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File:NLC416-14jh002926-94241 記敘文講話.pdf

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記敘文講話   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
石葦著
image of artwork listed in title parameter on this page
Title
記敘文講話
Publisher
光明書局[發行者]
Description

分一般論、方法論、情調論、描寫論、記敘文各論5講

目錄
第一講 一般論
一 記敘文是一種綜合的文體
記敘文
名稱的由來
名稱的發展
補充的說明
二 記敘文的分化
三項分化
描寫化
議論化
抒情化
從抒情化到詩化
三 記敘文的活用
為什麼學習記敘文
現實性
記敘文即是應用文
文章的基本
文學的單位
藝術性
四 記敘文的要件
要件五項
主體
主體的移動
物件的記敘
地戰的記敘
性格的記敘
最難寫的記敘文
五 記敘文的瀏覽與欣賞
欣賞上的誤解
芥川氏的理論
理論與實踐的配合
具體的欣賞法
選擇
精讀
主觀
徵驗
拔萃
覆讀
評註
六 寫作上的準備
準備
注意觀察
積集經驗
運用想像
想像的意義
創造的
聯想的
解釋的
第一例
第二例
第三例
七 記敘文與文學
文學的與非文學
特徵
第一解釋
第二講 方法論
一 記敘文作法上的原則
四個原則
客觀性
系統性
興味性
主觀性
二 兩個基本作法——全部與局部
基本問題
全部記敘法
局部記敘法
三 記敘文的結構
記敘法四種
概括法
鳥瞰法
側重法
移進法
四 記敘文的動態
記敘文的流動狀態
急進的記敘法
緩進的記敘法
綜合的記敘法
特殊的記敘法
平直的記敘法
倒置的記敘法
五 記敘文與個性
作家的個性
甜汴與蟻酸
有個性的記敘法
進入作家的世界
個性論
六 再來談談敘文與個性
特性的抓取
故事中的教訓
所謂印象描寫
掌中輕
通俗的比喻
記敘的藝術
第一原則
第二原則
第三原則
七 體性的辨味
記敘文的體性
簡約與繁豐
剛健與柔婉
平淡與絢爛
謹嚴與疏放
體性上的綜合與單一
結構辭氣與體性
第三講 情調論
一 情調與感覺
不感覺
感覺的種類
自身的感受
各種感覺的運用
主位和次位
感覺與情調
感覺的變化
感覺的統一
二 色彩與視覺
色彩的種類
色彩與描寫
色彩與視覺
不要「如法包製」
銳敏的色彩感
色彩的分析
三 音響與聽覺
聽覺描寫的一例
前例的妙處
第四講 描寫論
一 自然的描寫
從教科書上得來的教訓
景物配置論
例解二則
山的描繪
海的描繪
總的原則
二 人物的描寫
人物描寫的故事
怎樣去描寫人物
個人的特性的描寫
職業特性的描寫
階層特性的描寫
民族的地方的特性的描寫
性的特性的描寫
三 感覺的描寫
與寫生法不同
逼真
具體
清新
第五講 記敘文各論
一 單純的記敘文
單純的記敘文
其長處及其短處
故事舉例
二 我們要學習對話
對話的意義
對話的表現式樣
一個插曲
三 紙上談話式的書信
書信就是筆談
書信寫法
稱呼問題
切忌閒話
切忌敷衍
分段問題
時間觀念問題
四 寫給你自己看的日記
寫真話給自己看
生活的記錄
思想的反對鏡
練習文章的園地
日記一例
五 遊記並不是寫景文
遊記的特徵
自然地理的描寫
歷史傳說的追跡
社會生活的記載
遊記一例
六 寫真傳神的傅記
傅記的定義
要寫真傳神
要刻劃時代
要描寫清親
要敘述有序
作風質樸的自傳

Language Chinese
Publication date 民國三十年[1941]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
館藏信息
InfoField
MG/H152.1/3
主題
InfoField
記敘文
中圖分類
InfoField
H152.1
載體形態
InfoField
223頁

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current15:28, 11 June 2023Thumbnail for version as of 15:28, 11 June 2023835 × 1,435, 242 pages (6.26 MB)PencakeBot (talk | contribs)Upload 記敘文講話 (1/1) by 石葦著 (batch task; nlc:data_416,14jh002926,94241; 民國圖書.8; 記敘文講話)

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