Identifier: centuryillustratv43n2newy (find matches)
Title: The century illustrated monthly magazine
Year: 1882 (1880s)
Authors:
Subjects: American literature
Publisher: New York : Century Co.
Contributing Library: Lincoln Financial Foundation Collection
Digitizing Sponsor: The Institute of Museum and Library Services through an Indiana State Library LSTA Grant

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Text Appearing Before Image:
THE MADONNA OF THE GOLDFINCH, BY RAPHAEL. ENGRAVED BY T. COLE, FROM THE PAINTING IN THE UFFIZI GALLERY, FLORENCE. 1 J_._. ._:_tlY 1_. ■■ .^. ■ *V,;;,.-r. --nilL ^Ll, ■- ■■■■■-■---■■ - I... ■ - -J ■ -t - 1 ■■ -A .-•■ ■ *- . y ..-*.- .
Text Appearing After Image:
/ENEAS GROUP FROM THE INCENDIO DEL BORGO, BY RAPHAEL. ENGRAVED BY T. COLE, FROM THE ORIGINAL FRESCO IN THE VATICAN. -X,^ )-*!■■> M>1 ITALIAN OLD MASTERS. 169 between his fathers death and the recognizeddate (1500) of his being at work with Peruginohas been discussed with a superabundance ofhypothesis. He has been assigned to Timoteodella Vite and to Signorelli, but on no evidencewhatever. We have no trace of the influenceof any other painter than Perugino in his work,for as we know nothing of the style or attain-ments of Giovanni Santi we cannot pretend tofind his manner in it. But it is not difficult toaccount for the probability of the earliest in-fluence of Perugino, because we know fromthe poem of Giovanni that he regarded thatmaster as the peer of Leonardo, who at thattime was the highest of all the painters of theday in the general estimation; and if Giovannisown induction into the technic of the art wasnot due to Perugino, there can be no ques-tion that he absorbed wh

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