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William Miller

English: William Miller (Edinburgh quaker engraver)

William Miller page 2

William Miller page 3

William Miller

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    This photograph of William Miller was taken by the Edinburgh photographer Tunny in about 1862.
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    The wood engraving in this obituary of William Miller is taken from the photograph by Tunny
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    William Miller, Edinburgh engraver
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    Obituary of William Miller, The Scotsman, January 21, 1882
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    Carte de Visite of William Miller, approx 1860
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    William Miller's engraving workroom at Hope Park
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    Millerfield House, the croquet lawn, approx 1860
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    Jane Miller, approx 1870

Artistic friends and Pupils

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    Sir Daniel Wilson, pupil of William Miller, later Principal of University College, Toronto, 1816-1892
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    William Chapman, pupil of William Miller, 1817-187?
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    James Giles, pupil of William Miller, 1809-1886
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    Dr John Brown, Author of Rab and His Friends
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    Sir J Noel Paton RSA, 1821-1901
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    Sir George Harvey PRSA, 1806-1876

Memoirs of the Caledonian Horticultural Society Volume First. Edinburgh: Printed by Neill & Co. for Archibald Constable and Company; and for Longman, Hurst, Rees, Orme and Brown, London, 1814

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    Apple Tree engraving by William Miller for William Archibald 1814

Encyclopaedia Britannica 5th Edition, at the Encyclopaedia Press, For Archibald Constable and Company, and Thomson Bonar, Edinburgh: Gale, Curtis, and Fenner, London; and Thomas Wilson and Sons, York, 1817

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    Botany Plate 124 engraving by William Miller for William Archibald 1817
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    Shipbuilding Plate 490 engraving by William Miller for William Archibald 1817
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    Shipbuilding Plate 491 engraving by William Miller for William Archibald 1817
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    War Plate 552 engraving by William Miller for William Archibald 1817
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    War Plate 558 engraving by William Miller for William Archibald 1817

The Botanical Cabinet Consisting of Coloured Delineations of Plants from all countries. Plates by George Cooke. Conrad Loddiges. London: John & Arthur Arch, 1818

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Engravings of the Skeleton of the Human Body. John Gordon MD. Blackwood, Edinburgh 1818

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    Human Skull plate Va, after drawing by William Miller
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    Human Skull plate Vb, after drawing by William Miller
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    Human Skull plate VI, after drawing by William Miller
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    Human Skull plate VII, after drawing by William Miller
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    Human Skull plate VIII, after drawing by William Miller
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    Human Skull plate X, after drawing by William Miller

Transactions of the Royal Society of Edinburgh Vol IX, Edinburgh: Printed (by P Neill) for William & Charles Tait, Prince's Street, and Longman, Hurst, Rees, Orme, & Brown, London, 1823

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    View down Glengluoy from the hills at its upper extremity from point a in the map, Plate I, after a drawing by Thomas Dick Lauder
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    View of the mouths of Glenroy and Glenspean taken from above Inch from point b in the map, Plate II, after a drawing by Thomas Dick Lauder
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    The Gap as seen from Glenroy taken from point e in the map, Plate III, after a drawing by Thomas Dick Lauder
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    View up Glenroy taken from the Gap from point d in the map, Plate IV, after a drawing by Thomas Dick Lauder
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    View of the head of Glenroy from point f in the map, Plaate V, after a drawing by Thomas Dick Lauder
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    View of the Entrance to Loch Treig from point g in the map, Plate VI, after a drawing by Thomas Dick Lauder
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    Diagrams, Plate VII, after a drawing by Thomas Dick Lauder
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    Diagrams to Illustrate the theory of the four different states of the Lakes, Plate VIII, after a drawing by Thomas Dick Lauder
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    A Map showing the different lines of Horizontal Shelves in the Glens of Lochaber, Plate IX, after a drawing by Thomas Dick Lauder
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    Ounartorsoak on the Southern Coast of Disko Island, Plate XVI
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    Mannik in the Waygat Eastwards from Disko Island, Plate XVII
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    Granite Obelisk of a Single Stone at Seringapatam,erected to the memory of Josiah Webbe Esqre, Plate XIX, after a drawing by Capt T Frazer of the Madras Engineers

Scottish Cryptogamic Flora or Coloured Figures and Descriptions of Cryptogamic Plants, belonging chiefly to the Order Fungi; and Intended to serve as a Continuation of English Botany. Robert Kaye Greville. Edinburgh: Printed (by P. Neill) for MacLachlan & Stewart, Edinburgh; and Baldwin, Cradock & Joy, London, 1823-1828 (Plesch 301; Margadant, Greville 5; Nissen 757

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    Fly agaric, plate 54, engraving after R K Greville, 1823
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    Fungi, plate 171, engraving after R K Greville, 1823

German Scenery from Drawings made in 1820. Captain Robert Batty FRS. Rodwell and Martin, London 1823

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    Castle of Nurnberg, engraving after Captain Robert Batty, 1823

An Account of the Bell Rock Lighthouse by Robert Stevenson, Edinburgh Printed for Archibald Constable and Co, Edinburgh; Hurst, Robinson and Co and Josiah Taylor, London, 1824

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    Progress of the Bell Rock works (Plate ix) engraving after J Slight, 1824
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    Apparatus connected with the Bell Rock works (Plate xi) engraving after G Scott, 1824
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    General View of the Bell Rock works (Plate xviii) engraving after A Carse, 1824

Fourteen Engravings from Drawings of the Horse by Howe, Edinburgh, 1824

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    Wrapper for Fourteen Engravings from Drawings of the Horse by Howe
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    Engraving of woman on horse by William Miller after Howe, 1824

An Essay on Gothic Architecture by T. Rickman, Architect. Third edn. Thomas Rickman. Liverpool: Geo. Smith. 1825

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    Frontispiece, engraving after T Rickman, 1825

Treatise on mineralogy: or, The natural history of the mineral kingdom. by Frederick Mohs, Professor in the Mining Academy at Freiburg, translated from the German with considerable additions by William Haidinger FRSE. Edinburgh printed for Archibald Constable and Co Edinburgh and Hurst, Robinson and Co, London 1825

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    Mohs mineralogy vol 3 cover
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    Mohs mineralogy vol 1 plate 1
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    Mohs mineralogy vol 1 plate 2
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    Mohs mineralogy vol 1 plate 3
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    Mohs mineralogy vol 1 plate 4
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    Mohs mineralogy vol 1 plate 5
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    Mohs mineralogy vol 1 plate 6
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    Mohs mineralogy vol 1 plate 7
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    Mohs mineralogy vol 1 plate 8
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    Mohs mineralogy vol 1 plate 9
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    Mohs mineralogy vol 1 plate 10
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    Mohs mineralogy vol 1 plate 11
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    Mohs mineralogy vol 1 plate 12
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    Mohs mineralogy vol 1 plate 13
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    Mohs mineralogy vol 1 plate 14
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    Mohs mineralogy vol 1 plate 15
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    Mohs mineralogy vol 2 plate 1
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    Mohs mineralogy vol 2 plate 2
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    Mohs mineralogy vol 2 plate 3
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    Mohs mineralogy vol 2 plate 4
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    Mohs mineralogy vol 2 plate 5
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    Mohs mineralogy vol 2 plate 6
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    Mohs mineralogy vol 2 plate 7
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    Mohs mineralogy vol 2 plate 8
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    Mohs mineralogy vol 2 plate 9
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    Mohs mineralogy vol 2 plate 10
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    Mohs mineralogy vol 2 plate 11
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    Mohs mineralogy vol 2 plate 12
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    Mohs mineralogy vol 2 plate 13
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    Mohs mineralogy vol 2 plate 14
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    Mohs mineralogy vol 2 plate 15
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    Mohs mineralogy vol 2 plate 16
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    Mohs mineralogy vol 2 plate 17
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    Mohs mineralogy vol 2 plate 18
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    Mohs mineralogy vol 2 plate 19
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    Mohs mineralogy vol 2 plate 20
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    Mohs mineralogy vol 2 plate 21
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    Mohs mineralogy vol 2 plate 22
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    Mohs mineralogy vol 2 plate 23
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    Mohs mineralogy vol 2 plate 24
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    Mohs mineralogy vol 2 plate 15
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    Mohs mineralogy vol 2 plate 26
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    Mohs mineralogy vol 2 plate 27
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    Mohs mineralogy vol 2 plate 28
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    Mohs mineralogy vol 2 plate 29
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    Mohs mineralogy vol 2 plate 30
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    Mohs mineralogy vol 2 plate 31
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    Mohs mineralogy vol 2 plate 32
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    Mohs mineralogy vol 2 plate 33
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    Mohs mineralogy vol 2 plate 34
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    Mohs mineralogy vol 2 plate 35

Constable's Miscellany of Original and Selected Publications in the Various Departments of Literature, the Sciences & the Arts: Volumes II-LIX" (Edinburgh Printed for Archibald Constable & Co, and Hurst, Chance & Co, London 1825-1830

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    Cape Horn engraved for W H Lizars by William Miller from Volume II Hall's Voyages
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    Castle of Clisson engraved on steel by William Miller from Volume V Memoirs of the Marchioness of Larochejacquelein
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    At last I bent my steps towards my father's grave, engraved on steel by William Miller after A Naysmith from Volume XI Perils and Captivity
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    The Salt Lake of Loonar, engraved on steel by William Miller for W Archibald from Volume XII Remarkable Phenomena of Nature
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    Battle of Culloden, engraved on steel by William Miller for W Archibald after A Heckel from Volume XVI Rebellion in Scotland 1745 Vol II
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    Roberts about to be Shot, engraved on steel by William Miller from Volume XVII Roberts' Narrative
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    Robert Burns, engraved by William Miller after A Nasmyth from Volume XXIII Life of Burns
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    Linlithgow Palace, engraved by William Miller after W Brown from Volume XXIV Life of Mary Queen of Scots Vol I
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    Lochleven Castle, engraved by William Miller after W Brown from Volume XXV Life of Mary Queen of Scots Vol II
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    Corunna, engraved by William Miller after Wm Archibald Junr from Volume XXVII Memorials of the Late War Vol I
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    The Mosque Cordova, engraved by William Miller after Wm Archibald Junr from Volume XXVIII Memorials of the Late War Vol II
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    Goethe's Cottage, engraved by William Miller after Lieber from Volume XXIX Tour in Germany Vol I
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    The Brandenburg Gate - Berlin, engraved by William Miller after Wm Archibald Junr from Volume XXX Tour in Germany Vol II
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    Montrose's Execution, engraved by William Miller for Wm Archibald Junr after Js Chisholm from Volume XXXII Rebellions in Scotland 1638-1660 Vol II
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    C W Koch, engraved by William Miller from Volume XXXIII Revolutions in Europe Vol I
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    Fortress of Buda, engraved by William Miller after R Bright MD from Volume XXXIV Revolutions in Europe Vol II
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    The Palace of Napoleon - Elba, engraved by William Miller after H W Williams from Volume XXXV Revolutions in Europe Vol III
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    Description=St Petersburg Russia, engraved by William Miller after H W Williams from Volume XXXVI Cochrane's Journey through Russia Vol I
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    Irkutsk, engraved by William Miller after J D Cochrane from Volume XXXVII Cochrane's Journey through Russia Vol II
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    Cronborg Castle - Elsinore, engraved by William Miller from Volume XXXVIII Norway, Sweden, and Denmark
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    East Gate & Temples of Paestum, engraved by William Miller after Dr Memes from Volume XXXIX Sculpture, Painting & Architecture
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    Constantinople, engraved by William Miller after W Archibald from Volume XL The Ottoman Empire Vol I
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    The Battle-ground of Killiecranky, engraved by William Miller after D O Hill from Volume XLII Rebellions in Scotland 1689-1715
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    Gowrie House, engraved by William Miller after D O Hill from Volume XLIII Conspiracies Vol I
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    St Peters - Rome, engraved by William Miller after Piranesi from Volume XLVI An Autumn in Italy
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    Battle of Naseby, engraved from an original sketch by William Miller from Volume XLVII Life of Oliver Cromwell Vol I
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    The Battle of Worcester, engraved by William Miller from Volume XLVIII Life of Oliver Cromwell Vol II
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    Wallace's Tree - Torwood, engraved by William Miller after A Nasmyth from Volume LIII Life of Sir William Wallace Vol I
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    Leoben - Carinthia, engraved by William Miller after Dr Memes from Volume LVII Bourienne's Memoirs of Napoleon Vol I
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    The Village and Battle-field of Marengo, engraved by William Miller after Dr Memes from Volume LVIII Bourienne's Memoirs of Napoleon Vol II
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    Dresden and Monument of Moreau, engraved by William Miller after Dr Memes from Volume LIX Bourienne's Memoirs of Napoleon Vol III

Picturesque Views on the Southern Coast of England from drawings made principally by J.M.W. Turner, R.A. and engraved by W.B. Cooke, George Cooke and other eminent engravers, John and Arthur Arch, London 1826

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    Clovelly Bay, engraving after Turner, 1826, Rawlinson 115
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    Coombe Martin, Devonshire very early proof engraving by W Miller after J M W Turner, Rawlinson 119, before ship added
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    Coombe Martin, Devonshire early proof engraving by W Miller after J M W Turner, Rawlinson 119, before ship added
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    Coombe Martin, Devonshire 'proof for the curious' engraved by W Miller after J M W Turner
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    Comb Martin, engraving after Turner, 1826, Rawlinson 119
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    Portsmouth, engraving after Turner, 1826, Rawlinson 120

Provincial Antiquities and Picturesque Scenery of Scotland, Walter Scott, J M W Turner and others, John and Arthur Arch, London 1826

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    Inverwick Castle open etching by William Miller after Rev J Thomson
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    Inverwick Castle engraving on india paper by William Miller after Rev J Thomson, First Pub. State
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    Inverwick Castle engraving by William Miller after Rev J Thomson 1826
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    Bass rock open etching by William Miller after Turner R200
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    Bass Rock engraving on india paper by William Miller after J M W Turner, First Pub. State R200
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    Bass Rock, engraving after Turner, 1826, Rawlinson 200
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    Fast Castle open etching by William Miller after Rev J Thomson
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    Fast Castle engraving on india paper by William Miller after Rev J Thomson, First Pub. State
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    Fast Castle engraving by William Miller after Rev J Thomson 1826
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    Dirlton Castle open etching by William Miller after Rev J Thomson
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    Dirlton Castle engraving on india paper by William Miller after Rev J Thomson, First published state
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    Dirlton Castle engraving by William Miller after Rev J Thomson 1824

Edinburgh from Arthur's Seat after H W Williams, Published by John Shepherd, 15 Princes Street, Edinburgh, 1826. The print was republished in 1846 by Shepherd and Elliott modified to include the National Monument and Scott Monument, with the omission of the parasol held by the woman in the foreground

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    Edinburgh from Arthur's Seat, engraving by William Miller (Miller paid £140-0-0 in xi-1826 for engraving), after H W Williams ('Grecian' Williams), Published by John Shepherd, 15 Princes Street, Edinburgh, 1826
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    Edinburgh from Arthur's Seat, engraved copper plate by William Miller (Miller paid £140-0-0 in xi-1826 for engraving), after H W Williams ('Grecian' Williams), Published by John Shepherd, 15 Princes Street, Edinburgh, 1826. The print was republished in 1846 by Shepherd and Elliott modified to include the National Monument and Scott Monument, with the omission of the parasol held by the woman in the foreground.

View of Lauriston, engraved for Thomas Allen by William Miller, Thomas Allen was a banker and mineralogist who owned Lauriston and added mock-Jacobean additions to Lauriston in the late 1820s

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    Lauriston Castle, proof engraving by William Miller, 1826

History of Northumberland, Rev J Hodgson, Newcastle-upon-Tyne, 1820-1840

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    Featherstone Castle engraved by William Miller after Edward Swinburne

Letters of an Architect, Joseph Woods, J. and A. Arch; London 1828

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    Ruins on the Palatine towards the Circus Maximus, engraving by William Miller
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    Ruins of Selinus, engraving by William Miller

Select Views In Greece With Classical Illustrations. Williams, Hugh William. London: Longman Rees Orme Brown and Green; and Adam Black. 1829

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    Ancient Sarcophagi. Plataea engraving after H W Williams, 1829
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    Ancient Temple at Corinth engraving after H W Williams, 1829
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    Caritena, Ancient Brenthe engraving after H W Williams, 1829
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    Corinth. Apocorinthus of Corinth engraving after H W Williams, 1829
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    Delphi, Castalian Fountain, on Mount Parnassus engraving after H W Williams, 1829
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    Eleusis, & Part of the Island of Salamis engraving after H W Williams, 1829
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    Mount Oleno, Peloponnesus after H W Williams, 1829
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    Mountains of Locri Ozolae, looking towards Naupactus engraving after H W Williams, 1829
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    Nemea engraving after H W Williams, 1829
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    Part of Misitra, the Ancient Sparta engraving after H W Williams, 1829
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    Parthenon of Athens engraving after H W Williams, 1829
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    Patras (Ancient Patrae) Achaia engraving after H W Williams, 1829
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    Plain of Orchomenos from Livadia engraving after H W Williams, 1829
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    Plain of Plataea, from Mount Cithaeron engraving after H W Williams, 1829
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    Promontary of Sunium from the Sea engraving after H W Williams, 1829
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    Rocks of the Strophades engraving after H W Williams, 1829
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    Temple of Minerva, Acropolis of Athens engraving after H W Williams, 1829
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    Temples of Jupiter Panhellenius, Aegina engraving after H W Williams, 1829
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    View Looking across the Isthmus of Corinth engraving after H W Williams, 1829

The Winter's Wreath for MDCCCXXIX. A Collection of Original Contributions in Prose and Verse. London: Published by George B. Whitaker; and George Smith, Liverpool. 1829

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    View on the Thames near Windsor, engraving after D Havell, 1829

Illustrations of the Anatomy of the Pelvis, 2nd Edn, Alexander Monro tertius, MacLachlan and Stewart, Edinburgh, 1827

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    Plate 1. Pelvis from Illustrations of the Anatomy of the Pelvis, 2nd Edn, Alexander Monro, 1827

The Morbid Anatomy of the Brain, Alexander Monro tertius, MacLachlan and Stewart, Edinburgh, 1827

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    Plate 1. Hydrocephalus, engraving by William Miller from Morbid Anatomy of the Brain, Monro, 1827

The Morbid Anatomy of the Gullet, Stomach and Intestines. Alexander Monro, tertius. Second Edition. Edinburgh: John Carfrae and Son; and Longman, Rees, Orme, Brown and Green, London. 1830

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    Tapeworms Plate IV engraving after P Syme, 1830

State of an Institution Near York, Called the Retreat, for Persons Afflicted with Disorders of the Mind, Samuel Tuke, W. Alexander and Son, York 1828

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    Plate B. Ground Plan of the Retreat, engraving by William Miller
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    Plate B. Ground Plan of the Retreat, engraving by William Miller
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    Plate C. Chamber Plan of the Retreat, engraving by William Miller

Select Views Of The Royal Palaces Of Scotland, From Drawings by William Brown, Glasgow; With Illustrative Descriptions Of Their Local Situation, Present Appearance, And Antiquities. John Jamieson. Cadell & Co & Simpkin Marshall, Edinburgh & London 1830

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    Carrick Castle, engraving after W Brown, 1830
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    Dunfermline Palace, engraving after W Brown, 1830
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    Dunoon Castle, engraving after W Brown, 1830
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    Dunstuffnage Castle, engraving after W Brown, 1830
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    Falkland Palace, engraving after W Brown, 1830
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    Kildrummie Castle in Mar, engraving after W Brown, 1830
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    Court of Linlithgow Palace, engraving after W Brown, 1830
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    Linlithgow Palace, engraving after W Brown, 1830
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    Lochmaben Castle, engraving after W Brown, 1830
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    Rothsay Castle Bute, engraving after W Brown, 1830
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    Roxburgh Castle, engraving after W Brown, 1830
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    Scone Palace, engraving after W Brown, 1830
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    Traquair, engraving after W Brown, 1830

Transactions of the Society of Antiquaries of Scotland, Vol III, 1831

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    Recumbent effigies of Menzies of Pitfodels, Lady Menzies, and Thomas Gordon of Rivan, 1831
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    Ancient Monuments in the Church of Kinkell, 1831
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    Curious Bronze Relic found near the Estuary of the River Findhorn, engraving after Sir Thos Dick Lauder, 1831

The Pilot. James Fenimore Cooper. London, T Allmann and Son, 42 Holborn Hill, 1832

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    The Pilot, engraving after S Austin, 1831
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    The Pilot, vignette engraving after S Austin, 1831

Select Views of some of the Principal Cities of Europe from Original Paintings by Lieut. Col. Robert Batty, Moon, Boys, and Graves, London, 1832

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    Oporto, early proof engraving by William Miller after Lieut Col Batty
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    Oporto from Villa Nova engraving by William Miller after Lieut Col Batty
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    Lisbon from Almada engraving by William Miller after Lieut Col Batty

A Topographical and Historical Account of Linlithgowshire by the late John Penney. Edinburgh Stevenson, Prince's St, 1832

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    Linlithgow Palace, engraving after anon, 1832
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    Linlithgow Palace, vignette engraving after anon, 1832

The Landscape Annual for 1830. The Tourist in Switzerland and Italy. Roscoe, Thomas. Illustrated from Drawings by S Prout. London: Robert Jennings and William Chaplin. 62, Cheapside 1830

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    Lake of Como engraving after S Prout, 1830

The Landscape Annual for 1831. The Tourist in Italy. Roscoe, Thomas. London: Robert Jennings and William Chaplin. 1831

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    Borghese Palace, Rome engraving after Samuel Prout, 1831

The Landscape Annual for 1832. The Tourist in Italy. Roscoe, Thomas. Illustrated from Drawings by J.S. Harding. London: Robert Jennings and William Chaplin. 62, Cheapside 1832

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    Isola Bella, Lago Maggiore engraving after J D Harding, 1832

The Keepsake for MDCCCXXXI, Reynolds, Frederic Mansel. London: Longman, Rees, Orme, Brown and Green, 1831

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    The Seashore, Cornwall engraving by William Miller after R P Bonington, 1831

The Keepsake for MDCCCXXXII, Reynolds, Frederic Mansel. London: Longman, Rees, Orme, Brown and Green, 1832

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    Marly (Rawlinson 327) engraving after Turner, 1832

The Keepsake for MDCCCXXXIV, Reynolds, Frederic Mansel. London: Longman, Rees, Orme, Brown and Green, 1834

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    Palace of La Belle Gabrielle on the Seine (Rawlinson 331) engraving after Turner, 1834

Algae Britannicae, or Descriptions of the Marine and other Inarticulated Plants of the British Isles belonging to the order Algae; with Plates illustrative of the Genera by Robert Kaye Greville" (Edinburgh: Machlachlen and Stewart, Edinburgh; and Baldwin and Cradock, London 1830)

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    Dictyoteae, Tab IX, engraved by William Miller after R K Greville
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    Florideae, Tab XII, engraved by William Miller after R K Greville

The Winter's Wreath for MDCCCXXXI. A Collection of Original Contributions in Prose and Verse. London: Published by George B. Whitaker; and George Smith, Liverpool. 1831

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    The Bandit's Home, engraving after J V Barber, 1832
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    Delos, engraving after D Havell, 1832

Remarks on the Comparative Merits of Cast Metal and Malleable Iron Railways; and an account of the Stockton and Darlington Railway and the Liverpool and Manchester Railway &c &c. Printed By Charles Henry Cook, (successor to the late Edw. Walker Pilgrim-Street Newcastle, 1832

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    Plan and Section of the Intended Branch Railways from the Stockton and Darlington Main Railway to the River Tess in the Counties of Durham and York, 1827, Thomas Storey Engineer, Richard Otley Surveyor, W Miller Sc. Edinr
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    Side and end views of a locomotive engine similar to the Planet employed on the Liverpool and Manchester Railway manufactured by Messrs. Rob. Stephenson & Co., Newcastle upon Tyne engraving by William Miller after J Kindar, 1832

Westmoreland, Cumberland, Durham & Northumberland. Illustrated from original drawings by Thomas Allom etc. With historical & topographical descriptions by Thomas Rose. Fisher Son and Co., London 1832

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    Llanercost Priory, Cumberland, engraving after T Allom, 1832
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    Newcastle-upon-Tyne, from New Chatham, Gateshead, engraving after T Allom, 1832
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    North and South Shields, Taken from the Rocks near Teignmouth, engraving after T Allom, 1832
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    Ullswater from Pooly Bridge, engraving after T Allom, 1832

The Literary Souvenir for 1832. Alaric A Watts. London, Longman, Rees, Orme, Brown and Green, 1832

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    Tower of London, engraving after Turner R318, 1832

The Literary Souvenir for 1833. Alaric A Watts. London, Longman, Rees, Orme, Brown and Green, 1833

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    Fairies on the Seashore, engraving after F Danby, 1833

Lyrics of the Heart and Other Poems. Alaric A. Watts. London: Longman, Brown, Green and Longmans. 1851

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    Sunset (after Claude) engraving on page after G Barrett, 1832
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    Sunset (after Claude) engraving after G Barrett, 1832
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    Mount Aetna (after Claude) engraving on page after Richard P Bonington, 1832
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    Mount Aetna (after Claude) engraving after Richard P Bonington, 1832
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    Richmond Hill engraving on page after G Barrett, 1832
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    Richmond Hill engraving after G Barrett, 1832
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    The Halt in the Desert engraving on page after D Roberts RA, 1832
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    The Halt in the Desert engraving after D Roberts RA, 1832

The Winter's Wreath for MDCCCXXXII. A Collection of Original Contributions in Prose and Verse. London: Published by George B. Whitaker; and George Smith, Liverpool. 1832. This is a later reprint renamed Death at Sea by Fisher dated 1845

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    The Wreck engraving after S Williamson, 1833

Heath's Picturesque Annual for 1832, Travelling Sketches in the North of Italy, the Tyrol, and on the Rhine. With Twenty Six Beautifully Finished Engravings from Drawings by Clarkson Stanfield. Charles Heath. London: Published for the Proprietor by Longman, Rees, Orme, Brown and Green. 1832

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    Klumm engraving after C Stanfield, 1832
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    Trent engraving after C Stanfield, 1832

Heath's Picturesque Annual for 1833; Travelling Sketches on the Rhine, and in Belgium and Holland. With Twenty Six Beautifully Finished Engravings from Drawings by Clarkson Stanfield. Charles Heath. London: Published for the Proprietor by Longman, Rees, Orme, Brown, Green, & Longman. 1833

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    Homeward Bound, Distant View of Brill engraving after C Stanfield, 1833

Heath's Picturesque Annual for 1834; Travelling Sketches on the Sea Coasts of France. With Beautifully Finished Engravings from Drawings by Clarkson Stanfield. Charles Heath. London: Published for the Proprietor by Longman, Rees, Orme, Brown and Green. 1834

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    Dieppe engraving after C Stanfield, 1834
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    Mont St Michel, Within the Walls engraving after C Stanfield, 1834

Views In The East comprising India, Canton. and The Shores of The Red Sea with Historical and Descriptive Illustrations. Elliot, Captain Robert R.N.. H. Fisher, Son & Co., Newgate Street, London 1833

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    Tomb of Humaioon Delhi, engraving after W Purser, 1833
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    Delhi, engraving after W Purser, 1833
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    Thubare, engraving after S Austin, 1833
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    Seven-storied Palace at Bejapore, engraving after S Prout, 1833
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    The British Residency at Hyderabad, engraving after Capt. Grindley, 1834

Illustrations: Landscape, Historical, and Antiquarian, to The Poetical Works of Sir Walter Scott, Bart. London, Charles Tilt, 1834 (first published as Rokeby, the frontispiece to The Aurora Borealis, the Friends' Annual, Newcastle upon Tyne 1833)

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    Glen of the Greta, engraving after George Balmer, 1834

Waverley Novels. Edinburgh Cadell, 1830-1834

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    Loch Leven proof engraving before letters by William Miller after D O Hill
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    Kinfauns proof engraving before letters by William Miller after D O Hill
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    Perth proof engraving before letters by William Miller after D O Hill
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