File:Breakfast Piece with Cheese and Goblet (Jacob Fopsen van Es) - Nationalmuseum - 18149.tif
Original file (4,359 × 2,607 pixels, file size: 32.54 MB, MIME type: image/tiff)
Captions
Jacob van Es: Breakfast Piece with Cheese and Goblet | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q705902 |
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Title |
English: Breakfast Piece with Cheese and Goblet Svenska: Frukoststycke med ost och pokaler |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | still life | |||||||||||||||||||||||||||
Description |
English: Elegantly laid tables are a constant theme in Van Es’s still life paintings. Here everything is carefully arranged. In the middle is a large cheese reflected in a shiny pewter bowl. Among bread, oranges, and slices of ham, various expensive items are visible—a Chinese bowl, Venetian glassware, a knife with an ivory handle, and a nautilus trophy. These kinds of depictions of luxury and opulence have often been interpreted as having some sort of moralizing import. But perhaps the artist just wanted to show off his dazzling illusionistic technique. Svenska: Elegant dukade bord är det stående temat i van Es stillebenmåleri. Här är allt omsorgsfullt arrangerat. I mitten ligger en stor ost och speglar sig i ett blankt tennfat. Bland bröd, apelsiner och skinkskivor syns dyrbara husgeråd – en kinesisk skål, venetianska glas, en kniv med elfenbenshandtag och en nautiluspokal. I den här typen av skildringar av lyx och överdåd har man ofta tolkat in olika moraliserande betydelser. Men kanske ville konstnären bara briljera med sin bländande illusionistiska teknik |
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Original caption InfoField | English: Elegantly laid tables are a constant theme in Van Es’s still life paintings. Here everything is carefully arranged. In the middle is a large cheese reflected in a shiny pewter bowl. Among bread, oranges, and slices of ham, various expensive items are visible—a Chinese bowl, Venetian glassware, a knife with an ivory handle, and a nautilus trophy. These kinds of depictions of luxury and opulence have often been interpreted as having some sort of moralizing import. But perhaps the artist just wanted to show off his dazzling illusionistic technique. Svenska: Elegant dukade bord är det stående temat i van Es stillebenmåleri. Här är allt omsorgsfullt arrangerat. I mitten ligger en stor ost och speglar sig i ett blankt tennfat. Bland bröd, apelsiner och skinkskivor syns dyrbara husgeråd – en kinesisk skål, venetianska glas, en kniv med elfenbenshandtag och en nautiluspokal. I den här typen av skildringar av lyx och överdåd har man ofta tolkat in olika moraliserande betydelser. Men kanske ville konstnären bara briljera med sin bländande illusionistiska teknik |
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Date | Unknown date | |||||||||||||||||||||||||||
Medium |
oil on panel medium QS:P186,Q296955;P186,Q287,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 1146 |
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Inscriptions |
Svenska: Signerad: Jaces van Es |
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References | ||||||||||||||||||||||||||||
Source/Photographer | Hans Thorwid / Nationalmuseum | |||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 22:39, 7 October 2016 | 4,359 × 2,607 (32.54 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = |artist = {{Creator:Jacob Foppens van Es}} |title = {{en|Breakfast Piece with Cheese and Goblet}} {{sv|Frukoststycke med ost och pokaler}} |wikidata = Q18573700 |object_ty... |
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Image title | Jacob Fopsen van Es: Frukoststycke med ost och pokaler. NM 1146 |
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Author | Nationalmuseum / The National Museum of Fine Arts |
Width | 4,359 px |
Height | 2,607 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 27,330 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 2,607 |
Bytes per compressed strip | 34,091,739 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS2 Windows |
File change date and time | 13:45, 16 January 2007 |
Color space | Uncalibrated |