File:NLC404-01J001354-44048 藝風 1935年3卷7期.pdf

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藝風   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
藝風雜誌社
image of artwork listed in title parameter on this page
Title
藝風
Volume 1935年3卷7期
Publisher
嚶嚶書屋
Description

第4卷7至9期合刊:現代藝術專號 本刊編輯部原在杭州,第4卷7期遷上海.

藝風展覽會開始布置
展覽會第一部
展覽會第二部
展覽會中
林主席與熊氏三英
體味
熊氏姊妹
畫的長廊
藝風二屆展覽批評專刊
藝風展覽與全國作家
藝風社二屆展覽
藝風社二屆畫展
看了藝風社第二屆畫展以後
藝風社畫展第一日情形
觀藝風社二次畫展後
藝術的展覽
孫福熙招待李成翩張鯤化二君
藝風展覽會巡禮
讀報

上天有路
肖像
文人畫談略
新的美感
自畫像?
藝風二屆展覽會概評
由藝風展覽會說到批評
現代中國畫的反時代性
華林與孫福熙
大眾藝術
懋勛治石
藝術家應該自救,才能救國救人
由模仿到創造
風雨孤松
父子讀詩
油畫部一角
瓶花

看金魚
拾野菜回來
開工
談工作及畫家郁風
藝風展覽會一角
藝風社二屆展覽會感言
看中國藝術的新氣象
我對於藝風第二屆展覽的看法
打響亮鑼鼓樹鮮明旗幟
藝風社展覽會巡禮憶述
展覽會一角
國畫技巧論略
掛畫須看周圍
從新國畫談到我所理想的現代國畫
雄視
素艷清香
音樂
頂天裂地
談談繪畫與攝影
劉開渠及所雕士兵
攝影底藝術價值
藝風社藝展
我對於藝術的感覺
人體
藝風社美展的意義
兒童心理的模型
兒童畫插圖九幅
兒童與畫
王小姐拂拭畫上灰塵
趕豬
鍛工場
出品人肖像一斑

獻給有復興藝術的使命者
工作
觀藝風畫展
潘懋勛肖像
藝風社畫展一瞥
春雪
談高劍父先生畫
介紹中國現代畫家高劍父君
藝風社畫展在中大開幕
中西畫的調和者高劍父先生
篆刻
奮勇前進的高劍父先生
高劍父與黃花崗
藝風社作品琳琅滿目
現代世界名畫家
插圖四幅
一幅未經陳列藝風展的出品畫
附言
參觀藝展的日記
藝風二屆美展觀後感
學藝術怎樣入門
實際與宣傳
文藝消息

Language Chinese
Publication date 1933~1936
Source
institution QS:P195,Q732353
(民國時期文獻 民國期刊)
館藏信息
InfoField
810.5

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Public domain
This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.

Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Chinese origin that have entered the public domain in the U.S. due to certain circumstances (such as publication in noncompliance with U.S. copyright formalities) may have had their U.S. copyright restored under the Uruguay Round Agreements Act (URAA) if the work was under copyright in its country of origin on the date that the URAA took effect in that country. (For the People's Republic of China, the URAA took effect on January 1, 1996. For the Republic of China (ROC), the URAA took effect on January 1, 2002.[1])
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current07:27, 19 August 2022Thumbnail for version as of 07:27, 19 August 20221,583 × 2,110, 124 pages (4 MB)PencakeBot (talk | contribs)Upload 藝風 1935年3卷7期 (20/40) by 藝風雜誌社 (batch task; nlc:data_404,01J001354,44048; 民國期刊.5; 藝風)

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