File:George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762 RMG L8416.jpg

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Thomas Hudson: George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762  wikidata:Q50866226 reasonator:Q50866226
Artist
Thomas Hudson  (1701–1779)  wikidata:Q1502003
 
Thomas Hudson
Description English art collector, painter, portraitist and visual artist
Date of birth/death 1701 Edit this at Wikidata 26 January 1779 Edit this at Wikidata
Location of birth/death Devon Twickenham
Work location
Authority file
artist QS:P170,Q1502003
image of artwork listed in title parameter on this page
Title
George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762 Edit this at Wikidata
title QS:P1476,en:"George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762 Edit this at Wikidata"
label QS:Len,"George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762

A three-quarter-length portrait to right wearing a blue coat and red waistcoat. Both are richly frogged with gold lace and gold buttons, and white lace froths at the cuffs and collar. Anson wears a grey bag-wig, and his hat is visible under his left arm. His right hand rests on the corner of a table on which is a rolled up scroll and book, or charts. The table is marble-topped with ornate gilt carved legs. He stands against a background of carved swags on the far left and distant shipping on the right.

Although Hudson painted several portraits of Anson and his wife, this example does not closely resemble them. Anson, commanding the 'Centurion', circumnavigated the world on a raiding voyage against Spanish interests in the Pacific in 1740-44 and in 1743 became a wealthy man as a result of capturing the Spanish treasure ship 'Nuestra Senora de Covadonga' off the Philippines. Later in command of the Channel fleet he defeated the French at the first Battle of Finisterre, 1747, after which he was raised to the peerage and married Elizabeth Hardwicke, whose father Philip was the Lord Chancellor of England. He was subsequently involved in administrative and dockyard reforms, including introduction of officer's uniform in 1748 and revisions of the Articles of War. His two terms as First Lord of the Admiralty, 1751-56 and 1757-62 contributed significantly to the victories of the Seven Years War. His last sea-going service was in 1758 and he became Admiral of the Fleet in 1761. Shugborough Hall, the magnificent Staffordshire house which he originally built with his Spanish prize money, is now owned by the National Trust and also preserves various paintings and other relics relating to his career, although other items formerly there are also now in the Museum collection.

This portrait has always been identified as Anson, though not on grounds other than tradition and appearance - which is younger than many other portraits of him. Allan Ramsey has also been a previous suggestion for authorship. It has hitherto been recorded as of about 1751, but the fact the sitter is not in official Naval uniform suggests it was painted before Anson himself introduced it in 1748 and probably while he was still a captain. The most striking additional feature is its magnificent contemporary frame, carved and gilded with trophies of naval arms and navigation, which is presumed to be the original one.

George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762. Thomas Hudson. Scanned transparency and crop of BHC2517
Date before 1748
date QS:P571,+1748-00-00T00:00:00Z/7,P1326,+1748-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 1270 mm x 1015 mm; Frame: 1730 mm x 1300 mm x 220 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC2517
Notes

This object was sighted as being on display during the Collections Inventory Project (2001-2005).

Sold Sothebys 24 June 1931, lot 87 as attributed to Hudson, 49 x 39 in. 'From the Collection of the 4th Earl of Albemarle. Painted for Admiral Keppel' catalogue annoted '100'
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/13991
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Other versions
Identifier
InfoField
Acquisition Number: 1932-12
Caird Catalogue Number (CCAT): CC V1, P59, 294
id number: BHC2517
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current21:38, 17 September 2017Thumbnail for version as of 21:38, 17 September 20171,027 × 1,280 (522 KB) (talk | contribs)Royal Museums Greenwich Oil paintings (1748), http://collections.rmg.co.uk/collections/objects/13991 #885-1

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