File:Porslinsskål tillverkade i Kina med Bali herre över de dödas rike, 1800-tal - Skoklosters slott - 99420.tif
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Captions
Skål ( ) | |||||||||||||||||||||||||||
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Unknown authorUnknown author |
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Title |
Skål |
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Original caption |
Note: For documentary purposes the original description has been retained. Factual corrections and alternative descriptions are encouraged separately from the original description. Porslinsskål tillverkade i Kina med Bali herre över de dödas rike, 1800-tal.Nyckelord: Skålar, Mönster, Qingdynastin, Kinesiskt porslin, Färger, Föremålsbild |
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Description |
Svenska: SKÅL. Svagt klockformig, på rak fotkant. Exportgods för Thailand. Inköpt av Wilhelmina von Hallwyl, 27 januari 1911, hos Bukowskis Konsthandel.Skålen är ett exempel på Bencharonggods (»femfärgad«), avsett för den thailändska marknaden.Bencharong tillverkades ursprungligen för det siamesiska kungahuset vid slutet av 1700-talet. Dess livfulla färger omfattade röd, gul, svart, vit och turkosgrön emalj, medan rosa, lila, blå och orange lades till paletten senare. Specifika religiösa motiv skickades till Jingdezhen från Thailand. Det här kärlet har bårder som föreställer dyrkande av Thepanom(buddhistiska himmelska väsen som bar kronor och kroppssmycken) och Norasingh (mytiska halvgudar som lever i Himmapanskogen, har mänskliga huvuden och torsos, lejonbakdelar samt svansar och hovar som en hjort). Den sagoomspunna skogen sägs ligga i Himalaya.Porcelain bowl decorated in overglaze enamels. Qing dynasty, first half of 19th centuryThis bowl is an example of Bencharong (“five coloured”) ware, destined for the Thai market. Bencharong was made initially for the Siamese royal court towards the end of the 18th century. Its vibrant colours embraced red, yellow, black, white and turquoise green enamels, while pink, purple, blue and orange were later added to the palette. Specific religious motifs were sent to Jingdezhen from Thailand. This vessel bears panels containing worshipping Thepanom, (Buddhist celestial beings, wearing crowns and body jewellery) and Norasingh (mythical semi-deities who live in the Himmapan Forest, having human head and torso, hindquarters of a lion, and tail and hoofs of a deer). The legendary Forest is said to lie in the Himalayas, below the Buddhist heavens and invisible to humans, who can never approach or enter. Flames and jewels adorn the background of the bowl, and the inside is turquoise green. |
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Date |
early 19th century date QS:P571,+1850-00-00T00:00:00Z/7 |
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Medium |
porcelain medium QS:P186,Q130693 |
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Collection |
institution QS:P195,Q4346239 |
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Place of creation | China | ||||||||||||||||||||||||||
Source | LSH 99420 (hm_dig13732) | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 01:04, 5 November 2015 | 5,616 × 3,744, 2 pages (60.18 MB) | LSHuploadBot (talk | contribs) | {{LSH artwork |artist= |title= {{Title|Skål}} |description= {{sv|1=SKÅL. Svagt klockformig, på rak fotkant. Dekor på utsidan med åtta figurer, fyra av Baliyáza Nat (Bali, herre över de dödas rike), omväxlande med fyra Manókthiha (Manussiha,... |
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Metadata
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Image title | Inv. Nr: XLVIII:X:A.e.l.03 |
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Camera manufacturer | Canon |
Camera model | Canon EOS-1Ds Mark III |
Author | Jens Mohr |
Copyright holder | Licensed to the public under Creative Commons Attribution-ShareAlike 3.0 Unported License. |
Exposure time | 1/100 sec (0.01) |
F-number | f/20 |
ISO speed rating | 200 |
Date and time of data generation | 13:54, 17 November 2014 |
Lens focal length | 100 mm |
Width | 5,616 px |
Height | 3,744 px |
Bits per component |
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Pixel composition | RGB |
Image data location | 27,208 |
Orientation | Normal |
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Bytes per compressed strip | 63,078,912 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS5 Macintosh |
File change date and time | 15:35, 21 November 2014 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 13:54, 17 November 2014 |
APEX shutter speed | 6.643856 |
APEX aperture | 8.643856 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Subject distance | 0.88 meters |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 99 |
DateTimeDigitized subseconds | 99 |
Color space | Uncalibrated |
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Focal plane Y resolution | 3,961.9047619048 |
Focal plane resolution unit | inches |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Scene capture type | Standard |