William Miller page 3

William Miller page 3

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Loch an Eilan, engraving after Horatio McCulloch, Royal Association for the Promotion of the Fine Arts in Scotland, 1839

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  Loch an Eilan, engraving after Horatio McCulloch, 1839

Italian Goatherds, engraving by William Miller after Robert Scott Lauder, Royal Association for the Promotion of the Fine Arts in Scotland, 1843

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  Italian Goatherds, engraving after Robert Scott Lauder, 1843
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  Italian Goatherds, detail from engraving after R S Lauder, 1843

Kilchurn Castle, Loch Awe engraving by William Miller after J M W Turner, Rawlinson 664 first published state; engraved exclusively for the Members of the Association for the Promotion of the Fine Arts in Scotland, 1847

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  Kilchurn Castle, Loch Awe engraving by William Miller after J M W Turner, Rawlinson 664 first published state, 1847

Dunluce Castle, County of Antrim,engraving by William Miller after John Thomson of Duddingstone, Royal Association for the Promotion of the Fine Arts in Scotland, 1848

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  Dunluce Castle, County of Antrim, Ireland, engraved by W Miller after J Thomson, published by Royal Association Promotion of Fine Arts - Scotland, 1848, proof engraving
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  Dunluce Castle, detail from engraving after John Thomson of Duddingstone, 1848

The Cotter's Saturday Night, Royal Association for the Promotion of the Fine Arts in Scotland, 1853

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  "The toil-worn cottar frae his labour goes" engraving after John Faed, from The Cotter's Saturday Night, Royal Association for the Promotion of the Fine Arts in Scotland, 1853
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  "Th' expectant wee things, toddlin, stacher thro'" engraving after John Faed, from The Cotter's Saturday Night, Royal Association for the Promotion of the Fine Arts in Scotland, 1853

Tam O'Shanter, Illustrated with six large engravings by John Faed RSA. Royal Association for the Promotion of the Fine Arts in Scotland, 1855

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  View of Ayr, vignette frontispiece engraving afer John Faed, 1855

Six Engravings for the Members of the Royal Association for Promotion of the Fine Arts in Scotland, Royal Association for the Promotion of the Fine Arts in Scotland, 1863

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  The Port of London, engraving after Samuel Bough, 1863

Eight Engravings in Illustration of Waverley. For the Members of the Royal Association for Promotion of the Fine Arts in Scotland, Royal Association for the Promotion of the Fine Arts in Scotland, 1865

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  Tulleveolan, engraving after William Leitch, 1865

The Art-Union: Monthly Journal of The Fine Arts, and the Arts, Decorative, and Ornamental. Volume 9. Palmer and Clayton, London, 1847

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  Dryburgh Abbey: the Grave of Scott, engraving after J A Bell, 1847
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  Pool of Thames, engraving after Sir A W Calcott, 1848
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  Prince of Orange Landing at Torbay, engraving after Turner, 1852, Rawlinson 739
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  The Watering Place, engraving after T Gainsborough, 1853
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  Dover - the Landing of Prince Albert, early proof engraving after W Knell, 1857
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  Dover - the Landing of Prince Albert, engraving after W Knell, 1857
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  The Storm, early proof engraving after W van De Velde, 1858
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  The Storm, engraving after W van De Velde, 1858
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  Vietri, early proof engraving after Clarkson Stanfield, 1859
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  Vietri, engraving after Clarkson Stanfield, 1859
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  The Shipwreck, engraving after Turner, 1861, Rawlinson 694
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  The Battle of Trafalgar, engraving after Turner, 1863, Rawlinson 698
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  Spithead, engraving after Turner, 1862, Rawlinson 699
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  Line Fishing off Hastings, engraving after Turner, 1863, Rawlinson 728
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  Modern Italy, engraving after Turner, 1875, Rawlinson 736
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  Wreck off Hastings, engraving after Turner, 1866, Rawlinson 740

Ury - The residence of the Barclay Family

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  Ury - the residence of the Barclay Family, drawn and engraved by William Miller, approximately 1856

Edward Pease

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  Edward Pease (1767-1858), portrait engraving by William Miller, approximately 1859

Rab and His Friends. Dr John Brown F.R.S.E.. Edmonston and Douglas, Edinburgh. 1862

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  Rab's Grave, engraving after George Harvey, 1862

The Imperial Bible Dictionary - Historical, Biographical, Geographical and Doctrinal - Illustrated by numerous engravings - Including the natural history, antiquities, manners, customs, and religious rites and ceremonies mentioned in the scriptures, and an account of the several books of the old and new Testaments. Patrick Fairbairn. London: Blackie and Son, Paternoster Row 1866

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  Bethlehem, engraving after W L Leitch, 1866
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  Jerusalem from the Mount of Olives, engraving after H Warren, 1866
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  Antioch in Syria from the South West, engraving after H Warren, 1866
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  The Town and Isthmus of Corinth, engraving after S Bough, 1866

Unpublished engravings by William Miller after Birket Foster

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  Peterborough, unpublished engraving after Birket Foster, 1868
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  Stratford, unpublished engraving after Birket Foster, 1868

Yorkshire Past and Present: a history and a description of the three ridings of the great county of York, from the earliest ages to the year 1870; with an account of its manufactures, commerce, and civil and mechanical engineering. Including an account of the woollen trade of Yorkshire by Edward Baines. Baines, Thomas. London: William Mackenzie, 22 Paternoster Row. 1871

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  Bolton Abbey engraving by William Miller after Henry Warren, 1871

Hood's Poems, illustrated by Birket Foster, E. Moxon, Son & Co., London 1872

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  Hymn to the Sun 'Giver of glowing light' engraving after Birket Foster, p1, Hood's Poems, Moxon 1872
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  Sonnet on Receiving a Gift 'Look how the golden ocean shines above', p3, Hood's Poems, Moxon 1872
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  The Mary 'The sea is bright with morning', p4, Hood's Poems, Moxon 1872
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  Bianca's Dream 'The next sweet even', p17, Hood's Poems, Moxon 1872
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  Ode to Rae Wilson 'Dear bells! How sweet the sounds of village bells', p27, Hood's Poems, Moxon 1872
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  Ode to Rae Wilson 'Liege's lovely environs', p32, Hood's Poems, Moxon 1872
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  Ghent, p32, Hood's Poems, Moxon 1872
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  Ode to the Moon 'Mother of light!', p42, Hood's Poems, Moxon 1872
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  To ***, with a Flask of Rhinewater 'The old catholic city was still', p46, Hood's Poems, Moxon 1872
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  The Two Peacocks of Bedfont 'There, gentle stranger, thou mays't only see', p55, Hood's Poems, Moxon 1872
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  Ode to Melancholy 'No sorrow ever chokes their throats', p57, Hood's Poems, Moxon 1872
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  The Compass, with Variations Twas in the Bay of Naples', p62, Hood's Poems, Moxon 1872
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  Stanzas to Tom Woodgate, 'To climb the billows's hoary brow', p74, Hood's Poems, Moxon 1872
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  The Key - A Moorish Romance 'Th' Alhambra's pile', p79, Hood's Poems, Moxon 1872
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  To -. Composed at Rotterdam 'Before me lie dark waters', p84, Hood's Poems, Moxon 1872
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  To -. Composed at Rotterdam 'I'm at Rotterdam', p86, Hood's Poems, Moxon 1872
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  The Knight and the Dragon 'On the Drachenfels' crest', p87, Hood's Poems, Moxon 1872
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  The Knight and the Dragon '- He gazed on the Rhine', p89, Hood's Poems, Moxon 1872
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  I Remember 'I remember, I remember, The fir trees dark and high', p102, Hood's Poems, Moxon 1872
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  Poem, from the Polish 'To think upon the Bridge of Kew', p107, Hood's Poems, Moxon 1872
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  Address 'Yes! where the foaming billows rave the while', p109, Hood's Poems, Moxon 1872

Hood's Poems, again illustrated by Birket Foster, E. Moxon, Son & Co., London 1872

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  The Dream of Eugene Aram 'Pleasantly shone the setting sun', touched proof after Birket Foster, p1, Hood's Poems, Moxon 1872
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  Autumn 'The autumn is old', touched proof after Birket Foster, p11, Hood's Poems, Moxon 1872
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  Autumn 'The autumn is old', touched proof variant 2 after Birket Foster, p11, Hood's Poems, Moxon 1872
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  The Flower 'Lawk-a-daisy', touched proof after Birket Foster, p14, Hood's Poems, Moxon 1872
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  The Elm Tree Twas in a shady avenue', touched proof after Birket Foster, p15, Hood's Poems, Moxon 1872
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  The Elm Tree 'In all its giant bulk and length', touched proof after Birket Foster, p28, Hood's Poems, Moxon 1872
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  The Haunted House 'An old deserted mansion', touched proof after Birket Foster, p45, Hood's Poems, Moxon 1872
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  The Haunted House 'And in the weedy moat the heron', touched proof after Birket Foster, p45, Hood's Poems, Moxon 1872
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  Hastings, touched proof after Birket Foster, p66, Hood's Poems, Moxon 1872
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  Hastings Beach, touched proof after Birket Foster, p67, Hood's Poems, Moxon 1872
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  Hastings Beach, touched proof after Birket Foster, p67, Hood's Poems, Moxon 1872
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  Hastings 'Boiling Sea', touched proof after Birket Foster, p71, Hood's Poems, Moxon 1872
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  Hastings 'Boiling Sea', touched proof after Birket Foster, p71, Hood's Poems, Moxon 1872
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  The Romance of Cologne Tis midnight and the moonbeam', touched proof after Birket Foster, p74, Hood's Poems, Moxon 1872
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  The Plea of the Midsummer Fairies 'Thanks ot the sweet Bard's auspicious pen' Stratford, touched proof after Birket Foster, p81, Hood's Poems, Moxon 1872
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  The Mermaid of Margate 'On Margate beach', touched proof after Birket Foster, p127, Hood's Poems, Moxon 1872
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  The Mermaid of Margate 'He was saved from the hungry deep by a boat of Deal', touched proof after Birket Foster, p133, Hood's Poems, Moxon 1872
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  Hero and Leander 'Sestos and Abydos', touched proof after Birket Foster, p164, Hood's Poems, Moxon 1872
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  Hero and Leander 'Sestos and Abydos', touched proof after Birket Foster, p164, Hood's Poems, Moxon 1872
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  A Legend of Navarre 'The old chateau', touched proof after Birket Foster, p171, Hood's Poems, Moxon 1872

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