Identifier: centuryillustratv43n2newy (find matches)
Title: The century illustrated monthly magazine
Year: 1882 (1880s)
Authors:
Subjects: American literature
Publisher: New York : Century Co.
Contributing Library: Lincoln Financial Foundation Collection
Digitizing Sponsor: The Institute of Museum and Library Services through an Indiana State Library LSTA Grant

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raining of the appren-tice was in grinding colors, preparing grounds,tracing the designs of the master on the panel,and, as power increased, in doing by rule moreor less of the actual painting. These processesGiovanni Santi must have learned before hecould be considered a painter, and these hemust have been competent to teach his son;and as we know that in the case of some of themasters of the epoch the studio-training beganat the age of eight, when the boys were sentaway from home to the masters house, we needstrain no probabilities in supposing that theyoung Raphael might have been indulginghis precocity at seven, or even at six, in hishome and under his fathers eye, and that atthe time of his reception in the studio of Peru-gino (which we have no data to place earlierthan 1500, though it may have taken place in1495 immediately after his fathers death) heknew already the elements of the painters artwell enough to become a valuable assistant.The question where Raphael spent the years
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THE MADONNA OF THE GOLDFINCH, BY RAPHAEL. ENGRAVED BY T. COLE, FROM THE PAINTING IN THE UFFIZI GALLERY, FLORENCE. 1 J_._. ._:_tlY 1_. ■■ .^. ■ *V,;;,.-r. --nilL ^Ll, ■- ■■■■■-■---■■ - I... ■ - -J ■ -t - 1 ■■ -A .-•■ ■ *- . y ..-*.- .

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