File:József Borsos- The Dissatisfied Painter (Crisis in the Life of a Painter), 1852.jpg
Original file (692 × 838 pixels, file size: 122 KB, MIME type: image/jpeg)
Captions
Summary
editJózsef Borsos: The Dissatisfied Painter | |||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q743451 |
||||||||||||||||||||||||
Title |
The Dissatisfied Painter (Crisis in the Life of a Painter) |
||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
||||||||||||||||||||||||
Date |
1852 date QS:P571,+1852-00-00T00:00:00Z/9 |
||||||||||||||||||||||||
Medium |
oil on panel medium QS:P186,Q296955;P186,Q287,P518,Q861259 |
||||||||||||||||||||||||
Dimensions |
height: 97.5 cm (38.3 in); width: 81.8 cm (32.2 in) dimensions QS:P2048,97.5U174728 dimensions QS:P2049,81.8U174728 |
||||||||||||||||||||||||
Collection |
institution QS:P195,Q252071 |
||||||||||||||||||||||||
Accession number |
3188 |
||||||||||||||||||||||||
Inscriptions |
Signature and date bottom right: Borsos 1852
|
||||||||||||||||||||||||
References | |||||||||||||||||||||||||
Source/Photographer | Fine Arts in Hungary: | ||||||||||||||||||||||||
Permission (Reusing this file) |
|
||||||||||||||||||||||||
Other versions |
|
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 21:40, 22 December 2007 | 692 × 838 (122 KB) | Mutter Erde (talk | contribs) | {{Information |Description=József Borsos: ''The Dissatisfied Painter'' (Crisis in the Life of a Painter), 1852 |Source=http://www.hung-art.hu/kep/b/borsos/muvek/6elegede.jpg |Date= |Author=József Borsos (1821-1883) |Permission= |other_versions= }} [ |
You cannot overwrite this file.
File usage on Commons
The following 3 pages use this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
JPEG file comment | BORSOS József
(1821, Veszprém - 1883, Budapest) Az elégedetlen festõ (Krízis egy festõ életében) 1852 Olaj, fa, 97,5 x 81,8 cm Magyar Nemzeti Galéria, Budapest Vajon az ábrázolt ifjú mûvész mitõl elégedetlen a minden kellékkel megáldott pompás mûterem környezetében? Ihletét talán a korabeli mûítészek vitája zavarta meg, kik nem tudták eldönteni, hogy "a' természeti valósnak jeles kinyomozását, avagy a' szépség ideáját és ezen ideának leképzelését" kell-e nyújtania a festészetnek. E kép készülésekor 1852-t írtunk, s a mûvésznek talán abban a tekintetben is lehettek gondjai, hogy miként kellene festészetének erõsebben, hívebben kapcsolódnia történelmünk négy évvel korábbi lelkes, majd gyászos napjaihoz, hiszen ez a Petõfi-szakállú, -hajú, -tekintetû, fekete magyar ruhás mûvész a költõre látszik utalni, és Borsos 48-ban festett Nemzetõr címû képe bizonyítja, hogy a forradalom eszméi nem hagyják érintetlenül. BORSOS, József (1821, Veszprém - 1883, Budapest) The Dissatisfied Painter (Crisis in the Life of a Painter) 1852 Oil on wood, 97,5 x 81,8 cm Hungarian National Gallery, Budapest What can make the young artist dissatisfied in a studio where all accoutrements necessary for his profession are present. The inspiration was perhaps disturbed by the debate of critics who could not not agree if painting should portray reality or the idea of beauty. Borsos painted this picture in 1852. The artist may have had problems of how to link the picture to the events of 1848, events full of enthusiasm first and sorrow later. The artist's figure, whose beard, hair, eyes, black traditional Hungarian clothes are similar to those of Petõfi, a poet and a major figure of 1848-49, seems to recall the poet. Borsos' "National Guard" painted in 1848 proved, too, that he was not left untouched by ideas of the revolution.
|
---|