File:India, Sultanate school, second half of 15th century - A King Receiving Three Men, page from the Khamsa of Amir Khusrau Dihlavi - 1963.261 - Cleveland Museum of Art.tif
![File:India, Sultanate school, second half of 15th century - A King Receiving Three Men, page from the Khamsa of Amir Khusrau Dihlavi - 1963.261 - Cleveland Museum of Art.tif](https://upload.wikimedia.org/wikipedia/commons/thumb/a/ab/India%2C_Sultanate_school%2C_second_half_of_15th_century_-_A_King_Receiving_Three_Men%2C_page_from_the_Khamsa_of_Amir_Khusrau_Dihlavi_-_1963.261_-_Cleveland_Museum_of_Art.tif/lossy-page1-473px-thumbnail.tif.jpg?20190314194622)
Original file (6,000 × 7,601 pixels, file size: 130.49 MB, MIME type: image/tiff)
Captions
Captions
Summary
editanonymous: An East African King Receives Three Emissaries, from a Khamsa of Amir Khusrau Dihlavi
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Artist | ||||||||||||||||||||||||
Title |
A King Receiving Three Men, page from the Khamsa of Amir Khusrau Dihlavi |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
The text on this page discusses the wars between Morocco and Zang, a region of eastern Africa centered in present-day Ethiopia. In the painting the King of Zang meets three envoys. The dramatic gesture of the Zangi king, who stretches out one hand as he takes an enormous stride toward the envoys, identifies him as a powerful, assertive figure. This page is from the first known manuscript of a Persian literary text illustrated by an Indian artist, who had probably been trained in the Jain manuscript tradition. The figures are arranged on one plane in a straight line against a flat red background, typical of manuscript painting in India in the 1400s. |
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Date |
between 1450 and 1500 date QS:P571,+1500-00-00T00:00:00Z/6,P1319,+1450-00-00T00:00:00Z/9,P1326,+1500-00-00T00:00:00Z/9 |
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Medium | Ink and color on paper | |||||||||||||||||||||||
Dimensions | Overall: 28.6 x 21.6 cm (11 1/4 x 8 1/2 in.) | |||||||||||||||||||||||
Collection |
institution QS:P195,Q657415 |
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Current location |
Indian and Southeast Asian Art |
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Accession number |
1963.261 |
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Place of creation | India, Sultanate school, second half of 15th century | |||||||||||||||||||||||
Credit line | John L. Severance Fund | |||||||||||||||||||||||
References |
https://clevelandart.org/art/1963.261 ![]() |
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Source/Photographer | https://clevelandart.org/art/1963.261 |
Licensing
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This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. |
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
http://creativecommons.org/publicdomain/zero/1.0/deed.enCC0Creative Commons Zero, Public Domain Dedicationfalsefalse |
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This file was donated to Wikimedia Commons as part of a project with the Cleveland Museum of Art. See the Open Access at the Cleveland Museum of Art.
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:46, 14 March 2019 | ![]() | 6,000 × 7,601 (130.49 MB) | Madreiling (talk | contribs) | pattypan 18.02 |
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Metadata
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Camera manufacturer | Sinar Photography AG |
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Camera model | Sinarback eVolution 86, Sinar p3 / f3 |
Author | Howard Agriesti |
Width | 6,000 px |
Height | 7,601 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 12,112 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 7,601 |
Bytes per compressed strip | 136,818,000 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS6 (Windows) |
File change date and time | 16:24, 16 July 2013 |
Color space | sRGB |
warning | identify: Incompatible type for "RichTIFFIPTC"; tag ignored. `TIFFFetchNormalTag' @ warning/tiff.c/TIFFWarnings/912. |