File:Maxime Du Camp - Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel - 1989.53 - Cleveland Museum of Art.tif
![File:Maxime Du Camp - Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel - 1989.53 - Cleveland Museum of Art.tif](https://upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Maxime_Du_Camp_-_Southern_Portion_of_the_Rock-cut_Temple_of_Hathor%2C_Abu_Simbel_-_1989.53_-_Cleveland_Museum_of_Art.tif/lossy-page1-789px-Maxime_Du_Camp_-_Southern_Portion_of_the_Rock-cut_Temple_of_Hathor%2C_Abu_Simbel_-_1989.53_-_Cleveland_Museum_of_Art.tif.jpg?20190404165508)
Original file (4,641 × 3,525 pixels, file size: 46.83 MB, MIME type: image/tiff)
Captions
Captions
Summary
editArtist |
Maxime Du Camp |
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Title |
Égypte, Nubie, Palestine et Syrie. Dessins photographiques receuillis pendant les années 1849,1850 et 1851 accompagnes d'un text explicatif et précédés d'une introduction par Maxime Du Camp, pl. 10: Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel |
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Object type |
photograph object_type QS:P31,Q125191 |
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Description |
Du Camp was the first photographer to depict the marvels of ancient Egypt. In 1849 a scholarly association commissioned the young writer to document Egyptian monuments and their hieroglyphics. He learned to photograph shortly before embarking for Egypt in the company of the young novelist Gustave Flaubert. In 1852 Du Camp published an album of photographs of Egypt, Nubia, Palestine, and Syria, which brought him widespread recognition. Just as Du Camp followed in the footsteps of earlier painters and scholars, later photographers like Beato often echoed his choices of subject matter. |
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Date |
1850 date QS:P571,+1850-00-00T00:00:00Z/9 |
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Medium | Salted paper print from calotype negative, Blanquart-Évrard process | |||||||||||||||||||||||
Dimensions | Image: 16.5 x 21.5 cm (6 1/2 x 8 7/16 in.); Paper: 29.5 x 37.5 cm (11 5/8 x 14 3/4 in.); Matted: 40.6 x 50.8 cm (16 x 20 in.) | |||||||||||||||||||||||
Collection |
institution QS:P195,Q657415 |
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Current location |
Photography |
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Accession number |
1989.53 |
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Place of creation | France, 19th century | |||||||||||||||||||||||
Credit line | John L. Severance Fund | |||||||||||||||||||||||
Source/Photographer | https://clevelandart.org/art/1989.53 |
Licensing
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This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. |
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
http://creativecommons.org/publicdomain/zero/1.0/deed.enCC0Creative Commons Zero, Public Domain Dedicationfalsefalse |
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This file was donated to Wikimedia Commons as part of a project with the Cleveland Museum of Art. See the Open Access at the Cleveland Museum of Art.
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:55, 4 April 2019 | ![]() | 4,641 × 3,525 (46.83 MB) | Madreiling (talk | contribs) | pattypan 18.02 |
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Width | 4,641 px |
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Height | 3,525 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 25,026 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 3,525 |
Bytes per compressed strip | 49,078,575 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS3 Macintosh |
File change date and time | 11:27, 29 October 2007 |
Color space | Uncalibrated |