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Identifier: dictionaryofpain05brya (find matches)
Title: Dictionary of painters and engravers
Year: 1903 (1900s)
Authors: Bryan, Michael, 1757-1821 Williamson, George Charles, 1858-1942
Subjects: Painters Engravers
Publisher: London, G. Bell
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

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ce. 1547. Portrait of Christoforo Ma- druzzo.Annunciation.Resurrection.Last Supper.Assumption. 1518.John the Baptist.Presentation of the Virgin. 1540.Pieta. 1573. (Finished by Palma Giovane.)Pesaro Madonna. 1526.Martyrdom of St. Lawrence. St. John. 1533. Verona.Vienna. Scvola di San Rocco. Duomo. Gallery. » Czernin Gallery. St. James. Christ Child, and Saints. ■ St. Mark Enthroned. Descent of Holy Spirit.Medallions in Roof of Choir.Three Ceiling Pieces.Tobias and Angel.Annunciation.Transfiguration.S. Nicolas of Bari.Ceiling Painting of Wisdom.St. Christopher. 1523.Doge Grimani before Faith.1555. > Annunciation. Assumption of the Virgin. Madonna of the Cherries. Little Tambourine Player.Large Ecce Homo. 1543.Isabella dEste. 1534. Das Madchen in Pelz.Benedetto Varchi.John Frederick of Saxony. 1548.Jacopo di Strada. 1566.Shepherd and Nymph.Portrait of Doge Gritti. BIBLIOGRAPHY. Crowe and Cavalcaselle, Titian.Gronau, Tizian. Berlin, 1900. London, 1877. VECELLI TIZIANO CALI.KD TITIAN
Text Appearing After Image:
Hanfst&ngl photo) (The Aecademia, Jenice THE ASSUMPTION PAINTERS AND ENGRAVERS. Claude Phillips, The Earlier and Later Work of Titian. Portfolio, 1897, 1898.Knackfuss,Tizian. Leipzig, 1900.Lafenestre, La vie et lCE ivre de Titien. Paris, 1886.Morelli, Italian Painters. 1S90, passim.Burckhardt, Cicerone, passim. The above give the most authentic accounts ofthe life of the painter. The older authoritiescomprise : Dolce, LAretino. 1557.Vasari,Lives. 1568.Borfhini, Riposo. 1584.Kidolfi. 1648.Tizianello, Anonimo. 1622. There is besides a vast quantity of literature onspecial points connected with his life. jr. C. TITO, Pompilio, an obscure engraver, who wasat work in Rome about the year 1685. His printsare said to be marked with the initials P. T. TITO, Santi di, painter, born at Borgo S. Sepol-cro, in the Florentine state, October 6, 1536, wasfirst a disciple of Agiolo Bronzino, but, accordingto Baldinucci, afterwards became a scholar ofBaccio Bandinelli. He also studied hard fromthe

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