Identifier: internationalstu70newy (find matches)
Title: International studio
Year: 1897 (1890s)
Authors:
Subjects: Art Decoration and ornament
Publisher: New York
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

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Text Appearing Before Image:
"LOOKING AT PRINTS."
BY FREDERICK A. BOSLEY
(Carnegie Institute, Pittsburgh)

twenty works of M. Emile Rene Menard,
of which the most impressive were per-
haps La Naissance d'Aphrodité, Les
Bergers and a superb pastel L'Enlèvement
d'Europa. In an adjoining gallery one met
with such works as Sir William Orpen's
self-portrait A Man from Arran, and his
striking portrait of Mrs. St. George, a
portrait of capital psychological interest
of Rodin by M. Jacques Emile Blanche,
and a fine landscape by M. Andre Dauchez,
Bouquet de Pins. Other notable works
were the late Frank Duveneck's Woman
32 with Forget-me-nots ; The Table near the
Open Window, by M. Henri Eugene Le
Sidaner; Mr. Gari Melchers's pair of
Scotsmen, MacPherson and MacDonald,
in colorful Highland costume ; Mr.
Charles Shannon's portrait of Miss
Lillah McCarthy in character ; Señor
Ignacio Zuloaga's portrait of Mrs. John
Work Garrett ; Mr. Douglas Volk's por-
trait of the late William Macbeth, art
dealer, of New York; Mr. Malcolm
Parcells portrait of Ann Rholene ; Mr.
William Nicholsons portrait of Walter
32

STUDIO-TALK
Text Appearing After Image:
"SUSANNA AND HER SISTERS"
BY WALTER UFER
(Carnegie Institute, Pittsburgh)

Greaves, associated with Whistler ; a
most convincing portrait of Mr. Kenneth
Mathieson, by Sir Arthur Cope ; and
a double portrait of the Walker Brothers,
by Mr. George J. Coates.
In the position of honour at one end of
the same gallery was M. Lucien Simon's
important canvas Nausicaa à la Fontaine,
a technically great work with fine colour
and good drawing of the nudes, somewhat
academic in conception perhaps, but not
academic in execution. At the other end
was Mr. Anders L. Zorn's portrait of the
late Andrew Carnegie, founder of the
Institute, decorated with emblems of
remembrance.
The attractions facing each other in one
of the side rooms were Mr. Wayman
Adams's group The Conspirators, contain-
ing portraits of Pennell, McLure Hamilton,
and Burns, and Mr. George W. Lambert's
group of Important People (who are M.
Marchand, a coster and girl with babe),
both works extremely clever performances.
33

STUDIO-TALK

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