File:George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762 RMG L8416.jpg
Original file (1,027 × 1,280 pixels, file size: 522 KB, MIME type: image/jpeg)
Captions
Summary
editThomas Hudson: George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762 | ||||||||||||||||||||||
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Artist |
artist QS:P170,Q1502003 |
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Title | ||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | |||||||||||||||||||||
Description |
English: George Anson, 1st Baron Anson, Admiral of the Fleet, 1697-1762 A three-quarter-length portrait to right wearing a blue coat and red waistcoat. Both are richly frogged with gold lace and gold buttons, and white lace froths at the cuffs and collar. Anson wears a grey bag-wig, and his hat is visible under his left arm. His right hand rests on the corner of a table on which is a rolled up scroll and book, or charts. The table is marble-topped with ornate gilt carved legs. He stands against a background of carved swags on the far left and distant shipping on the right. Although Hudson painted several portraits of Anson and his wife, this example does not closely resemble them. Anson, commanding the 'Centurion', circumnavigated the world on a raiding voyage against Spanish interests in the Pacific in 1740-44 and in 1743 became a wealthy man as a result of capturing the Spanish treasure ship 'Nuestra Senora de Covadonga' off the Philippines. Later in command of the Channel fleet he defeated the French at the first Battle of Finisterre, 1747, after which he was raised to the peerage and married Elizabeth Hardwicke, whose father Philip was the Lord Chancellor of England. He was subsequently involved in administrative and dockyard reforms, including introduction of officer's uniform in 1748 and revisions of the Articles of War. His two terms as First Lord of the Admiralty, 1751-56 and 1757-62 contributed significantly to the victories of the Seven Years War. His last sea-going service was in 1758 and he became Admiral of the Fleet in 1761. Shugborough Hall, the magnificent Staffordshire house which he originally built with his Spanish prize money, is now owned by the National Trust and also preserves various paintings and other relics relating to his career, although other items formerly there are also now in the Museum collection. This portrait has always been identified as Anson, though not on grounds other than tradition and appearance - which is younger than many other portraits of him. Allan Ramsey has also been a previous suggestion for authorship. It has hitherto been recorded as of about 1751, but the fact the sitter is not in official Naval uniform suggests it was painted before Anson himself introduced it in 1748 and probably while he was still a captain. The most striking additional feature is its magnificent contemporary frame, carved and gilded with trophies of naval arms and navigation, which is presumed to be the original one. |
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Date |
before 1748 date QS:P571,+1748-00-00T00:00:00Z/7,P1326,+1748-00-00T00:00:00Z/9 |
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Medium | oil on canvas | |||||||||||||||||||||
Dimensions | Painting: 1270 mm x 1015 mm; Frame: 1730 mm x 1300 mm x 220 mm | |||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Current location | ||||||||||||||||||||||
Accession number |
BHC2517 |
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Notes |
This object was sighted as being on display during the Collections Inventory Project (2001-2005). Sold Sothebys 24 June 1931, lot 87 as attributed to Hudson, 49 x 39 in. 'From the Collection of the 4th Earl of Albemarle. Painted for Admiral Keppel' catalogue annoted '100' |
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References | ||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/13991 | |||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Other versions |
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Identifier InfoField | Acquisition Number: 1932-12 Caird Catalogue Number (CCAT): CC V1, P59, 294 id number: BHC2517 |
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Collection InfoField | Oil paintings |
Licensing
edit
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 21:38, 17 September 2017 | 1,027 × 1,280 (522 KB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1748), http://collections.rmg.co.uk/collections/objects/13991 #885-1 |
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Metadata
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Image title |
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Camera manufacturer | Creo |
Camera model | EverSmart Supremw |
Author | Joshua Akin |
Date and time of data generation | 1507020949 |
Online copyright statement | ©National Maritime Museum, Greenwich, London. All rights reserved. www.images.rmg.co.uk |
Copyright holder |
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Short title |
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Width | 17,919 px |
Height | 22,327 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS6 (Macintosh) |
File change date and time | 12:39, 6 July 2015 |
Color space | Uncalibrated |
Date metadata was last modified | 13:39, 6 July 2015 |
Date and time of digitizing | 17:47, 18 September 2013 |
Copyright status | Copyrighted |
Unique ID of original document | xmp.did:39CCA2CC112068118083E812D5397A57 |