Identifier: dictionaryofpain05brya (find matches)
Title: Dictionary of painters and engravers
Year: 1903 (1900s)
Authors: Bryan, Michael, 1757-1821 Williamson, George Charles, 1858-1942
Subjects: Painters Engravers
Publisher: London, G. Bell
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
rding to Crespi, anative of Bologna, and flourished about the year1700. He was one of the ablest disciples of CarloCignani, and painted history with considerableskill. He had given proof of talent, in two altar-pieces for the church of San Niccol6, at Rimini,when he died in the prime of life. ZAMBRANO, Alonso. See Llera. ZAMBRANO, Juan Luis, a Spanish painter, wasborn at Cordova towards the close of the 16th cen-tury. He was a disciple and follower of Pablo deCespedes. His principal works are in the cathedralat Cordova, in the church of the convent of LosMartyres, and in the Colegio de Santa Catalina.He settled at Seville about the time of the death ofCespedes, in 1608, and there painted several altar-pieces and three large pictures upon the staircaseof the convent of San Basilio. He died at Sevillein 1639. ZAMORA, Juan de, a native of Seville, flour-ished from about 1650 to 1671. He distinguishedhimself as a painter of landscapes, embellished with DOMENICO ZAMPIERI CALLED DOMENICHINO
Text Appearing After Image:
Han)st, itig I photo) The Vatican, Rome THE COMMUNION OF ST. JEROME PAINTERS AND ENGRAVERS. historical figures, in which he appears to haveimitated the style of the best masters of the Flemishschool. Some of his best pictures are preservedin the Episcopal Palace at Seville. There was alsoa Diego Zamora, who painted at the latter part ofthe 16th century in tho cathedral of Seville, butnothing further is known of him. ZAMORA, Sancho de, was a painter who flour-ished towards the close of tho 15th century. In thechapel of Santiago, in Toledo Cathedral, there is analtar-piece painted by him in 1498. ZAMPEZZO, Giovanni Battista, was bom atCittadella, near Bassano, in 1620, and studied atVenice, under Jacopo Apollonio. He was a suc-cessful imitator of Jacopo da Ponte, and paintedsome altar-pieces for the churches at Bassano. Hedied in 1700. ZAMPIERI, Domenico, (or Sampieri,) commonlyknown as Domenichino, was born at Bologna in1581, and was placed, when young, under the tuitionof Dionysius Ca

Note About Images