Identifier: textbookofsimple00riem (find matches)
Title: Text-book of simple and double counterpoint including imitation or canon
Year: 1904 (1900s)
Authors: Riemann, Hugo, 1849-1919
Subjects: Counterpoint Musical canon
Publisher: Leipzig Breitkopf & Härtel
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

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In the three and four-voiced working-out of the exercisesunder § 9 (counterpoint invented freely throughout), we againrestrict the parallel forms of writing and place a voice-part,florid thioughout, in antithesis to a cantus firmus; only we con-cede to the added fourth voice-part the privilege of leaningupon any one of the three, or alternating between them adlibitum: Problem 40: To write a florid voice-part to the exercisesbelonging to problem 25; the fourth voice-part leaning uponany of the three others as necessity requires.167. A. 2. Cpt. l.Cpt.^ C. f. ^1^1 -?-^ --=\- ^^^n^ -K-f- *-* lt±L X^- feEii —^—^-a—S—I m^mm ii0- ^=± 3 § 13. THREE AND FOUR-PART COUNTERPOINT, &c. 95 W --fy f ^^i^^EE^EJ ii::Jt^=i=^^5st: rfZ^if-ff-i ^- ^^^^f^ teEI^^^-^E^^^^ -ara-i iS: ^- ^^r^^^-^^^^^^ ■-(^-,- I^^Hg^t^^^^^^ SE jg^ 1^=.- i^ g^^S^^J #-^ 1—I—i—F—•-F-j-af Pi^^^p j3p^j =t: 96 I. SIMPLE COUNTERPOINT. The same four-voiced and inverted:168. A.
Text Appearing After Image:
?t;*-f: -fLfe nm^^^^m^ i?r,^= r^M>jt I I I f >■ - ^ ^ § 13. THREE AND FOUR-PAET COUNTERPOINT, &c. 97 m pSiL^d^EiJgil tL^ m^E^^^^^^^ il^E SB Lack of room causes us to forego the three and four-voiced elaborations of the three other counterpoints to thesame cantus firmus; and from cantus firmus B we produceonly one example, the others being left to the zealous, ambi-tious student to develop: 169. B. 2. Opt. 1. Cpt., C. f. ¥ ^35 --^±=:^ i=-#i •0—^ •~f- fPp- -*?-^=^ H^# CS=:: -#—W- n-0- >-«^ ■^=^- ffiEl * ijv-iiv: ^.=£ Wm i^^t -(•-#- --N- :H«: ?^ gfei MeSe 0:=^ =#^ RiEMANN, Counterpoint. 98 I. SIMPLE COUNTERPOINT.

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