File:NLC404-01J002275-25962 新藝月刊 1944年1卷3–04期.pdf

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新藝月刊   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
王希謹
image of artwork listed in title parameter on this page
Title
新藝月刊
Volume 1944年1卷3–04期
Publisher
新藝月刊社
Description

美術節紀念特輯
當前藝術運動的出路
紀念美術節與復興民族的藝術
徵稿特約
蔡孑民先生逝世六周年紀念特輯
蔡孑民先生的生平
蔡孑民先生和美育
藝術教育問題特輯
改革藝術教學
春情韓偓
清明簡陳寅恪
藝術教育的理論與實際
藝壇檢討特輯
一年來成都所見的畫展
一年來成都戲劇的演出
一年來所聽到的國際音樂
第二屆全省學生美展
藝術論著
中國畫的氣韻與形似
論新現實主義
聖水寺
雕刻泛論(續前)
本刊第五期重要論著預告
四川歷代美術發展概觀
題況蜀清牡丹松鳥石圖
評弗洛德派藝術觀
文藝
誤會
題羅文謨仿雲林山水
元夜
王時敏略傅
藝術簡評
一、現代美術聯合展覽
二、蔡佩珠畫展
三、張定和個人作品演唱會
四、王雲階音樂作品欣賞會
五、郎毓秀獨唱會
六、音樂節音樂晚會及其他
讀者投書
藝壇動態
這一期
圖畫
一、成都北門外賴家店出土漢畫像磚之二(封面)
二、五代人作雪松圖
三、戰時英國繪畫
四、漢王暉墓石棺之龍紋
五、無名英雄雕像
六、我們不是旁觀者
七、從湘桂逃來的義民
八、日本帝國主義的「共存共榮」

Language Chinese
Publication date 1944~[?]
Source
institution QS:P195,Q732353
(民國時期文獻 民國期刊)
館藏信息
InfoField
905

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Public domain
This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.

Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Chinese origin that have entered the public domain in the U.S. due to certain circumstances (such as publication in noncompliance with U.S. copyright formalities) may have had their U.S. copyright restored under the Uruguay Round Agreements Act (URAA) if the work was under copyright in its country of origin on the date that the URAA took effect in that country. (For the People's Republic of China, the URAA took effect on January 1, 1996. For the Republic of China (ROC), the URAA took effect on January 1, 2002.[1])
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Date/TimeThumbnailDimensionsUserComment
current05:49, 23 August 2022Thumbnail for version as of 05:49, 23 August 20221,550 × 2,206, 100 pages (3.49 MB)PencakeBot (talk | contribs)Upload 新藝月刊 1944年1卷3–04期 (3/4) by 王希謹 (batch task; nlc:data_404,01J002275,25962; 民國期刊.7; 新藝月刊)

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