Wikimedia Commons

File:L'architecture. Le passé.-Le présent (1916) (14774944111).jpg

Original file (3,439 × 2,180 pixels, file size: 815 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

edit
Description
English:

Identifier: larchitecturelep00baud (find matches)
Title: L'architecture. Le passé.--Le présent
Year: 1916 (1910s)
Authors: Baudot, Anatole de, 1834-1915
Subjects: Chaine, Henri Architecture
Publisher: Paris, H. Laurens
Contributing Library: University of Ottawa
Digitizing Sponsor: University of Toronto

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
Fig. 7. â Parthénon.(Face principale). Grecs, et vous détruirez lÅuvre dans ce quelle a de vraimentbeau et de saisissant (voir fig. 7 et 8). On a beaucoup écrit et discuté sur les origines de lentable-ment et sur limportance exagérée, inutile à la construction,qui lui a été donnée. En ce qui concerne lorigine attribuéeà une interprétation en pierre des premiers temples en bois,antérieurs au vi^ siècle avant notre ère, cest là une opinion quinest sûrement pas justifiée; quant à la hauteur inutile de lenta-blement, lobservation est exacte, mais cette hauteur sexphque.Il est certain que dans les temples primitifs en pierre, larchitraveporte directement la corniche et le plafond sans frise intermé-diaire. Pour quelle raison à Pestum et au Parthénon, â et dail-
Text Appearing After Image:
u. 28 LARCHITECTURE leurs dans lionique et le corinthien comme dans le dorique, âla frise intervient-elle? Y a-t-il là une préoccupation de struc-ture eu égard au plafond ? Cest possible, mais on serait plusporté à croire quil sagit ici dune question de proportion résul-tant dun système modulaire et rythmique, daprès lequel lahauteur totale du portique se trouvait déterminée par létenduedu temple. Si lentablement complet neût pas existé tel quilest, il fût devenu indispensa;ble de donner plus de hauteur auxcolonnes et den augmenter le diamètre. Mais alors leur impor-tance, eu égard à la charge réduite résultant de la suppressionde la frise, nétait plus justifiée. 11 fallait donc mettre tout enharmonie : la hauteur de lentablement simposait pour la satis-faction des proportions de lensemble. En procédant ainsi leGrec a-t-il été illogique et a-t-il donné un mauvais exemple ?Je ne le pense pas, étant observé que son but se limitait à larecherche de la beautÃ

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date
Source

https://www.flickr.com/photos/internetarchivebookimages/14774944111/

Author Internet Archive Book Images
Permission
(Reusing this file)		 At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Flickr tags
InfoField
  • bookid:larchitecturelep00baud
  • bookyear:1916
  • bookdecade:1910
  • bookcentury:1900
  • bookauthor:Baudot__Anatole_de__1834_1915
  • booksubject:Chaine__Henri
  • booksubject:Architecture
  • bookpublisher:Paris__H__Laurens
  • bookcontributor:University_of_Ottawa
  • booksponsor:University_of_Toronto
  • bookleafnumber:32
  • bookcollection:universityofottawa
  • bookcollection:toronto
Flickr posted date
InfoField
29 July 2014

Licensing

edit
This image was taken from Flickr's The Commons. The uploading organization may have various reasons for determining that no known copyright restrictions exist, such as:
  1. The copyright is in the public domain because it has expired;
  2. The copyright was injected into the public domain for other reasons, such as failure to adhere to required formalities or conditions;
  3. The institution owns the copyright but is not interested in exercising control; or
  4. The institution has legal rights sufficient to authorize others to use the work without restrictions.

More information can be found at https://flickr.com/commons/usage/.

Please add additional copyright tags to this image if more specific information about copyright status can be determined. See Commons:Licensing for more information.
This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14774944111. It was reviewed on 6 August 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

6 August 2015

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current18:33, 13 August 2015Thumbnail for version as of 18:33, 13 August 20153,439 × 2,180 (815 KB)Finavon (talk | contribs)rotated
22:17, 6 August 2015Thumbnail for version as of 22:17, 6 August 20152,248 × 3,506 (820 KB)Fæ (talk | contribs)== {{int:filedesc}} == {{subst:chc}} {{information |description={{en|1=<br> '''Identifier''': larchitecturelep00baud ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Flarchitecturele...

You cannot overwrite this file.

There are no pages that use this file.

Metadata

This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:L%27architecture._Le_passé.-Le_présent_(1916)_(14774944111).jpg&oldid=653718786"