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File:A history of painting in Italy - Umbria, Florence and Siena from the second to the sixteenth century (1903) (14595311108).jpg

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Description
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Identifier: gri_33125001989728 (find matches)
Title: A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century
Year: 1903 (1900s)
Authors: Crowe, J. A. (Joseph Archer), 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 Strong, S. Arthur (Sandford Arthur), 1863-1904 De Nicola, G Borenius, Tancred, 1885-1948 Douglas, R. Langton (Robert Langton), 1864-1951
Subjects: Painting, Italian
Publisher: London : J. Murray
Contributing Library: Getty Research Institute
Digitizing Sponsor: Getty Research Institute

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drawing certain features constantly in the same way,for instance, aquiline noses with drooping tips and broad nostrils. *^ In the current catalogue (No. 133) of the Galleria Antica e Moderna thispicture is given to the school of the Lorenzetti. Beneath the principal figure is an inscription with the date 1316. According tothe current catalogue, it was in the Church of S. Giovanni Evangelista for twohundred and forty years. The altarpiece has been dismembered and put togetheragain, and some of the panels have been retouched. This picture was painted for the convent at Vallombrosa, of which St.Humility of Faenza was the first abbess. She died in the year 1310 ; and thealtarpiece was ordained to commemorate her, and placed above the altar beneathwhich her body lay. The Berlin panels certainly are a part of the original picture. *2 In the current catalogue (No. 1,077 and 1,077a) of the Kaiser FriedrichMuseum these little panels are given to Pietro Lorenzetti. See also aTitea, ii,, p. 164.
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3
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30 July 2014

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