File:Workshop of Jacopo Tintoretto, Dogaressa Morosina Morosini-Grimani - Portrait of Dogaressa Morosina Morosini - 24.4 - Minneapolis Institute of Arts.jpg
![File:Workshop of Jacopo Tintoretto, Dogaressa Morosina Morosini-Grimani - Portrait of Dogaressa Morosina Morosini - 24.4 - Minneapolis Institute of Arts.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/b/b0/Workshop_of_Jacopo_Tintoretto%2C_Dogaressa_Morosina_Morosini-Grimani_-_Portrait_of_Dogaressa_Morosina_Morosini_-_24.4_-_Minneapolis_Institute_of_Arts.jpg/476px-Workshop_of_Jacopo_Tintoretto%2C_Dogaressa_Morosina_Morosini-Grimani_-_Portrait_of_Dogaressa_Morosina_Morosini_-_24.4_-_Minneapolis_Institute_of_Arts.jpg?20151213170232)
Original file (4,387 × 5,523 pixels, file size: 5.07 MB, MIME type: image/jpeg)
Captions
Captions
Summary
editPortrait of Dogaressa Morosina Morosini
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Artist |
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Title | ||||||||||||||||||||||||||||||
Object type |
painting ![]() |
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Genre |
portrait ![]() |
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Description |
English: "The subject of this portrait is the Dogaressa Morosina Morosini (1545–1614). Dogaressa is the title given to the wife of the Doge of Venice, the elected ruler of the republic. The accompanying portrait of her husband, Doge Marino Grimani, is in the collection of the Los Angeles County Museum of Art. From a prominent and wealthy patrician family, Morosini was a patron of the city’s lace industry. She is depicted in a stylish burgundy velvet dress with ruffled lace sleeves and translucent tulle over the shoulders. Notice how the landscape in the window behind the Dogaressa is continued in the background window of the Doge’s portrait. The swaths of silk also link the portraits, acting as bookends that enclose the couple. Whereas Grimani’s portrait was painted by Tintoretto himself, Morosini’s was executed by Tintoretto’s assistants. The pair of paintings date from before Grimani’s election as doge in 1595." [1] |
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Depicted people |
Morosina Morosini-Grimani ![]() |
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Date |
between 1570 and 1580 date QS:P,+1550-00-00T00:00:00Z/7,P1319,+1570-00-00T00:00:00Z/9,P1326,+1580-00-00T00:00:00Z/9 ![]() |
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Medium |
oil on canvas ![]() |
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Collection |
institution QS:P195,Q1700481 |
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Current location |
not on view |
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Accession number |
24.4 (Minneapolis Institute of Art) ![]() |
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Place of creation |
Italy ![]() |
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Credit line | The William Hood Dunwoody Fund | |||||||||||||||||||||||||||||
References | ||||||||||||||||||||||||||||||
Source/Photographer | Minneapolis Institute of Arts |
Licensing
edit
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 17:02, 13 December 2015 | ![]() | 4,387 × 5,523 (5.07 MB) | BotMultichill (talk | contribs) | {{User:Multichill/Minneapolis Institute of Arts |collection=Q1700481 |collectionshort=ARTSMIA |creator=Workshop of Jacopo Tintoretto; Dogaressa Morosina Morosini-Grimani |creditline=The William Hood Dunwoody Fund |date=1570-1580 |description=Three quar... |
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File usage on Commons
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Metadata
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Original transmission location code | 14270 |
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Date metadata was last modified | 17:02, 13 December 2015 |
Software used | Capture One 5 Macintosh |