File:Admiral George Keith Elphinstone, 1746-1823, 1st Viscount Keith RMG BHC2816.tiff
Original file (5,739 × 7,200 pixels, file size: 118.22 MB, MIME type: image/tiff)
Captions
Summary
editGeorge Sanders: Admiral George Keith Elphinstone, 1746-1823, 1st Viscount Keith | |||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
|
||||||||||||||||||||||||||
Author |
George Sanders |
||||||||||||||||||||||||||
Title | |||||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
||||||||||||||||||||||||||
Genre | portrait | ||||||||||||||||||||||||||
Description |
English: Admiral George Keith Elphinstone, 1746-1823, 1st Viscount Keith A three-quarter-length portrait to the left, wearing the robes and Grand Cross of the Order of Bath. He stands in front of a column and in the background to the left a ship denoting his naval career is shown. Keith was born at Stirling and first served in the Navy during the Seven Years War, though only commissioned in 1770. Thereafter he fought with distinction, gaining several important victories both in Europe and elsewhere. He made his name by capturing Charleston, South Carolina, in the spring of 1780 and, still a captain, helped take Toulon in 1793 at the start of the French Revolutionary War. He became a rear-admiral in 1794, took the Cape of Good Hope from the Dutch in 1795, Ceylon in 1796 and received a barony in 1797. Keith took part in the British campaigns that drove Napoleon's French forces out of Egypt and was an often disapproving commander-in-chief over Nelson in the Mediterranean at the time of the latter's Neapolitan involvements, after the Battle of the Nile. He was promoted to Admiral in 1801 and in 1803 took command in the North Sea, thereafter being largely concerned in home defence against Napoleon's threatened invasion. In 1812 he took over the Channel fleet and, though largely commanding from ashore, prevented the escape of Napoleon from France after Waterloo. As the Prince Regent's representative, he received Napoleon's final surrender and supervised the deposed French Emperor's removal to his last exile on St. Helena in 1815. He was elevated to Viscount in 1814. Sanders (1774-1846) - often spelt 'Saunders' and confused with the English painter George Lethbridge Saunders (1807-63) - was a Scottish artist better known as a miniaturist, but who painted full-scale oil portraits for a period from 1812, many being of distinguished sitters and at high prices. Not suprisingly many were distinguished Scots, like Keith. There is a version (or possibly a copy) of this portrait in the United Service Club collection and the head may be based on an earlier one of Keith in uniform, of which there is an 1812 print. The date of this and the United Service Club versions are indicated by the presence of the Grand Cross of the Order of the Bath, which Keith received in January 1815, having been elevated to Viscount the previous May. |
||||||||||||||||||||||||||
Date |
after 1815 date QS:P571,+1815-00-00T00:00:00Z/7,P1319,+1815-00-00T00:00:00Z/9 |
||||||||||||||||||||||||||
Medium | oil on canvas | ||||||||||||||||||||||||||
Dimensions | Frame: 1462 mm x 1200 mm x 100 mm;Painting: 1270 mm x 1016 mm | ||||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
||||||||||||||||||||||||||
Current location | |||||||||||||||||||||||||||
Accession number |
BHC2816 |
||||||||||||||||||||||||||
Notes | Museum Records have been unable to tie up acquisition number with a file. Artist's attribution needs checking [Assuming basic attribution is OK I am sure this is the 1774-1846 man, there's a handsome small full-length of him by Andrew Geddes in the Scottish National Gallery: PvdM]. | ||||||||||||||||||||||||||
References | |||||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/14289 | ||||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
||||||||||||||||||||||||||
Identifier InfoField | Acquisition Number: OP1951-26 id number: BHC2816 |
||||||||||||||||||||||||||
Collection InfoField | Oil paintings |
Licensing
edit
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 21:25, 15 September 2017 | 5,739 × 7,200 (118.22 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1815), http://collections.rmg.co.uk/collections/objects/14289 #742 |
You cannot overwrite this file.
File usage on Commons
The following page uses this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Width | 5,739 px |
---|---|
Height | 7,200 px |
Bits per component |
|
Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 140 |
Number of components | 3 |
Number of rows per strip | 7,200 |
Bytes per compressed strip | 123,962,400 |
Data arrangement | chunky format |