File:The door was still ajar.jpg
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Captions
Captions
Summary
editAuthor | |
Object type |
painting object_type QS:P31,Q3305213 |
Description |
"The door was still ajar" , by Erik Pevernagie, oil on canvas, 100 x 50 cm
People might be disturbed when a door is ajar as, in their mind, a door should be either closed or open, because the fact of being ajar is creating an unclear stance. In front of an unclear situation, people may be hesitant, distraught or helpless. It may destroy their peace of mind. Faltering thinking and indecisive conduct often result in losing ground and yielding to bleak caginess that generates the redoubtable Buridan’s syndrome. As Buridan’s ass is placed equally between a stack of hay and a pail of water, it dies of both hunger and thirst. Keeping the door ajar may in some cases also be a means of protection. In the light of possible transgressions or inappropriate behavior, women might prefer to keep the door ajar if they feel, in that way, more protected from intimate aggression. Men may do so too if they feel safer and sheltered from false allegations of improper conduct. . Phenomenon: Indecisiveness, open, closed . Factual starting point of the picture: Woman, door. |
Date |
1997 date QS:P571,+1997-00-00T00:00:00Z/9 |
Source/Photographer | Own work |
Licensing
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- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
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current | 11:16, 16 May 2015 | ![]() | 604 × 1,361 (460 KB) | Onlysilence (talk | contribs) | User created page with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Canon |
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Camera model | Canon PowerShot SD500 |
Exposure time | 1/500 sec (0.002) |
F-number | f/7.1 |
Date and time of data generation | 14:13, 5 January 2015 |
Lens focal length | 9.028 mm |
Orientation | Normal |
File change date and time | 15:55, 5 January 2015 |
Y and C positioning | Centered |
Exif version | 2.2 |
Date and time of digitizing | 14:13, 5 January 2015 |
Meaning of each component |
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Image compression mode | 3 |
APEX shutter speed | 8.96875 |
APEX aperture | 5.65625 |
APEX exposure bias | 0 |
Maximum land aperture | 3.34375 APEX (f/3.19) |
Metering mode | Pattern |
Flash | Flash did not fire, auto mode |
DateTime subseconds | 705 |
DateTimeOriginal subseconds | 00 |
DateTimeDigitized subseconds | 00 |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 7,211.2676056338 |
Focal plane Y resolution | 7,211.2676056338 |
Focal plane resolution unit | inches |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Scene capture type | Standard |
Software used | L'imagerie numérique ACD Systems |