File:Three Riders at the Sea (Jean-Maxime Claude) - Nationalmuseum - 18600.tif
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Captions
Captions
Jean-Maxime Claude: Three Riders at the Sea
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Artist | |||||||||||||||||||||||||||
Title |
English: Three Riders at the Sea Svenska: Tre ryttare vid havet |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Jean-Maxime Claude had a long career behind him when he painted these three riders on the beach in 1882. With their backs turned to us, they regard the sunset over the sea in a tranquil, quiet moment. The painting was bought by the Swedish collector Oskar Filip Heilborn. His collection, which was donated to the Nationalmuseum in 1902, is representative of the Swedish fondness for French art at the time. It includes older realist works and more contemporary paintings, but not one single Impressionist. Svenska: Jean-Maxime Claude hade en lång karriär bakom sig när han 1882 målade de tre ryttarna på stranden. Bortvända betraktar de solnedgången över havet i ett ögonblick av stillhet och tystnad. Målningen köptes av den svenske samlaren Oskar Filip Heilborn. Hans samling, som donerades till Nationalmuseum 1902, var representativ för tidens svenska uppskattning av den franska konsten. Där ingick såväl äldre realistiska verk som ett mer samtida stämningsmåleri. Men där fanns inga impressionister. |
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Original caption InfoField | English: Jean-Maxime Claude had a long career behind him when he painted these three riders on the beach in 1882. With their backs turned to us, they regard the sunset over the sea in a tranquil, quiet moment. The painting was bought by the Swedish collector Oskar Filip Heilborn. His collection, which was donated to the Nationalmuseum in 1902, is representative of the Swedish fondness for French art at the time. It includes older realist works and more contemporary paintings, but not one single Impressionist. Svenska: Jean-Maxime Claude hade en lång karriär bakom sig när han 1882 målade de tre ryttarna på stranden. Bortvända betraktar de solnedgången över havet i ett ögonblick av stillhet och tystnad. Målningen köptes av den svenske samlaren Oskar Filip Heilborn. Hans samling, som donerades till Nationalmuseum 1902, var representativ för tidens svenska uppskattning av den franska konsten. Där ingick såväl äldre realistiska verk som ett mer samtida stämningsmåleri. Men där fanns inga impressionister. |
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Date |
1882 date QS:P571,+1882-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 1596 |
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Inscriptions |
Svenska: Signerad: J. Max. Claude 1882 |
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References | |||||||||||||||||||||||||||
Source/Photographer | Erik Cornelius / Nationalmuseum | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:04, 7 October 2016 | ![]() | 5,367 × 3,373 (51.82 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = |artist = Jean-Maxime Claude |title = {{en|Three Riders at the Sea}} {{sv|Tre ryttare vid havet}} |wikidata = Q18574282 |object_type = painting... |
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File usage on Commons
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Image title | Jean-Maxime Claude: Tre ryttare vid havet. NM 1596 |
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Camera manufacturer | NIKON CORPORATION |
Camera model | NIKON D3X |
Author | Nationalmuseum |
Exposure time | 1/100 sec (0.01) |
F-number | f/9 |
ISO speed rating | 100 |
Date and time of data generation | 11:32, 16 February 2011 |
Lens focal length | 60 mm |
Width | 5,367 px |
Height | 3,373 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 31,208 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 3,373 |
Bytes per compressed strip | 54,308,673 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS5 Windows |
File change date and time | 13:56, 20 February 2012 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 11:32, 16 February 2011 |
APEX shutter speed | 6.643856 |
APEX aperture | 6.33985 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Subject distance | 1.33 meters |
Metering mode | Pattern |
Light source | Flash |
Flash | Flash did not fire |
DateTimeOriginal subseconds | 72 |
DateTimeDigitized subseconds | 72 |
Color space | Uncalibrated |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 60 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Soft |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |