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File:NLC416-16jh005192-88739 新俄的演劇運動與跳舞.pdf

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新俄的演劇運動與跳舞   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
〔日〕昇曙華著
image of artwork listed in title parameter on this page
Title
新俄的演劇運動與跳舞
Publisher
北新書局[發行者]
Description

內收《革命期的俄國演劇》、《演劇革命的回顧》(路納卻爾司基)，《新劇運動的三權威》、《無產階級演劇運動》、《舞台裝置的革命》、《俄國最近的跳舞》、《最近的二種跳舞劇》、《革命藝術與社會主義藝術》(特羅茨基)等8篇

目錄
革命期的俄國演劇
藝術的聖地
政府的補助
革命劇壇的使命
純劇術上的革命
俳優中心主義
從氣分向運動
舞台裝置上的新傾向
舞台藝術底本質的區別
現代劇的舞台監督的意義
演劇革命的回顧（路納卻爾司基）
右傾劇壇與左傾劇壇
革命劇的建設與劇場的民眾化
古典劇與無產階級
學府派劇場征服的途徑
革新劇壇的巨將梅伊耶爾福李特
新人泰伊洛夫
藝術座附屬研究所與瓦夫但戈夫
無產階級劇的現狀
關於其他的劇場
新劇運動的三權威
革命與演劇
加梅爾芮伊洛夫的事業
演劇左翼戰線的中心梅伊耶爾福里特
袁弗萊伊諾夫的[monod ama]運動
無產階級演劇運動
（一） 序論
人生的演劇化
職業的演劇底否定與無產階級劇論戰
民眾劇創設的宣言
（二） 民眾劇創設的嘗試與其實跡
認真的探求
資產階級劇的否定與無產階級劇的方向
演劇民眾化的嘗試
布爾塞維克的浪漫主義
彼得堡的[聖跡劇]
莫斯科的[聖跡劇]
那失敗的原因
[世界革命]的上演
[過去與現在]的上演
（三） 革命英雄劇創設的嘗試與其實跡
英雄劇與勞農劇
[復仇者]與布哈林的讚辭
[復仇者]的內容
[瑪瑞安納]的上演
[康姆妙納兒傳說]的上演
[反響]的上演
無產階級劇的現在與將來
（四） 曲藝喜劇的嘗試
演劇與出藝的結合
從劇場向競技場
俳優是一種sportsman
曲藝喜劇的二個方向
成功否是疑問
（五） 無神論者座的出現與反宗教劇
特色的底現象
一座的組織
反宗教劇[神官泰爾維尼]與其上演
舞台裝置的革命
俄國劇的興味的中心
舊派的舞台裝置
自然主義派的背景
近代化的嘗試
站在新舊中間的舞台裝置
舞台裝置的新樣式
亞克洛夫的全經驗
構成派的舞台裝置
俄國最近的跳舞
時代與跳
現代跳舞的魔術師戈雷意曹夫司基
路金的表現主義跳舞
巴爾納夫的力學的跳舞
女流跳舞手
最近的二種跳舞劇
革命的偉大的效果
新跳舞劇[演諢劇者]
新跳舞劇[諾伊亞]
革命藝術與社會主義藝術（特羅次基）
社會主義的停滯呢最高的力學呢
革命藝術的[寫實主義]
蘇維挨式喜劇
日悲劇與新悲劇
藝術和技術和自然
人間的再改造詩劇[莊格濟]的背景圖案
同舞台意匠
[耶里克十四世]的舞台裝置與衣裝
[給瑪里亞的告知]的舞台面
[即使賢者也有智慧不足的地方]的舞台面
[神官泰爾克維尼]的舞台面（三幅）
[背里瑪拉]的舞台裝置
[它浪陀特婭]的舞台面
[維里耶爾.阿珂思打]的舞台裝置
[行魔法]的衣裝
同衣裝考案
[復仇之神]的衣裝考案
[濟洛弗拉.致洛夫略]的舞台裝置
[珂拉.台伊.里恩茲]的舞台裝置
沙哈洛夫的跳舞
戈雷伊曹夫司基的跳舞裝置
路特維奇小姐的[裸舞]
同上
卻爾涅次加亞小姐的跳舞
萊姆背爾格小姐的跳舞
封面畫：[星的運行]（睦爾茨安作）

Language Chinese
Publication date 1927
publication_date QS:P577,+1927-00-00T00:00:00Z/9
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
館藏信息
InfoField
MG/879.23/467
主題
InfoField
話劇
中圖分類
InfoField
J834(512)
載體形態
InfoField
172頁

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