File:Gustaf Upmark, director of the Nationalmuseum (Carl Larsson) - Nationalmuseum - 25309.tif
Original file (2,624 × 3,552 pixels, file size: 26.68 MB, MIME type: image/tiff)
Captions
Carl Larsson: Gustaf Upmark, director of the Nationalmuseum | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q187310 |
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Depicted people InfoField | Gustaf Upmark d.ä. | |||||||||||||||||||||||||||
Title |
English: Gustaf Upmark, director of the Nationalmuseum Svenska: Gustaf Upmark 1844-1900, gift med Eva Kindstrand |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | |||||||||||||||||||||||||||
Description |
English: The director of the Nationalmuseum, Gustaf Upmark, is portrayed at his desk. Until his death in 1900, Upmark was an avid admirer of Carl Larsson’s controversial murals in the Museum staircase, and they became good friends over the years. The Japanese screen in the background and the relief of Gustav Vasa signify two prevailing – yet rather disparate – aesthetic ideals in the 1890s. Upmark, however, was especially interested in Gustav Vasa and Renaissance portraiture – a fascination he shared with Larsson. Svenska: Nationalmuseichefen Gustaf Upmark är här avbildad vid sitt skrivbord. Fram till sin död 1900 var Upmark ivrig anhängare av Carl Larssons omdebatterade utsmyckningar i museets trapphall, och de båda kom att bli goda vänner. Bakgrundens japanska skärm och reliefen med Gustav Vasas porträtt vittnar om två av 1890-talets – sinsemellan ganska olika – estetiska ideal. Upmark hade dock ett särskilt starkt intresse för Gustav Vasa och renässansens porträttkonst, en fascination som delades av Larsson. |
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Depicted people | Gustaf Upmark the Elder | |||||||||||||||||||||||||||
Original caption InfoField | English: The director of the Nationalmuseum, Gustaf Upmark, is portrayed at his desk. Until his death in 1900, Upmark was an avid admirer of Carl Larsson’s controversial murals in the Museum staircase, and they became good friends over the years. The Japanese screen in the background and the relief of Gustav Vasa signify two prevailing – yet rather disparate – aesthetic ideals in the 1890s. Upmark, however, was especially interested in Gustav Vasa and Renaissance portraiture – a fascination he shared with Larsson. Svenska: Nationalmuseichefen Gustaf Upmark är här avbildad vid sitt skrivbord. Fram till sin död 1900 var Upmark ivrig anhängare av Carl Larssons omdebatterade utsmyckningar i museets trapphall, och de båda kom att bli goda vänner. Bakgrundens japanska skärm och reliefen med Gustav Vasas porträtt vittnar om två av 1890-talets – sinsemellan ganska olika – estetiska ideal. Upmark hade dock ett särskilt starkt intresse för Gustav Vasa och renässansens porträttkonst, en fascination som delades av Larsson. |
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Date |
1894 date QS:P571,+1894-00-00T00:00:00Z/9 |
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Medium |
English: Watercolour Svenska: Akvarell på papper |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Current location |
institution QS:P195,Q714783 |
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Accession number |
NMGrh 2389 |
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Exhibition history |
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Inscriptions |
Svenska: Inskription: Till Gustaf Upmark på hans 50-årsdag af vännerna vid Nationalmuseum 1894 Signerad: C.L. Pinx. |
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References | ||||||||||||||||||||||||||||
Source/Photographer | Nationalmuseum | |||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 17:11, 7 October 2016 | 2,624 × 3,552 (26.68 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = {{depicted person|Gustaf Upmark d.ä.|style=information field}} |artist = {{Creator:Carl Larsson}} |title = {{en|Gustaf Upmark, director of the Nationalmuseum}} {{sv|Gus... |
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Height | 3,552 px |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 18,720 |
Number of components | 3 |
Number of rows per strip | 3,552 |
Bytes per compressed strip | 27,961,344 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
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Software used | Adobe Photoshop 7.0 |
File change date and time | 15:38, 7 March 2005 |
Color space | Uncalibrated |