
  • in the case of collections, insignificant changes do not lengthen the duration of the copyright on the collection.

Not protected edit

Under the Consolidated Copyright Act as of 2016,

  • There is no copyright protection for 1. ideas, principles, discoveries; 2. official texts of a legislative, administrative and judicial nature; 3. folk literary and artistic creations.[12/2016 Art.9(1)]
    According to a 2010 book, this also encompasses the national coat of arms, the municipal coats of arms, the anthem, urban planning maps, drawings of traffic signs, sketches and plans from the patent file after the official publication of the patent, and other similar material published due to a state jurisdiction as part of the official text, its annex or independently.[11]
  • Translations of texts mentioned hereby should enjoy copyright protection, unless they are published as official texts.[12/2016 Art.9(2)]
  • Certain photographs that are not an "individual intellectual creation of the photographer" are not protected. Trampuž specifically cites the following types of images:
    • automated routine photographs; specifically listed: photographic automates, traffic safety images, images taken as part of the technical protection of objects, meteorological and satellite photographs
    • routine photographs for documents
    • average amateur photographs
    • routine press photographs
These, however, can often become an author's work, which is judged from case to case.[10]

In numerous actual cases, they have also been recognised as copyrighted.[12]

Other restrictions edit

In Slovenia there are restrictions on;

  • publication of reproductions of public archives. An authorisation of the archival institution is needed for any publication.[13]
  • the usage of the national flag, the coat of arms, and the anthem.[14]

Copyright tags edit

  • {{PD-Slovenia}} – for works whose author died before 1954 or published before 1954 if anonymous (public domain prior to introduction of the new law in 1995).
  • {{PD-Slovenia-exempt}} – for non-protected creations in Slovenia (ideas, principles, discoveries; official legislative, administrative and judicial texts; folk literary and artistic creations.)

Currency edit

  : The copyright on the design of the tolar and other obsolete currencies as well as the national sides of the euro coins is held by the Bank of Slovenia.

Slovenia has used the Euro since 1 January 2007. See COM:CRT/European Union: Currency for more information.

De minimis edit

Article 52 of the Copyright and Related Rights Act:

  • "Such disclosed works that may be regarded as accessory works of secondary importance with regard to the actual purpose of some material object, may be used freely while exploiting such object."[2007 Art.52]

Article 52 has been interpreted by the copyright expert Miha Trampuž in his book Copyright and Related Rights Act with Commentary. He has highlighted the following aspects: the work must have been disclosed, it must have been incidental with another object or work, it could be at will replaced with another work, and it is inessential in the copyright sense to the object or work.[10]

See Commons:Deletion requests/File:Postcard of Ljubljana, Prešeren Square (3).jpg.

Freedom of panorama edit

   Use: {{NoFoP-Slovenia}}. Only non-commercial use allowed. Under the Consolidated Copyright Act as of 2016,

  • Works permanently placed in parks, streets, squares or other public places, may be used freely.[12/2016 Art.55(1)]
  • The preceding paragraph does not apply to three-dimensional copies made for the same purpose as the original work, or copies made for profit.[12/2016 Art.55(2)]
  • The copy should state the source and authorship of the work, if indicated on the work.[12/2016 Art.55(3)]

  for all works whose creators died or published them anonymously or pseudonymously (and have remained anonymous or pseudonymous) in 1953 or earlier.[15]

  • Another exception is photographs of photographic and similarly-made works in a public space, and photographs of the works of applied art, which are acceptable for Commons if the original (non-derivative) work was published in 1969 or earlier. The copyright on these works lasted for 25 years from publication per the 1978 Yugoslav copyright act.[1978 Art.84]

In addition to copyright, the usage of the reproductions of "cultural monuments" for commercial purposes[16] is restricted by the Slovenian Cultural Heritage Protection Act, which requires consensus of the owner of the monument for any use of the image and name of the monument (Article 44). The definition of a cultural monument is the following (Article 3): heritage that has been statutorily protected as a monument or entered in the inventory of an authorised museum. For immovable cultural heritage, the national catalog is publicly accessible at gisportal.gov.si.[17] Wikimedia Commons is not required to comply with the Slovenian Cultural Heritage Protection Act because it is hosted in the United States of America. Users who are citizens of Slovenia are warned that they are solely responsible for any possible violation of local laws.

Threshold of originality edit

The threshold of originality in Slovenia depends on the field of creativity. If the maneuvering space of the possible creativity is narrower, it requires more creativity for a work to be copyrighted.[18] In this regard, the following court cases are relevant:

Applied arts:

  • VSL0069492 - the design of a couch set has been found to be below the threshold.
  • VS0011606 – the design of a sales stand has been found to be above the threshold.

Architecture:

  • VSL00432 – only the works that constitute an original artwork are copyrighted; the renovation plan of Ljubljana Castle as well as the newly built and (at least some of) the renovated parts of the castle count as such.

Logo:

  • VSL00013281 – the logo with inscription "I Feel Slovenia" [9] was found to constitute a copyrighted work.
The court opined: "The slogan and the logo, which contains both verbal and graphic elements, do not allow them to be separated. Only the synergy of the verbal and graphic elements allows the observer to identify the overall message of the author's work."

Titles:

  • VS07924 – the title "Brez zavor" (meaning "Without inhibitions") has been found to be below the threshold.

See also edit

Citations edit

  1. a b Slovenia Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-13.
  2. Yugoslav Copyright Act (Zakon o autorskom pravu) (in Serbian) (1978). Retrieved on 2019-02-04.
  3. Copyright and Related Rights Act as of 2007 (English translation). Retrieved on 2019-02-04.
  4. Zakon o avtorski in sorodnih pravicah (uradno prečiščeno besedilo) (ZASP-UPB3) (Copyright and Related Rights Act official consolidated text) (in Slovene). Official Gazette of the Republic of Slovenia issue 16/2007 (23 February 2007).
  5. a b c Copyright and Related Rights Act (as amended up to October 22, 2016). Slovenia. Retrieved on 2019-02-04.
  6. Protection of Documents and Archives and Archival Institutions Act (PDAAIA) (in English). Retrieved on 2019-02-04.
  7. a b c Maja Bogataj Jančič, Luka Virag, Rok Jerovšek. Modeli razčiščevanja avtorskih pravic za izbrane skupine avtorskih del za digitalizacijo in/ali objavo na Dlib.si.[6]. 29 September 2010. Retrieved 26 March 2012. Pp. 15, 20-21.
  8. Zakon u autorskom pravu. Službeni list SFRJ. 14 April 1978. XXXIV/19. Article 84.
  9. Šetinc, Lenart. Avtorskopravna ureditev fotografskih del in avtorskih del na splošni dostopnih krajih v pravnem redu Republike Slovenije. Inštitut za medijsko pravo. 11 February 2013.
  10. a b c Trampuž, Miha (1997) (in slovene) Zakon o avtorski in sorodnih pravicah: s komentarjem, Gospodarski vestnik
  11. Jančič, Maja Bogataj; Močnik, Marija Breznik; Damjan, Matija; Kovačič, Matej; Milohnić, Aldo. Upravljanje avtorskih in sorodnih pravic na Internetu - Vidik javnih inštitucij (in Slovene) [The Management of Copyright and Related Rights on Internet - The Aspect of Public Institutions]. August 2010. The Peace Institute – Institute for Contemporary Social and Political Studies; Faculty of Law, University of Ljubljana. Pg. 28.
  12. Zdenka Semlič - Rajh. (Slovene, with an abstract in English) Arhivi in avtorsko pravo[7] [Archives and the Copyright Law] Tehnični in vsebinski problemi klasičnega in elektronskega arhiviranja: zbornik referatov dopolnilnega izobraževanja s področij arhivistike, dokumentalistike in informatike. 2002 (1). ISSN 1581-7407. COBISS 536197. Pokrajinski arhiv. Maribor. Pp. 106-114.
  13. Archives and Archival Institutions Act.
  14. Act Regulating the Coat-of-Arms, Flag and Anthem of the Republic of Slovenia and the Flag of the Slovene Nation.
  15. Maja Bogataj Jančič, Luka Virag, Rok Jerovšek. Modeli razčiščevanja avtorskih pravic za izbrane skupine avtorskih del za digitalizacijo in/ali objavo na Dlib.si [Models of Clearing up Copyright for Chosen Groups of Creative Work for Digitalisation and/or Publication at Dlib.si] (in Slovene). 29 September 2010. Retrieved 26 March 2012. Pg. 20.
  16. Matejčič, Katarina (25 March 2003). "Previdno pri uporabi kulturnih spomenikov v oglasih". Finance.si. "Exploitation does not mean that tourists are not allowed to take photos of themselves in front of a building or that a tourist society is not allowed to promote their place with a prospect that includes a cultural monument. It is different, however, if the photography is part of a postcard, when a trademark of a castle is sold for commercial purposes."
  17. Register kulturne dediščine RKD (in Slovene). Retrieved on 2019-09-29.
  18. VSL0069492. Sodstvo Republike Slovenije. Retrieved on 29 October 2013.
Caution: The above description may be inaccurate, incomplete and/or out of date, so must be treated with caution. Before you upload a file to Wikimedia Commons you should ensure it may be used freely. Lásd még: Commons:Jogi nyilatkozat
Text transcluded from
COM:Vatican City

Vatikán

A lap összefoglalja a vatikánvárosi szerzői jogi szabályozásnak a Commons szempontjából releváns részét. A feltöltendő fájlnak mind Vatikánvárosban, mind az Egyesült Államokban közkincsnek vagy szabad licencűnek kell lennie. Kétség esetén a területi jogszabályok az irányadók.

Általános szabályok edit

A Vatikánvárosi Állam jelenlegi szerzői jogi szabályozása 2011. március 19-én lépett életbe; szövege olasz nyelven a vaticanstate.va honlapon olvasható.[1] A helyi szabályozás az olasz törvény (l. 633, 1941. április 6.) kiegészítése, amely az Apostoli Szentszék területére is kiterjed (a szerzői jogi védelem általában az alkotó halála után 70 évvel jár le).

A pápai szerzői jog legfontosabb pontjai:

  • A pápa portréjának és hangjának vallási, kulturális és oktatási célokon felüli használatára való kizárólagos joga. (art. 3)
  • A dokumentációk kizárólagos felhasználati joga a létrejöttől számított 70 éven át. (art. 4)
  • Az Apostoli Szentszék kizárólagos jogot tart fenn az általa vagy megbízásából készített alkotásokra. (art. 5).

[2]

Panorámaszabadság edit

 Not OK A Law N. XII on Copyright of January 12, 1960 kimondja, hogy hacsak az egyházi jog nem rendelkezik, Vatikákvárosban az olasz törvények érvényesek. Olaszországban nincs panorámaszabadság, így a szobrok és más alkotások (az épületek is) az építész vagy tervező halála utáni 70. évig jogvédettek. A Vatikán kiadója (Libreria Editrice Vaticana) örökös szerzői jogot tart fenn II. János Pál és XVI. Benedek pápák írásaira.

Please, tag Vatican no-FoP deletion requests: <noinclude>[[Category:Vatican FOP cases/pending]]</noinclude>.

Lásd még edit

Jegyzetek edit

  1. Cite error: Invalid <ref> tag; no text was provided for refs named Law2011
  2. Vatican shoots back in copyright dispute for Pope's works January 26, 2006. Catholic Culture. Retrieved on 2019-03-29.

Cite error: <ref> tag with name "BerneHolySee" defined in <references> is not used in prior text.

Cite error: <ref> tag with name "Law2017" defined in <references> is not used in prior text.
Caution: The above description may be inaccurate, incomplete and/or out of date, so must be treated with caution. Before you upload a file to Wikimedia Commons you should ensure it may be used freely. Lásd még: Commons:Jogi nyilatkozat