Identifier: internationalstu60newy (find matches)
Title: International studio
Year: 1897 (1890s)
Authors:
Subjects: Art Decoration and ornament
Publisher: New York
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

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Text Appearing Before Image:
The tenth annual exhibition of hand-wrought
articles—Jewellery, Metal-work, Ceramics, Wood
Carving, Textiles, Leather-work, Baskets, Photo-
graphs, Christmas Cards, etc., will be held under
the auspices of the National Society of Craftsmen
in the Arts Club Gallery, 119 East 19th Street,
New York City, from December 6 to Decem-
ber 29.
The work of Ossip Perelman, of the Imperial
Academy of Petrograd, was on view last month
at Knocdlers and made a great impression. On
page Iviii we have reproduced his wonderful por-
trait of M. Stassoff, a seven-foot Russian with
brain in proportion, who sits on a veranda in
Russian costume, red morocco lop boots, baggy
blue-black breeches, and yellow smock. The way
he has worked from the startling red boots up
into the atmosphere is a joyous performance.
Hugo Ballin has been exhibiting drawings at
the Goupil Galleries; composition studies, por-
traits, nudes, draperies, altar sketches, etc.,
mostly studies for the many murals executed of
late years. Ossip Linde has just exhibited Vene-
Text Appearing After Image:

FAIRHAVEN BY CLIFFORD W. ASHLEY
LXVII

Gallery Notes

tian and Connecticut paintings at the Historical
and Art Society in Albanjy. His pictures of
Venice and Bruges have been specially noticed in
this magazine for their fine qualities. His suc-
cess as a teacher at Westport equals his record
as an efficient artist. Good colour and consider-
able imagination mark Emil Holzhauer's exhibi-
tion at the Braun Galleries. William B. E.
Ranken has been showing unusual water colours
of figureless interiors at Knoedler's. The in-
teriors he selects are so interesting that a figure
would be an intrusion. Staterooms at Blenheim
Palace jostle Chinese Pagodas and Fifth Avenue
drawing-rooms; all are rich in colour and design.
The Ehrich Galleries (Q105698482) continue in their well-
directed efforts towards instilling in the collector
a desire for the lesser-known masters, especially
as the greatest men are unobtainable or else too
expensive for the ordinary man. Former exhibi-
tions of this nature have been highly successful.
The Macbeth Gallerv has been shewing the

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