File:John Baptist Jackson - Venetian Set- Entombment of Christ - 1923.1053 - Cleveland Museum of Art.tif
Original file (4,408 × 6,269 pixels, file size: 79.08 MB, MIME type: image/tiff)
Captions
Summary
editVenetian Set: Entombment of Christ ( ) | ||||||||||||||||||||||||
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Artist |
John Baptist Jackson |
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Title |
Venetian Set: Entombment of Christ |
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Object type |
print object_type QS:P31,Q11060274 |
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Description |
Jackson is the best known 18th-century specialist in chiaroscuro woodcuts. Woodcuts were not popular at this time, and the chiaroscuro technique never took hold in England, but he may have developed his interest in the medium from the Italian nobleman and printmaker Antonio Zanetti (also in the exhibition), who reproduced his collection of Parmigianino drawings as chiaroscuros when in England around 1720. Jackson moved to Venice, where, in 1739, the great English patron, Consul Joseph Smith, and two other supporters commissioned him to produce chiaroscuro woodcuts after seventeen paintings by the Venetian masters Titian, Paolo Veronese, Tintoretto, and Jacobo Bassano. Jackson completed the series in 1743, which was published by J. B. Pasquali in 1745 as a bound volume. These reproductions of masterpieces were meant as souvenirs for the tourist trade and the young gentlemen taking the Grand Tour of the Continent to further their education. Jackson's Venetian Set was the first large-scale group of chiaroscuro woodcuts to reproduce oil paintings. In order to capture the effects of color and light in the paintings, he created complex, virtuosic woodcuts with a multitude of lines and tones. |
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Date | 1739 | |||||||||||||||||||||||
Medium | Chiaroscuro woodcut | |||||||||||||||||||||||
Collection |
institution QS:P195,Q657415 |
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Current location |
Prints |
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Accession number |
1923.1053 |
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Place of creation | England, 18th century | |||||||||||||||||||||||
Credit line | Charles W. Harkness Endowment Fund | |||||||||||||||||||||||
Source/Photographer | https://clevelandart.org/art/1923.1053 |
Licensing
editThis file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. | |
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
http://creativecommons.org/publicdomain/zero/1.0/deed.enCC0Creative Commons Zero, Public Domain Dedicationfalsefalse |
This file was donated to Wikimedia Commons as part of a project with the Cleveland Museum of Art. See the Open Access at the Cleveland Museum of Art.
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 22:30, 10 April 2019 | 4,408 × 6,269 (79.08 MB) | Madreiling (talk | contribs) | pattypan 18.02 |
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Camera manufacturer | Sinar Photography AG |
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Camera model | Sinar CMV/ Sinarback eXact |
Author | David Brichford |
Exposure time | 39/2,500 sec (0.0156) |
ISO speed rating | 50 |
Date and time of data generation | 14:42, 3 November 2014 |
Width | 4,408 px |
Height | 6,269 px |
Bits per component |
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Pixel composition | RGB |
Image data location | 23,102 |
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Bytes per compressed strip | 82,901,256 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CC (Windows) |
File change date and time | 15:59, 5 November 2014 |
Exposure Program | Not defined |
Exif version | 2.21 |
APEX shutter speed | 6 |
Metering mode | Unknown |
Light source | Unknown |
Flash | Flash did not fire |
Color space | sRGB |
Exposure mode | Auto exposure |
White balance | Auto white balance |
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