File:NDL824420 景教碑文研究 part1.pdf

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Summary

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景教碑文研究   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
佐伯, 好郎, 1871-1965
image of artwork listed in title parameter on this page
Title
景教碑文研究
Publisher
待漏書院
Language jpn
Publication date

1911

明44.12
Place of publication JP
Source

doi:10.11501/824420

institution QS:P195,Q477675
Creator
InfoField
佐伯好郎 著
Publication Place
InfoField
東京
Subject: NDC
InfoField
190
Extent
InfoField
173, 99p ; 23cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
40049731
Audience
InfoField
一般
Title Transcription
InfoField
ケイキョウ ヒブン ケンキュウ
Publisher Transcription
InfoField
タイロウ ショイン
Source Identifier: NDLBibID
InfoField
000000467167
Call Number
InfoField
335-343
Creator Transcription: NDLNA
InfoField
サエキ, ヨシロウ
Creator: NDLNAId
InfoField
00064642
Contents
InfoField
標題紙

目次

序論

一 支那及ひ支那文明の価値/1

二 日漢文化の関係/2

三 日本歴史の三大時期/3

四 歴史の研究法は今を以て古を推すに在り/5

五 弘安大捷の価値/6

六 所謂武士道と儒教道徳/8

七 日唐交通の真相/9

八 支那と希臘及ひ羅馬文明の地方/11

九 波斯人来朝/14

一〇 景教文字の伝来/16

一一 日本歴史か世界歴史に入りたるの時期/17

一二 長安文明の世界歴史的価値/18

一三 大化改革の原因と其結果/21

一四 世界歴史の帰趣/22

一五 所謂歴史の統一とは何そや/23

一六 世界歴史研究材料としての景教碑/25

一七 景教碑の外形/26

一八 景教碑の建立/27

一九 景教碑の発見/28

二〇 支那学者の態度/31

二一 初めて景教碑を研究せし日本人/32

二二 景教碑は後世の偽造にあらさるか/36

二三 景教碑埋没の時及ひ事情/37

二四 外部的証拠の一/43

二五 外部的証拠の二/49

二六 外部的証拠の三/54

二七 内部的証拠の一/58

二八 内部的証拠の二/61

二九 内部的証拠の三/64

三〇 内部的証拠の四/67

三一 欧米学者の疑問/71

三二 支那の学者の景教碑観/72

三三 欧米学者の景教碑文研究/75

三四 我国に於ける景教碑研究は将来に属す/76

三五 景教碑文の内容批判/78

三六 景教の起源/79

三七 景教の特色/82

三八 景教の変遷/86

三九 景教と欧洲文明/90

四〇 支那仏教と景教との関係/93

四一 景教と大日教との関係/98

四二 仏教か儒教の先祖崇拝主義に譲歩せし原因と景教との関係/104

四三 仏教の肉食妻帯主義と景教との関係/111

四四 結論/118

景教流行中国碑頌並序/125

景教流行中国碑頌並序略解/135

附録/1〜120

Licensing

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Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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